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From 1968 to 2012, Sound One grew from a solo operation to becoming the most successful post-production sound and editing facility on the East Coast. At its apex, Sound One inhabited five floors of the famed Brill Building housed 150 edit suites and over 300 clients and staff at its apex and commanded 85% of post-production business in New York. As its reputation grew, it became the go to post-production home for such filmmakers as Sidney Lumet, Arthur Penn, George Roy Hill, Jonathan Demme, Woody Allen and Martin Scorsese and through its constant support of independents, helped launch the careers of filmmakers like the Alan Pakula, Spike Lee, The Coen Brothers, M. Night Shyamalan, Michael Moore, Ken Burns and countless post-production professionals and helped post-produce some of cinemas most influential works.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
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Elisha Birnbaum, co-founder of Sound One, is considered one of the best NY foley artists of his generation. His stage looked like a suburban garage or basement or attic with various surfaces on the floor and, shelves filled with props used to create sounds. You would often meet Elisha walking around the hallways of Sound One in cut off jean shorts, and womens high heels, which he wore when foleying the sound of womens footsteps. Here, staff and clients retell stories of working with Elisha and others at Sound One in recognizing the creative genius behind Elisha’s work and the role of the foley artist.
From 1968 to 2012, Sound One grew from a solo operation to becoming the most successful post-production sound and editing facility on the East Coast. At its apex, Sound One inhabited five floors of the famed Brill Building housed 150 edit suites and over 300 clients and staff at its apex and commanded 85% of post-production business in New York. As its reputation grew, it became the go to post-production home for such filmmakers as Sidney Lumet, Arthur Penn, George Roy Hill, Jonathan Demme, Woody Allen and Martin Scorsese and through its constant support of independents, helped launch the careers of filmmakers like the Alan Pakula, Spike Lee, The Coen Brothers, M. Night Shyamalan, Michael Moore, Ken Burns and countless post-production professionals and helped post-produce some of cinemas most influential works.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.
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Director and producer, Chai Vasarhelyi, Picture Editor Bob Eisenhardt, Sound Supervisor Deborah Wallach and Re-recording Mixers Tom Fleischman and Ric Schnupp FREE SOLO describe the unforeseeable obstacles in making FREE SOLO and offers insight in how they crafted this Oscar and BAFTA winning film to become the longest running documentary of 2018.
We welcome your comments and suggestions -- write us at [email protected] or share your comments via iTunes
Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project.
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Picture editors Kate Sanford and Tim Streeto talk about their work on the Emmy and Golden Globe award winning series now in its third season.
We welcome your comments and suggestions -- write us at [email protected] or share your comments via iTunes
Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project.
Stay tuned for the upcoming episode of Frame By Frame with the team behind the Oscar winning documentary FREE SOLO.
FXF_S04EP06: VICE NEWS' CHARLOTTESVILLE: RACE AND TERROR, The Team Behind The Most Watched News Doc in History: TIM CLANCY, JOHN CHIMPLES, DENNY THOMAS and CAMERON DENNIS
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VICE News tonight’s Charlottesville: Race and Terror began as an idea for a five-minute piece that producer and reporter Ellie Reeve pitched a few days before the Unite the Right Rally scheduled to take place on a mid-August weekend in, 2017. The half-hour program broadcast on VICE on HBO that Monday, August 14th received over 65 million views within the first week and garnered an Emmy, ACE Eddy, and Peabody for the post-production team.
In this episode of Frame By Frame talks with Executive Producer and Editor Tim Clancy, Post Production Supervisor, Mike Morrison, Picture editors, John, Chimples, Cameron Dennis, and Denny Thomas about how the episode came together in less than 30 hours.
We welcome your comments and suggestions -- write us at [email protected] or share your comments via iTunes
Frame By Frame is a podcast series hosted, produced, and edited by Isabel Sadurni, that introduces you to the most influential, respected, and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process, and technique, we’ll recognize and celebrate the iconic films and people who have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project.
Stay tuned for upcoming episodes of Frame By Frame with the editors of THE MARVELOUS MRS. MAISEL.
FXF4005: BOB FOSSE: ALAN HEIM, LEE DICHTER, DAN SABLE, MEL ZELNICKER
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Picture editor Alan Heim, sound editor Dan Sable, re-recording mixer Lee Dichter and ADR Supervisor Mel Zelnicker got together at New York's technicolor Postworks to share stories of their collaborations on films such as Lenny, All That Jazz and Star80 with 8-time Tony award, Oscar and Emmy award winning choreographer and director, Bob Fosse.
You can share this conversation through our website bit.do/framebyframe—or viaTwitter at @postny. You can also find us on iTunes- search Frame By Frame and click on the orange icon. We welcome your comments and suggestions -- write us at [email protected].
Frame By Frame is expanding to include snapshot conversations spotlighting bold new voices in New York filmmaking called Generation Next. Listen for upcoming mini-episodes.
Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Frame By Frame is proudly presented by Post New York Alliance.
Stay tuned for upcoming episodes of Frame By Frame with the editors and Post Supervisor for VICE's groundbreaking Charlottesville documentary.
FXF_S04EP04 : SPIKE LEE: BARRY ALEXANDER BROWN, TOM FLEISCHMAN, PHIL STOCKTON, JUDY ALEY
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Picture editor Barry Alexander Brown, sound editor, Phil Stockton. researcher Judy Aley and re-recording Mixer Tom Fleischman have worked with filmmaker Spike Lee on such films as She’s Gotta Have It, School Daze, 25h Hour, Inside Man, Malcolm X and most recently BlacKKKlansman. In this episode we talked with them about how they first began working with Spike Lee, their collaborative process and the cinematic breakthroughs they’ve made together in making films together for over 30 years.
You can share this conversation through our website bit.do/framebyframe—or viaTwitter at @postny. You can also find us on iTunes- search Frame By Frame and click on the orange icon. We welcome your comments and suggestions -- write us at [email protected].
This session was recorded at Soundtrack in New York City. The sound engineer was Kristin Coutogna.
Frame By Frame is expanding to include short interviews spotlighting bold new voices in New York filmmaking the New York in snapshot conversations called Generation Next. Listen for upcoming mini-episodes.
Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry.
Frame By Frame is proudly presented by Post New York Alliance.
Stay tuned for upcoming episodes of Frame By Frame with the collaborators of Bob Fosse.
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