
Sign up to save your podcasts
Or


PODCAST | Angelo Acerbi interviews Kire Paputts, director of the film The Last Porno Show.
Kire Paputts tells Angelo Acerbi all the work behind his first feature and the reasons too tell such a story, mixing family memories, father figures and porn films. A deep and heartfelt film, to be watched. Being the writer, producer and director of it, Paputts had to go through many dramas and problems in the making, as most of independent filmmakers had.
The Last Porno Show: Wayne, an amateur method actor, inherits the city’s last adult cinema from his estranged father Al. Seeing this as an unconventional opportunity to reconcile with the father he barely knew, Wayne absorbs himself in the underworld of the adult cinema business.
<span data-mce-type="bookmark" style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" class="mce_SELRES_start"></span>
The post Kire Paputts – The Last Porno Show #TFF37 appeared first on Fred Film Radio.
PODCAST | Chiara Nicoletti interviews Kelly Copper and Pavor Liska, directors of the film Die Kinder Der Toten.
Die Kinder Der Toten is as unpredictable as its producer, austrian director Ulrich Seidl. Directors Pavol Liska and Kelly Copper, at the Torino Film Festival 2019 where the film is showcased in the After hours section, talk about its genesis from the book by Nobel prize winner Elfriede Jelinek. The directors explain how they turned all that creative freedom in a crazy unpredictable silent horror film.
Die Kinder Der Toten: The Holocaust in an undead version set in Tyrol, with zombie Nazis and Jews. The two directors, the founders of the Nature Theater of Oklahoma, adapt the same-titled novel by Elfriede Jelinek (the Nobel prize for literature in 2004) without ever having read the book: the result is a silent horror movie in 16mm with subtitles, in which very black humor helps “freeze” and strengthen the tragedy. The FIPRESCI prize at the Forum in Berlin. Produced by Ulrich Seidl.
<span data-mce-type="bookmark" style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" class="mce_SELRES_start"></span>
The post Kelly Copper, Pavor Liska – Die Kinder Der Toten #TFF37 appeared first on Fred Film Radio.
PODCAST | Chiara Nicoletti interviews Harry Cepka and Grace Glowicki, director and actress of the film Raf.
After the TIFF, at the 37th Torino Film Festival, Harry Cepka brings his first feature film, his thesis film Raf with Grace Glowicki playing Raf and Jesse Stanley in the role of Tal, the intoxicating woman, the protagonist Raf becomes friends with. The director and his best friend, actress Grace Glowicki comment on how the film depicts the power dynamics in a friendship and how a person’s character can be shaped by the people they surround themselves with.
Raf: A techno-laced exploration of a tumultuous friendship from its giddy beginning to its sudden end. In the twilight of her 20s, Raf works two jobs and spends her free time playing boardgames with her boyfriend’s roommates. Privately, she fantasizes of a life of performance and dance clubs. Over the course of several charged encounters, she becomes friends with a charismatic and wealthy woman named Tal. Raf becomes infatuated with Tal’s take-no-prisoners lifestyle. With Tal as her guide, Raf begins to see a new vision of herself, until a humiliating weekend at Tal’s country home reveals the true power balance between them.
To discover more about Raf, click here.
<span data-mce-type="bookmark" style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" class="mce_SELRES_start"></span>
The post Harry Cepka, Grace Glowicki – Raf #TFF37 appeared first on Fred Film Radio.
PODCAST | Chiara Nicoletti interviews Corneliu Poromboiu, director of the film La Gomera.
After Cannes 2019′ success, Corneliu Poromboiu brings his La Gomera at the 37th Torino Film Festival in the Festa Mobile section. Accompanied by his “dark lady” Catrinel Marlon, the rumenian director reveal the genesis of the film and the idea of building a film around “silbo”, a strange and whistled language people speak in a small island close to Tenerife, La Gomera. By homaging the classics of the thriller and noir genre, Poromboiu creates a neo-noir film with a touch of irony and comedy.
La Gomera: A corrupt Romanian policeman is in a big mess; he travels to a small island in the Canaries (the one in the title) in the company of a femme fatale to learn a strange language made of whistles which he intends to use as a code during a crime. The craftiest and most ironical director of the Romanian Nouvelle Vague creates a surreal, noir, and melodramatic comedy with masterly disenchantment, framing his story with music that ranges from The Passenger to the Radetzky March.
<span data-mce-type="bookmark" style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" class="mce_SELRES_start"></span>
The post Corneliu Poromboiu – La Gomera #TFF37 appeared first on Fred Film Radio.
PODCAST | Angelo Acerbi interviews directors Davide Mandi and Callisto McNulty, and producer Narimane Mari, during the first part of the Special about Documentary, recorded at the 37th Torino film Festival.
Davide Mandi (director of L’Apprendistato), Callisto McNulty (director of Delphine et Carole) and Narimane Mari (producer of 143 Rue du desert) talk about their films and the paths to make them and about the situation of documentary film making.
This interview has been recorded during the 37th Torino Film Festival, in collaboration with the Italian Film Commission Association, with the support of the Italian Trade Agency.
The post Davide Mandi, Callisto McNulty, Narimane Mari – DOCUMENTARY SPECIAL – part 1 #TFF37 appeared first on Fred Film Radio.
PODCAST | Chiara Nicoletti interviews Zachary Spicer, actor and producer of the film Ms. White Light.
Zachary Spicer is the producer and actor in Ms. White Light, in competition at the 37th Torino Film Festival. At the festival, the actor describes what was the starting point for him and his best friend, director Paul Shoulberg when they decided to talk about what in America they call “death doula”, a professional consultant that accompany people in the last moments of their lives. At first it was Zachary Spicer who was supposed to play the main character but then they thought it would be better to have a female protagonist with the charisma of Roberta Colindrez to give it such a strong and defined personality. Ms. White Light is a way to exorcize death and it makes the spectator reflect on what the most important things in life are. The film attempts to answer: the most important thing in life is to earn somebody’s affection and love.
Ms. White Light: Lex Cordova is a young woman who counsels terminally ill clients that have trouble letting go. While proving uniquely talented in her ability to connect with the dying, Lex is at a total loss when it comes to dealing with everyone else. Armed with only the misguided guidance of Gary, her father and business partner, unsolicited loyalty from Nora, a former client obsessed with samurai culture, and an awkward romance with Spencer, a seductive, but morally ambiguous psychic, Lex struggles to help Valerie, her most challenging client yet.
The post Zachary Spicer – Ms. White Light #TFF37 appeared first on Fred Film Radio.
PODCAST | Chiara Nicoletti interviews director Teona Strugar Mitevska.
Teona Strugar Mitevska wears three hats at the 37th Torino Film Festival: she’s in official competition jury chaired by director Cristina Comencini, her 5 films are screened as part of a retrospective artistic director Emanuela Martini curated in her honor and she’s presenting her latest feature God Exists, Her Name Is Petrunya, which premiered at the Berlinale 2019. On the occasion of the retrospective, Teona Strugar Mitevska looks back at her career and describes how she learned to own her place in the filmmaking world as a woman director.
Teona Strugar Mitevska (Skopje, North Macedonia, 1974) was born into an artistic family. She started as a child actor, trained as a painter and graphic designer and later studied at the Tisch School of Arts. She made her first short, Veta, in 2001; her first feature was How I Killed a Saint (2004), made under the auspices of the Sisters and Brother Mitevski, a company she established with her brother and her sister. Her next feature film, I Am from Titov Veles (2007), received a Special Jury Prize at the Sarajevo Film Festival. Her film The Woman Who Brushed Off Her Tears premiered at the 2012 Berlin Film Festival and in 2013 she directed the film Teresa and I, a documentary about Mother Teresa. Her feature film When the Day Had No Name (2017), premiered in the Panorama Special section of the 2017 Berlin IFF.
The post Teona Strugar Mitevska #TFF37 appeared first on Fred Film Radio.
PODCAST | Angelo Acerbi interviews Roman Griffin Davis and Carthew Neal, actor and producer of the film Jojo Rabbit.
A real blast of a film on the shoulders of an incredible young actor, who is hilarious and seriously committed at the same time. Some behind the scenes hints are told, and the preparation about Nazism for a young boy of this millenium.
Jojo Rabbit: Set in Vienna during the last years of Nazism, the film tells the story of Jojo Betzler, a sweet and somewhat shy 10-year-old boy who, together with his big chubby and bespectacled friend, shares the dream of becoming a perfect young Nazi . Because Jojo has an idol, Adolf Hitler, who turned into an imaginary friend.
The post Roman Griffin Davis, Carthew Neal – Jojo Rabbit #TFF37 appeared first on Fred Film Radio.
PODCAST | Chiara Nicoletti interviews Jessica Woodworth and Peter Van Den Begin, director and actor of the film The Barefoot Emperor.
After the success of King of the Belgians, Jessica Woodworth and Peter Brosens felt the need to shoot a sequel that could follow up on the situation Europe is living today: The Barefoot Emperor, screening in the Afterhours section at the 37° Torino Film Festival. With protagonist Peter Van Den Begin playing the now “emperor”, the film changes the tones of the first chapter and tries to explore the idea of a leader. What does it mean to be a Leader? What kind of a leader does Europe at the moment? Jessica Woodworth and Peter Van Den Begin try to answer but leave room for a third film on the topic.
The Barefoot Emperor: Wounded at Sarajevo as he was trying to return home, Nicolas III, the king of Belgium, wakes up on a Croatian island, Tito’s former summer residence, in a sanatorium which is run by a strange doctor with suprematist tendencies. Outside, the European Union is imploding and some people are dreaming of the Empire. The sequel of King of the Belgians, in which the directors recount, with their hallmark surrealistic and satirical vein, the political climate in the Old World. The cast from the first movie has been joined by the always sulfurous Udo Kier.
<span data-mce-type="bookmark" style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" class="mce_SELRES_start"></span>
The post Jessica Woodworth, Peter Van Den Begin – The Barefoot Emperor #TFF37 appeared first on Fred Film Radio.
PODCAST | Sarah Bradbury interviews Paul Morrison, director of the film Solomon and Gaenor.
Paul Morrison, director of 1999 Oscar-nominated film Solomon and Gaenor, spoke to us about celebrating the film’s 20th anniversary at the UK Jewish Film Festival. He shared with us his initial inspiration for the film, the importance of representing the Jewish community in the UK on the screen and his mixed feelings of hope and despair about our current climate of tolerance in the UK.
Solomon and Gaenor: This Oscar-nominated classic of British-Jewish cinema is 20 years old this year. Set amid the anti-Jewish riots of 1911, and starring Ioan Gruffudd, Nia Roberts and Maureen Lipman, Solomon and Gaenor tells the story of a young Orthodox-Jewish man in South Wales who falls in love with a local girl. Will their love survive their respective communities’ prejudice and fear? Winner – Best Film, Best Design, Best Camera (Drama) & Best Costume, BAFTA Cymru Awards 2001 Nominated – Best Foreign Language Film, Academy Awards 2000 “[an] understated, beautifully layered performance.” – The New York Times.
To discover more about the Festival, click here.
<span data-mce-type="bookmark" style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" class="mce_SELRES_start"></span>
The post Paul Morrison – Solomon and Gaenor appeared first on Fred Film Radio.
From the publisher's feed

2 Listeners