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PODCAST | Chiara Nicoletti interviews Saskia Reeves and Mia Threapleton, actresses of the film Shadows.
After being presented in the official competition of the 18th edition of Alice nella Città, in Rome, Shadows by Carlo Lavagna is available to watch on demand in Italy from November 19th. We virtually meet Carlo again with his protagonists Mia Threapleton and Saskia Reeves, playing respectively a daughter and a mother in the film. As Shadows is her first protagonist role after her debut in 2014, Mia Threapleton, who’s Kate Winslet’s daughter, talks about shaping her character Alma and reveals the suggestion her mother gave her to better approach the role. Both Mia and Saskia then comments on whether the world is going to be a better place after this constant waiting we’re experiencing that is so similar to what the two characters are living in the film.
On demand November 19th.
Shadows: Alma and Alex, two adolescent sisters, are survivors of a catastrophic event. They live deep in the woods with their Mother, a strict, over-protective woman who has sheltered them from ominous presences, the Shadows, which live in the daylight and infest the world beyond the river, a border for Alma and Alex. When they follow Mother, out for hunting, Alma and Alex start a series of events which will make them discover the truth about the Shadows and their own reality.
The post Saskia Reeves, Mia Threapleton – Shadows appeared first on Fred Film Radio.
PODCAST | Matt Micucci interviews Jonas Kærup Hjort, director of the film The Penultimate.
A conversation with Jonas Kærup Hjort, Danish filmmaker presenting The Penultimate at this year’s edition of the Talinn Black Nights Film Festival in Estonia. The film is an exploration of the human condition and marks the director’s feature debut. Here, he discusses the origins of the story and how it reflects his own fears. He also talks about the style of the movie and its structure, the Kafka influences and the challenges he encountered in directing his first film.
The Penultimate: The Penultimate is a Kafkaesque tale of an insignificant Water Inspector (Joen Højerslev) who arrives at a giant remote building to register the residents’ water meters. Before he knows, he finds himself trapped inside the building facing an endless maze of obstacles. In his attempt to escape, perception of reality, the rational, and remnants of his human existence are turned upside down.
To discover more about the festival, click here.
The post Jonas Kærup Hjort – The Penultimate #PÖFF24 appeared first on Fred Film Radio.
PODCAST | Matt Micucci interviews Dario Oliveira, director of the Porto/Post/Doc.
A chat about the upcoming edition of Porto/Post/Doc in Portugal with its director, Dario Oliveira. The festival showcases what Oliveira defines as the cinema of the real and its seventh edition will take place online on November 20-29, 2020. Oliveira shares with us the history and mission statement of the festival and talks about this year’s program, including a dedicated strand to the current American social and political landscape.
To discover more about the festival, click here.
The post Dario Oliveira – Porto/Post/Doc #portopostdoc appeared first on Fred Film Radio.
PODCAST | Matt Micucci interviews Simone Bitton, director of the documentary Ziyara.
A conversation with Simone Bitton, whose new documentary Ziyara is screening at the IDFA 2020. The documentary talks about the Muslims who are keepers of Jewish history and heritage in Morocco. In this interview, Bitton talks about the personal motivation that led her to embark on this journey, the historical background of the situation she explores and more.
Ziyara: Morocco had a Jewish population of more than 300,000 until the 1950s. From that time on, until just after the Six Day War in June 1967, a flood of emigrants left for countries such as France, Israel, and America. Filmmaker Simone Bitton’s family settled in France. In Ziyara (a term that refers to a form of pilgrimage to sacred places), Bitton returns to her homeland and searches for the traces the Jews have left behind. There is no shortage of these. Traveling by car—and taking the opportunity to include beautiful shots of the passing landscape—Bitton makes a tour of Jewish heritage in towns and villages. She discovers cemeteries, remnants of the Mellah (the Jewish quarter), synagogues, and schools—places often lovingly and reverently maintained by the local people. Bitton talks to them about the importance of heritage conservation, and their devotion, as well as about the relationship between Jews and Muslims. One of them muses: what would Morocco be like today if the Jews had stayed?
To discover more about the festival, click here.
The post Simone Bitton – Ziyara #IDFA appeared first on Fred Film Radio.
PODCAST | Angelo Acerbi interviews Christopher Mack, Director Creative Talent Netflix.
Christopher Mack, Director of Creative Talent Investment for Netflix, held a masterclass for Torino Film Lab 2020 about the importance of a good pitch in selling a film or a tv series. We talk with him about the key aspects of a good pitch and how to prepare it.
To discover more about the festival, click here.
And to discover more about the Torino Film Lab, click here.
The post Christopher Mack #TFL appeared first on Fred Film Radio.
PODCAST | Angelo Acerbi interviews Fedra Fateh, deputy festival director of Torino Film Festival.
Fedra Fateh has been appointed to be Deputy Director to the Torino Film Festival to give a wider international breath to the event and a major attention and consideration to the gender issue, that has also been her interest and concern in her regular life as a lawyer. She gives some strong and realistic insights on the role of cinema and festivals and the way issues can permeate our lives in a more effective ways through images and the cinematica art. A must-hear interview.
To discover more about the festival, click here.
The post Fedra Fateh #TFF38 appeared first on Fred Film Radio.
PODCAST | Matt Micucci interviews Diane Sara Bouzgarrou and Thomas Jenkoe, directors of the film The Last Hillbilly.
A conversation with Diane Sara Bouzgarrou and Thomas Jenkoe, directors of The Last Hillbilly. The documentary has been selected for IDFA 2020. The film offers poetic insight on the American hillbilly culture. In this interview, they share how they approached this project, established a connection with a subject they were unfamiliar with, how the film has acquired new meanings since the tumult of 2020 and more.
The Last Hillbilly: They are viewed as low-skilled hillbillies, poor and violent. Brian Ritchie knows only too well what the rest of the United States thinks of the inhabitants of the Appalachian region. And all the preconceptions are perfectly true, he admits. Nevertheless, The Last Hillbilly also shows that the simple-looking life is anything but simple.
The post Diane Sara Bouzgarrou, Thomas Jenkoe – The Last Hillbilly appeared first on Fred Film Radio.
PODCAST | Matt Micucci interviews Diana Tabakov, executive director of Doc Alliance Films.
A conversation with Diana Tabakov, executive director of Doc Alliance Films, also known as DAFilms. The major documentary streaming portal turns 15 this year. In this interview, Tabakov shares with us the history of DAFilms, talks about what it is and what it does as well as some of the challenges relating to online distribution of documentaries at large and more.
The post Diana Tabakov – Doc Alliance Films appeared first on Fred Film Radio.
PODCAST | Matt Micucci interviews Aleksandr M. Vinogradov, director of the film Bare.
A conversation with Aleksandr M. Vinogradov, director of Bare, which documents a troupe of naked male dancers working on a piece by acclaimed Belgian choreographer Thierry Smits. In this interview, Vinogradov tells us a bit about the birth of his interest in documentary filmmaking. He also talks about his interest in dance, his views on nakedness, the link between observation and voyeurism and more.
Bare: Eleven naked men audition, rehearse and perform for the premiere of master Belgian choreographer Thierry Smits’s new contemporary dance piece Anima Ardens. Mixing intimate rehearsal footage with extensive and breathtaking dance sequences, Bare follows the choreographer and his team as they work to explore difficult, often taboo subjects through nudity and dance. In this bold exploration of artistic conflict, gender, and sexuality the one constant is the conceit that the body is the last bastion of personal freedom.
The post Aleksandr M. Vinogradov – Bare appeared first on Fred Film Radio.
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