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John and Al look back on Game Of Thrones, and attempt to map the cultural genome that allowed it to rise to the very peak of Peak TV.

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John and Al welcome Jesse Perry to talk about Tarantino's sloppiest piece of provocation, DJANGO UNCHAINED.  They talk at great length about the film's great length, speculate on different iterations the movie could have taken, manage to avoid saying the N-Word, even once!

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The guys abandon all pretense and just fawn over Tarantino's self-proclaimed "masterpiece" for 90 minutes.  Topics of said fawning include spies, interrogations, Brad Pitt's accent, the power of cinema, and just what the hell Mike Myers is doing here anyway.

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Topics of conversation include Slasher films, the appeal of overwritten dialogue, whether or not this is in the conversation for all-time best Kurt Russell performances,  some consideration of the environment this film was released in, and where Quentin’s head might have been at the time regarding Uma Thurman, Weinstein, and his own legacy!

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The guys welcome their first guest, long time internet-friend Joon Kim, to talk about the chatty, somewhat flabby conclusion to Tarantino's gonzo epic of samurai/western/anime/exploitation/superhero indulgence.

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Tarantino let's every wild, indulgent impulse he restrained in JACKIE BROWN loose, and the guys are here for it

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John and Al talk about Tarantino's foray into adapting Elmore Leonard, attempts to diversify his characters, tamp down his signature stylings, and avoid the sophomore slump.

Also, the audio will get better with future installments, so thanks for bearing with us threw the growing pains.

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John and Al discuss the Tony Scott-directed, Tarantino-scripted crime caper TRUE ROMANCE, what it reveals about the video store nerd's view of love, what constitutes a manic pixie dream girl, and Gandolfini's sneaky attempt to outshine Walken in the one-off gangster hall of fame.

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John and Al continue discussing the moral calculus of the QT universe and whether "wash the car and change your clothes" is really enough to elevate one to criminal mastermind status.

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John and Al talk about the most important movie ever made about nothing in particular.