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Every once in a while, a new social app takes over and becomes massively popular, but something that makes TikTok unique from the others is the focus on dance. Today we’ll talk about what dance on this app looks like, how the global community is connecting on this application, and what are the potential personal and national security risks of using what seems to be an innocent video sharing platform.
With hard-core believers for and against, we’ll consider arguments on both sides. TikTok is one of the fastest growing and perhaps also one of the most controversial, with a tainted history of lawsuits under its former name Musical.ly. Especially with a possible ban in the U.S. and current bans in other countries, we wanted to have this conversation now, and we invited Leslie Scott Zanovich, cultural leader, change-maker, and founder of Youth Protection Advocates in Dance, to join the conversation.
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Follow Leslie @lesliescottsays
and Youth Protection Advocates in Dance @ypadnow
YPAD’s Tik Tok Tips
For Dancers
For Parents
Documentary Rec: The Social Dilemma
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Announcements
Screening
Dancinema’s online program “Quaranscreendance”
Starting: October 1st / Free
Submissions
Knowbox Dance Film Festival
Deadline: October 14th
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Pick of the Week
Shore - Fleet Foxes
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Website
Music videos play a huge part in introducing dance to the screen.
From MTV, commercials, and nowadays, YouTube premieres-- almost everyone has experienced a form of dance on screen through a widely known musical artist. As we discuss our three dance-centric music video picks, we come to realize that music videos are a commercialized version of experimental cinema.
Behind the celebrity glamour and performance, there is a pure delivery of contrasting jump cuts, metaphorical imagery, and occasionally, non-traditional storytelling -- in this case, the dancing tells the story.
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Topic Films
Rhythm Nation - Janet Jackson (1989)
Dir. Dominic Sena
Behind the Scenes: Rhythm Nation Rehearsals
Around the World- Daft Punk (2007)
Dir. Michel Gondry
Chor. by Blanca Li
Michel Gondry and Daft Punk talk about Around The World music video
My Moon, My Man - Feist (2007)
Dir. Patrick Daughters.
Chor. Noémie Lafrance
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Pick of the Week
Aimee La Joie
The Film Crew
Part 1
Part 2
Part 3
Part 4
Sh*t ADs say
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Website
Art is not created in a vacuum.
Screendance is practiced globally and while there is a strong worldwide network, each practitioner and the work they create is influenced by their unique contexts; from their dance training and background to the social and political environments the work is created in.
In this episode, we examine different modes and values systems of screendance around the world. We discuss the intentions behind the work and discuss curatorial responsibility in appropriately contextualizing work that is presented to audiences unfamiliar with it.
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Films
The Color of Reality - Movement Art Is
Directed by Jon Boogz
The Derivé
Directed by Tanin Torabi
Supermambo (MX)- 2002
Directed by Benito Gonzalez
Haedo en Llamas (Argentina)-2005
Directed by Ladys Gonzalez and Francisco De la Cerda
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Festival Announcements
Screening
Choreoscope - International dance Film Festival Barcelona
Online
Sept 14th - 27th
Submission Deadline
Dance Camera West
Los Angeles, CA
Oct. 1st
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Website
Documentaries educate, celebrate, and honor the moments of history in the world at large. With plenty of recorded documents on the upbringing of ballet and modern dance, we have to question when and where did jazz dancing enter into the picture.
Khadifa Wong’s recently completed documentary, Uprooted, has been making its festival rounds, being one of the very few films that thoroughly examine the beginnings and transformations of jazz dancing in the United States.
We were given the opportunity to watch this film in its totality and we are discussing the important topics brought up in the story and how it may sit to audiences outside of the dance community.
Aside from our deep dive round table, Jen Ray and Clare had a moment to speak with the “Uprooted” team, discussing the making of the film itself.
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Uprooted Links
Uprooted Trailer
Uprooted Film Site
Follow the “Uprooted” creators
@uprooted.film
@Ldrcreativellc
@khadifawong
@zaknemorin
@uprooted_film
@ldr_creative
@khadifawong
@zaknemorin
Uprooted Film (@uprootedjazzdoc)
Lisa Donmall-Reeve @ldrcreativellc
Khadifa Wong
Zak Nemorin
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Screenings
F-O-R-M Festival of Recorded Movement
Vancouver BC
Available Online Sept 12th - 19th
Screenings & Submissions
Dancinema’s Cascadia Dance and Cinema Festival AND Capitol Dance and Cinema Festival
Vancouver BC and Washington DC
Online Oct 1-13 and Live in D.C. Oct 10
Rolling Submissions on Dancinema FilmFreeway
Pick of the Week
Criterion Collection: Studio Visits Playlist
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We had the opportunity to chat with Eric Cheung last year in Vancouver BC at the Cascadia Dance and Cinema Festival.
His film E_GO, a low budget and high impact short featuring captivating movement is available to view now. Eric Cheung is a street dance artist who currently resides in Vancouver, BC and is a company dancer of Ouro Collective.
Eric is passionate about advancing the boundaries of street dance and its possibilities by exploring into different domains such as VR, Short Films, digital experiences, theatre settings and other art disciplines.
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Eric’s Film
E_GO
Directed and Shot by Alimzhan Alan Sabir
instagram.com/alimsabir/
Choreography by Eric Cheung
instagram.com/squidjit_/
Music by Noah Williamson
soundcloud.com/noah_noah
Commissioned by F-O-R-M (Festival Of Recorded Movement) with support from Cineworks and Charles Street Video
f-o-r-m.ca
cineworks.ca
Charlesstreetvideo.com
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Festival/Workshop Announcement
Screenings
F-O-R-M Festival of Recorded Movement
Vancouver BC
Available Online Sept 12th - 19th
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Website
It’s been quite a year with COVID-19 interfering with the world’s daily routines and freedom. With people quarantining inside their homes, a rise of creativity has spiked into the world of dance film.
Entering into the era of what we are calling “Pandemic Vision”, we look at a few films that have sparked new ideas and inventive ways of producing work with social distancing in mind.
We also talk about the social distant process of making films during quarantine with Talia Shea Levin, director of our pick film, Isolations.
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Topic Films
Parked
Directed by Ivan Cash & Dan Addelson
Produced by Cash Studios & Jacob Jonas The Company
Isolations
Directed by Talia Shea Levin
Featured in
Best of Shelter Shorts
Dance Magazine’s Video of the Month
Film Shortage - Quarantine Creatives
BOOOOOOOOM TV
Shots Presents
Confinement Online Film Festival
Sans Souci Festival of Dance Cinema
And Now Presents
FREE THE WORK
Salute Your Shorts
National Water Dance 2020 Virtual Performance
Direction by Matt Reeves performed by Orange Grove Dance
Phenom - Thao and the Get Down Stay Down Music Video
Directed/Choreographed by Erin Murray
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Festival/Workshop Announcements & Submission Deadlines
LEEDS international Screendance Competition
Leeds UK
Final Deadline - August 31
Multiplié Dance Film Festival
Trondheim, Norway
Earlybird Deadline - Sept 1
International Meeting on Video-dance and Video-performance
Valencia, Spain
Final Deadline - Sept 2
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Pick of the week
TOM by Wilkie Branson
Trailer
The Making of TOM
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Website
Today on the show, we are having a talk about a somewhat uncomfortable topic in the film world-- money. We are looking at three different films with three very different budgets. From very expensive film sets to low production, low maintenance projects -- it all comes down to the budget.
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Links to films
Scene from “Dola de Rola” (2002)
Directed by Sanjay Leela Bhansali
Budget: 2.5 crores = 28,279,250.00 United States Dollar for the SONG/SCENE, not the movie
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The Cost of Living (2004)
Directed by Lloyd Newsom
Budget: 250000 Pound = about 315,000 dollars
La Démiurge #1 (2016)
Directed by ALAIN EL SAKHAWI
Budget: approx 2000 euro.
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Upcoming Festivals/Workshops
Screening
Mobile Dance Film Festival
Available online from July 25th - Aug 31st
Submission Deadlines
Fuselage Dance Film Festival
Seattle, WA
Final Deadline - August 23
Idaho Screendance Festival
Boise, ID
Final Deadline - August 23
Cinedanza Festival
Modena, Italy
Final Deadline - August 24
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Pick of the Week
I-HATE-THIS-FILM (Vimeo Channel)
P.S. / Director: I don’t know!!! I really want to know!! Who is this person!! Why does he/she/they hate this movie!!?!
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Website
Welcome to Frameform! A movie and movement podcast!
Today we are kicking off the series by discussing dance film as a mode of filmmaking, why it is relevant, and comparing films from the past and present that exemplify the medium. But first we talk about what we are watching these days!
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Topic Films
Colorwise
Created, Choreographed & Performed by The Seaweed Sisters:
Megan Lawson, Jillian Meyers & Dana Wilson
Directed by Angela and Ithyle
A Study in Choreography for a Camera
Directed by Maya Deren and Talley Beatty
Upcoming Festivals/Workshops/Lectures
Screenings
Sans Souci Festival of Dance Cinema
Boulder, Colorado
Starting August 10, presenting both virtually and in person over the next few months.
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Submission Deadlines
Kinetoscope: International Screendance Film Festival
Missoula, Montana
Regular deadline - August 14
Final deadline coming up in September
Thessaloniki Cinedance Festival
Greece
Final Deadline - August 14
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Pick of the Week!
MK - Back & Forth
Directed by Finn Keenan
From Rixey, this is Frameform. A podcast discussing movies, moving and everything in between.
We are three dance film nerds who can’t wait to take you on a deep dive into the crazy, complex and exciting world at the intersection of dance and film.
We will be delving into topics, trends and issues in dance, film and culture at large.
We will also be sharing conversations with creators in the field, what inspires them and the challenges they face when making their work.
Frameform is a production of Rixey.
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Rixey
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