Fourth Estate

In this special Fourth Estate summer re-release, we revisit Tina Quinn's conversation with Australian journalist, Lisa Millar, from September, 2021.

From her years as a foreign correspondent with the ABC, first in Washington, then later on in London, to co-hosting News Breakfast, Millar reflects on an incredible three decades in journalism.

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How is press freedom being tested in the Trump era?

In this episode of Fourth Estate, Tina Quinn is joined by Media Correspondent with NPR, David Folkenflik and Chief Political Correspondent for The Washington Post, Karen Tumulty, examining the growing pressure on journalists in the United States.

They discuss Trump’s personal attacks on reporters, lawsuits against major networks, access restrictions, media ownership battles, and upheaval inside legacy mastheads.

If the First Amendment supposedly still stands, how is press freedom quietly eroding?

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After the mass shooting at Bondi, Australia became a global headline, and a case study in how tragedy is rapidly politicised.

Before facts were established, misinformation surged, racial vilification followed, and political narratives hardened. Jewish, Middle Eastern, Arabic and Muslim communities were unfairly targeted, while debates over gun laws, antisemitism and national security were pulled into the news cycle at speed.

In this episode of Fourth Estate, we interrogate how the Bondi shooting was covered, and how journalism struggled under pressure.

Joining Tina Quinn to unpack the coverage and issues at play is Antony Loewenstein, an independent journalist and author of My Israel Question and The Palestine Laboratory, as well as Crikey's Daanyal Saeed and The Australian Financial Review's Jennifer Hewett.

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Journalist, author and feminist thinker Virginia Haussegger joins Tina Quinn to examine why the feminist revolution — inside Australia’s media and beyond — remains unfinished.

Drawing on her latest book, Unfinished Revolution: The Feminist Fightback, Haussegger traces the long arc of sexism, backlash and resistance — from the media mockery of feminism during International Women’s Year in 1975, through to the misogyny directed at Australia’s first female prime minister, and the explosive reckoning of the March4Justice movement in 2021.

Despite women now slightly outnumbering men as reporters in Australian newsrooms, Haussegger argues that real power has barely shifted. Media ownership and executive leadership remain overwhelmingly male, reinforcing cultures of machismo, misogyny and resistance to accountability.

She reflects candidly on her own career — thriving at times inside these systems — and on confronting the ways sexism shaped even her own assumptions.

The conversation ranges from the treatment of women in political and media life, to the persistence of gendered violence, the silencing of feminist history, and Australia’s slide on global gender equality rankings.

At a moment of global backlash against women’s rights, this is a searching discussion about power, media, history and whether feminism still dares to imagine revolution.

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After ten years co-hosting The Today Show, Liz Hayes made a decision that would reshape her life — she walked away from the top breakfast-television gig in the country.

In this second part of this conversation with Tina Quinn, Liz shares the personal turmoil that led her to professional triumphs at 60 Minutes, and the extraordinary assignments that took her from the war in Afghanistan, to the emerald mines of Colombia, and detention centers at Guantanamo Bay.

She reflects on the emotional toll of high-stakes reporting, the interviews that have stayed with her, and her eventual decision to leave Channel Nine after an incredible 44 years.

For more on Liz, pick up a copy of her 2023 memoir, I'm Liz Hayes.

Her new book, Outback Astronomer, is out now.

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Liz Hayes is one of Australia’s most trusted and enduring journalists — but her story begins far from the studio lights.

In this first part of our profile, Liz joins Tina Quinn in-studio to reflect on her upbringing on the Mid North Coast, where she started out as a cadet reporter, and her rapid rise through the newsrooms of Network Ten and Channel Nine.

She talks about her decade at the helm of The Today Show — a role that made her one of the most recognisable faces in the country, as well as the pressures that came with that visibility, and the expectations placed on women in television in the 1980s and 90s.

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For more than a century, Condé Nast defined taste, power, and aspiration. From Vogue and Vanity Fair to The New Yorker and GQ, its magazines didn’t just chronicle culture — they shaped it.

In this episode, Tina Quinn speaks with media correspondent for The New York Times, Michael M. Grynbaum, author of Empire Of The Elite, about how the company built an empire of influence — and how that power has been transformed in the age of social media, shifting values, and audiences who no longer wait to be told what’s beautiful or important.

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Just weeks ago, Palestinian media worker Samer Tarazi was struggling for survival amid the devastation of Gaza. Now safe in Sydney, he reflects on what he witnessed — the destruction of his city, the loss of his journalist colleagues, and the ongoing toll of a conflict that continues to test the world’s conscience.

As news breaks of a “ceasefire” — hailed by some as a breakthrough and dismissed by others as fragile and uncertain — Samer joined host, Tina Quinn in studio to speak about survival, truth-telling, and what peace really means when you’ve lived through war.

With translation and assistance from ABC journalist Nabil Al-Nashar.

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From the main stage at Sydney’s ICC, Women In Media's national conference brought together some of the sharpest voices in journalism and storytelling — Claudia Karvan, Hanna Rosin, Libbi Gorr, Hannah Ferguson, and Monica Attard among them.

To find out more about WIM, head to womeninmedia.com.au - you'll be able to find more information about the Caroline Jones Women in Media Young Journalist’s Award at the website.

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When Stasiland was first published in 2003, it became an international sensation — winning the UK’s top non-fiction prize and propelling Anna Funder onto the world stage.

In part two of this conversation with Tina Quinn, Anna reflects on the book’s extraordinary acclaim, and how her distinctive approach to truth-telling shaped her later works, All That I Am, The Girl with the Dogs, and Wifedom.

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