In this episode of Nerd Legion, MonteCristo and DoA dive into PLURIBUS (aka PLUR1BUS), the new Apple TV+ sci-fi series where a mysterious pathogen slowly fuses all humans into a single, global hive mind. They break down the show’s philosophy, dark comedy, and unsettling medical horror along with why Vince Gilligan’s creative fingerprints are all over it.

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Predator: Badlands shouldn’t be this good.

MonteCristo and DoA went in expecting another forgettable franchise sequel and came out calling it the best Predator film since 1987. In this episode of Nerd Legion, the hosts break down how Dan Trachtenberg turned a dormant IP into a bold, emotional, and surprisingly funny sci-fi blockbuster.

They discuss the film’s unexpected focus on the Predator’s culture and honor code, Elle Fanning’s dual performance, and how the movie manages to feel both classic and completely new. From the inventive world-building to the subtitled alien language and practical effects, Predator: Badlands proves that simple stories told well still hit the hardest.

The conversation also detours into Guillermo del Toro’s Frankenstein, the curse of bloated superhero films, and why Hollywood keeps forgetting how to make tight, self-contained action movies.

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MonteCristo and DoA return to dissect Netflix’s latest fantasy implosion, where Liam Hemsworth steps into the role of Geralt and discovers that charisma and coherent writing have both been exhumed. From botched tone and nonsense plotting to uneven VFX and dialogue that feels AI-generated, The Witcher has finally become the kind of fantasy parody it used to mock.

The hosts break down why the show collapsed: bizarre subplots, missing chemistry, baffling character arcs, and some of the worst world-building since The Acolyte. They compare Cavill’s grounded performance to Hemsworth’s “mush-mouth” Witcher, praise Laurence Fishburne for stealing every scene, and mourn the death of what was once Netflix’s flagship genre series.

Plus: how this all ties back to bad adaptation culture, writer-room ego, and why Henry Cavill was right to leave when he did.

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Splinter Cell: Deathwatch might be the most unexpected comeback in gaming history: an animated Netflix series based on a franchise that’s been dormant for a decade. MonteCristo and DoA dive deep into Ubisoft’s strange revival of Sam Fisher, the stealth-action legend who’s now older, grizzled, and apparently stuck in an anime-style John Wick universe created by Derek Kolstad.

In this episode, the hosts debate whether Deathwatch is a solid espionage thriller or just a messy prelude to Ubisoft’s upcoming Splinter Cell remake. They discuss the show’s surprising violence, chaotic hacking scenes, and the questionable logic of “chaos algorithms,” plus the performances of Liev Schreiber as Sam Fisher and the legacy of Michael Ironside’s voice.

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There’s bad. There’s so bad it’s good.

And then there’s Ator 2: The Blade Master: a sword-and-sorcery disasterpiece that transcends failure and becomes pure comedy gold.

MonteCristo and DoA continue Nerd Legion’s 1980s fantasy marathon with the most unintentionally hilarious movie ever filmed. From its wooden acting and nonsensical dubbing to its unforgettable hang glider bombing run, The Blade Master proves that even terrible movies can become classics in their own chaotic way.

Along the way, the hosts explore the bizarre Italian fantasy boom of the 1980s, Ator’s legacy as the world’s dumbest hero, and how this film’s director went from swords and sorcery to adult cinema.

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Lone Wolf and Cub: Sword of Vengeance (1972) might be the most outrageous and hardcore samurai film we’ve covered yet. Former shogunate executioner Ogami Ittō becomes a disgraced wanderer, pushing his infant son through Edo-period Japan in a baby cart full of hidden weapons. Along the way, he faces betrayal, conspiracies, and blood-soaked battles that helped inspire everything from The Mandalorian to Ghost of Yōtei.

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Samurai Champloo is one of the most stylish anime ever made: hip hop, samurai, and pure visual flair. But does the second half of the series actually collapse under its own weight? In Part Two of our Ghost of Yōtei Inspirations series, MonteCristo and DoA cover episodes 14–26 and debate whether Champloo is a masterpiece of style or one of the most frustrating anime endings ever.

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What happens when samurai sword fights meet hip hop beats? In 2004, director Shinichirō Watanabe followed up Cowboy Bebop with Samurai Champloo: a wild mashup of Edo-era Japan, breakdance-inspired swordplay, and lo-fi counterculture.

Two decades later, Champloo still feels fresh, and its influence now echoes in Ghost of Yōtei with the brand-new Watanabe Mode, blending lo-fi hip hop into your samurai journey.

MonteCristo and DoA dive into how Samurai Champloo revolutionized anime, the genius of Nujabes’ soundtrack, and why this series still matters for both anime and gaming.

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Before Kill Bill, there was Lady Snowblood (1973): a dazzling, hyper-stylized tale of tragedy and vengeance that changed samurai cinema forever. With unforgettable visuals, outrageous martial arts training sequences, and a performance by Meiko Kaji that blends icy assassin and deeply human, this film redefined what a revenge story could be.

It didn’t just inspire Quentin Tarantino, Lady Snowblood is a direct influence on Ghost of Yōtei, with its female warrior on a bloody path of vengeance against those who destroyed her family. From manga-style chapters to iconic snowbound duels, this movie set the template for modern revenge epics.

In this episode of Nerd Legion, MonteCristo and DoA break down why this film still feels shockingly modern, why it’s better than Kill Bill, and how it connects directly to the cinematic DNA of Ghost of Yōtei.

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Takashi Miike’s 13 ASSASSINS (2010) delivers one of the longest, bloodiest action sequences ever put to film: 45 minutes of nonstop samurai carnage. Some call it a masterpiece of brutality, others say it drags on forever. But there’s no denying its influence on the combat design and cinematic feel of Ghost of Yōtei.

In this episode of Nerd Legion, MonteCristo and DoA debate whether 13 Assassins is overindulgent or essential, explore its commentary on the samurai code, and connect it directly to the upcoming game’s Miike Mode. From nihilistic villains to questions of honor and duty, this is modern samurai cinema at its most extreme.

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