FRED Film Radio - English Channel

PODCAST | Angelo Acerbi interviews Bas Devos, director of the film Here.

Bas Devo brings, with his film Here, a breath of humanity and kindness to the screen of the Berlinale 73, for us the audience to enjoy and take in. His filmmaking is very fluid and effective, and he tells us the work he did with his actor Stefan Gota to build such a gentle and human character without making him corny or unreal.

Here: Stefan, a Romanian construction worker living in Brussels, is on the verge of moving back home. He cooks up a big pot of soup with leftovers in his fridge, to hand out as a goodbye gift to friends and family. As he is ready to go, he meets a Belgian-Chinese young woman who works in a little restaurant while preparing a doctorate on mosses. Her attention for the near-invisible stops him in his tracks.

To discover more about the Berlin International Film Festival, click here.

The post Bas Devos – Here #Berlinale2023 appeared first on Fred Film Radio.

PODCAST | Angelo Acerbi interviews Susana Nobre, director of the film Cidade rabat.

Susana Nobre is for the second time at Forum, this year with Cidade Rabat, a film about dealing with grief and starting again to love ourselves. We talked about her personal inspiration and the unusual approach to an issue that is often treated with weight and strong seriousness.

Cidade rabat: Helena is 40. She works as a film production assistant, has a daughter, an ex-husband, a lover and, at the beginning of the film, a mother. In one of the first scenes, she visits the old woman for lunch. A little later, Helena (Raquel Castro) is sitting with her sister at the undertaker’s, deciding between an open or closed casket for the funeral service.

To discover more about the Berlin International Film Festival, click here.

The post Susana Nobre – Cidade rabat #Berlinale2023 appeared first on Fred Film Radio.

PODCAST | Angelo Acerbi interviews Tia Kuovo, director of the film Family Time.

Tia Kuovo brings us into a very personal Christmas Day , using it as an excuse to analyse family dynamics. With Family Time, in the Encounters section at Berlinale 73, she presents an approach to family rites and sometimes unbearable situations that can transcend their nature and become universal.

Family Time: Family Time begins with a door that keeps on opening to let its characters into a house surrounded by nature that will be the setting of much of the film, and welcomes the audience into a small world that is portrayed with fierce tenderness and surprising rigour. Three generations come together for the holidays and re-enact a seasonal ritual of traditions, conversations and household chores.

To discover more about the Berlin International Film Festival, click here.

The post Tia Kuovo – Family Time #Berlinale2023 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews Bas Devos and Stefan Gota, director and actor of the film Here.

With Here, his new film screening in the Encounters section at the 73rd Berlinale, Bas Devos reminds us how we are all connected, not only with other human beings but also with the little “non-human” things surrounding us, even with moss hiding everywhere. Once we see it, we can’t unseen it anymore and it changes you as a love story does. That’s what happen to the protagonist, Stefan, in his epiphanies of connections.

Here: Stefan, a Romanian construction worker living in Brussels, is on the verge of moving back home. He cooks up a big pot of soup with leftovers in his fridge, to hand out as a goodbye gift to friends and family. As he is ready to go, he meets a Belgian-Chinese young woman who works in a little restaurant while preparing a doctorate on mosses. Her attention for the near-invisible stops him in his tracks.

To discover more about the Berlin International Film Festival, click here.

The post Bas Devos, Stefan Gota – Here #Berlinale2023 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews João Canijo, director of the film Bad Living.

There’s a portoguese director João Canijo who at the 73rd Berlinale just brought two films, Mal Viver – Bad Living in the official competition and Viver Mal – Living Bad, a mirror film to the first one, in Encounters. The director talks about the starting point of the two films which are both set in a hotel run by three generations of women. In Mal Viver, which is Canijo most autobiographical and personal film, we look at a matriarcal family and their corrupted relations. In Viver Mal instead, we see things from the clients’ perspective which personalities are inspired by three drama plays by August Strindberg including The Pelican. Mal Viver just won the Silver Bear Jury Prize at the 73rd Berlinale.

Mal Viver – Bad Living: In a family-run hotel, by the Portuguese northern shore, lives a group of women from different generations of the same family, whose relationships with each other have grown poisoned by bitterness. They try to survive in the declining hotel, as the unexpected arrival of a granddaughter to this oppressive space stirs trouble, reviving latent hatred and piled-up resentments.

To discover more about the Berlin International Film Festival, click here.

The post João Canijo – Mal Viver – Bad Living #Berlinale2023 appeared first on Fred Film Radio.

PODCAST | Federica Scarpa interviews Liu Jian, director of the film Art College 1994.

It was in 2017 when the Chinese director/animator Liu Jian brought his second film, Have a Nice Day, to competition at the Berlinale. This year, six years later, the director returns with Art College 1994, a long story of the everyday life of some art students in China in 1996. The director expresses his thoughts on art, recalls one of the funniest moments of his time at college and explains why that formative period in each of our lives is so important to him.

Art College 1994: In the 1990s, a group of students on the campus of the Chinese Southern Academy of Arts are pursuing their studies and preparing to face the world. China is opening up to the West and the students’ lives are a tangle of love stories and friendships, artistic research, ideals and ambitions brought about by new influences. Caught between tradition and modernity, they have to decide who they want to become. Filmmaker and painter Liu Jian returns to the Berlinale Competition with an animated film that combines stylised modern illustrations with a passion for art and life. Suffused with a dark offbeat humour, his work depicts the hopes and artistic dreams of an entire generation as it passes into adulthood. People, events and styles blend with the urban and winter landscape of a country undergoing rapid change.

To discover more about the Berlin International Film Festival, click here.

The post Liu Jian – Art College 1994 #Berlinale2023 appeared first on Fred Film Radio.

PODCAST | Angelo Acerbi interviews Rolf De Heer, director of the film The Survival Of Kindness.

Rolf De Heer, director of The Survival of Kindness, in Competition at the Berlinale 73, talks with Fred Radio about the way this film was born, the peculiar way of wruitung if and the intense but rewarding process of shooting, to create a movie with a powerful message against racism.

The Survival Of Kindness: In the middle of the desert, BlackWoman is abandoned on a trailer, in a cage. Her captors have left her to die. But she is not ready to pass. She escapes, and walks through pestilence and persecution, from desert to mountain to city, to find … more captivity. Those responsible are reluctant to relinquish their privileges, and BlackWoman, escaping once more, must find solace in her beginnings. As in his last film Charlie’s Country, the tragic hero of Rolf de Heer’s new work clearly asks: “What is left of our humanity?” This time the hero is a woman, portrayed with an unforgettable mix of bravery and weariness by Mwajemi Hussein. The Dutch-Australian filmmaker’s searing moral fable subverts our expectations by playing with a variety of genres, but confirms his indisputable understanding of the burden endured by ethnic minorities in a white man’s world. Their tragedy is amplified by the apocalyptic situation in which humankind finds itself, and their isolation further underlined by the film’s striking and meticulously composed dystopian landscapes. Poised between poetry and despair, BlackWoman’s thought-provoking story gradually gives shape to the most moving of exploits: the will to resist.

To discover more about the Berlin International Film Festival, click here.

The post Rolf De Heer – The Survival Of Kindness #Berlinale2023 appeared first on Fred Film Radio.

PODCAST | Angelo Acerbi interviews Mawjemi Hussein, actress of the film The Survival Of Kindness.

Mwajemi Hussein is the lead character in The Survival Of Kindness, by Rolf De Heer, in Competition at the Berlinale 73. It is her first ever role, never acted or even thought about cinema. She brought to this role her personal experience of being a Congolese refugee first in Tanzania and then in Australia. And she totally nailed it.

The Survival Of Kindness: In the middle of the desert, BlackWoman is abandoned on a trailer, in a cage. Her captors have left her to die. But she is not ready to pass. She escapes, and walks through pestilence and persecution, from desert to mountain to city, to find … more captivity. Those responsible are reluctant to relinquish their privileges, and BlackWoman, escaping once more, must find solace in her beginnings. As in his last film Charlie’s Country, the tragic hero of Rolf de Heer’s new work clearly asks: “What is left of our humanity?” This time the hero is a woman, portrayed with an unforgettable mix of bravery and weariness by Mwajemi Hussein. The Dutch-Australian filmmaker’s searing moral fable subverts our expectations by playing with a variety of genres, but confirms his indisputable understanding of the burden endured by ethnic minorities in a white man’s world. Their tragedy is amplified by the apocalyptic situation in which humankind finds itself, and their isolation further underlined by the film’s striking and meticulously composed dystopian landscapes. Poised between poetry and despair, BlackWoman’s thought-provoking story gradually gives shape to the most moving of exploits: the will to resist.

To discover more about the Berlin International Film Festival, click here.

The post Mawjemi Hussein – The Survival Of Kindness #Berlinale2023 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews Leandro Koch, Paloma Schachmann, director of the film The Klezmer Project.

It all started with the idea of making a documentary on klezmer music and filmmaker duo Leandro Koch and Paloma Schachmann ended up directing a film which is a love story and also a road movie on finding your roots. This is A dentro mio estoy bailando – The Klezmer project, presented in competition at the 73rd Berlinale.

 The Klezmer Project: Argentinian cameraman Leandro makes a living from filming Jewish weddings. At one of his jobs, he falls in love with Paloma, the clarinetist of the Klezmer band. To seduce her he pretends to be shooting a documentary film about traditional Yiddish folk music. What Leandro does not know is that his “fake” film project will take him on an unscripted journey throughout Eastern Europe in search of the last remaining Klezmer melodies.

To discover more about the Berlin International Film Festival, click here.

The post Leandro Koch, Paloma Schachman – The Klezmer Project #Berlinale2023 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews Estibaliz Urresola Solaguren, director of the film 20.000 especies  de abejas.

With her debut feature, 20,000 species of bees, basque director Estibaliz Urresola Solaguren brings to the 73rd Berlinale competition a summer tale about a eight-year-old child trying to find her own self and identity. The director talks about the genesis of the film that was inspired by the tragic story of a 14 years old trans boy who committed suicide for not being accepted as who he was. To portray a little boy transitioning to finally being the girl he is, Estibaliz Urresola Solaguren chose an actress, Sofía Otero, as to respect the gender her protagonist felt and chose to be.

20.000 especies de abejas: An eight-year-old child struggles with the fact that people keep addressing her in confusing ways. During a summer in the Basque Country among the beehives, she explores her identity alongside the women of her family, who at the same time reflect on their own lives and desires.

To discover more about the Berlin International Film Festival, click here.

The post Estibaliz Urresola Solaguren – 20.000 especies de abejas #Berlinale2023 appeared first on Fred Film Radio.