FRED Film Radio - English Channel

PODCAST | Chiara Nicoletti interviews Pablo Larrain, director of Neruda from the 69th Cannes Film Festival

Celebrated director Pablo Larrain returns on the FRED Film Radio “airwaves” to talk about his latest film, Neruda, presented in Director’s Fortnight, the independent section of the Cannes Film Festival. For the making of this film, Larrain was inspired by a specific speech the poet Pablo Neruda gave, in which he confessed to not be sure about whether some events in his life were real or imagined. In fact, the film is constructed on this very threading of the fine line between imagination – dreams – and reality, channelled through Larrain’s vision.

NERUDA: It’s 1948 and the Cold War has reached Chile. In congress, Senator Pablo Neruda (Luis Gnecco) accuses the government of betraying the Communist Party and is swiftly impeached by President Gonzalez Videla (Alfredo Castro). Police Prefect Oscar Peluchonneau (Gael García Bernal) is assigned to arrest the poet. Neruda tries to flee the country with his wife, the painter Delia del Carril (Mercedes Morán), but they are forced into hiding. Inspired by the dramatic events of his new life as a fugitive, Neruda writes his epic collection of poems, “Canto General”. Meanwhile, in Europe, the legend of the poet hounded by the policeman grows, and artists led by Pablo Picasso clamor for Neruda’s freedom. Neruda, however, sees this struggle with his nemesis Peluchonneau as an opportunity to reinvent himself. He plays with the inspector, leaving clues designed to make their game of cat-and-mouse more dangerous, more intimate. In this story of a persecuted poet and his implacable adversary, Neruda recognizes his own heroic possibilities: a chance to become both a symbol for liberty and a literary legend.

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PODCAST | Chiara Nicoletti interviews Kleber Mendonça Filho, director of Aquarius from the 69th Cannes Film Festival.

Kleber Mendonça Filho presented his film Aquarius in the main competition of the 69th Cannes Film Festival. Playing the leading role in the film, Sonia Braga, whose praises are sung by the director in this interview. The film, in his words, would simply have been totally different without her. He also talks about the energy, memories and nostalgia that houses hold and evoke and how fascinating and essential these aspects were to the making of Aquarius.

AQUARIUS: Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building, built in the 1940s, in the upper-class, seaside Avenida Boa Viagem, Recife. All the neighboring apartments have already been acquired by a company which has other plans for that plot. Clara has pledged to only leave her place upon her death, and will engage in a cold war of sorts with the company, a confrontation which is both mysterious, frightening and nerve wracking. This tension both disturbs Clara and gives her that edge on her daily routine. It also gets her thinking about her loved ones, her past and her future.

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PODCAST | Chiara Nicoletti interview Pia Lundberg, vice-president of European Film Promotion at the 69th Cannes Film Festival

Pia Lundberg of the Swedish Film Institute as Vice President of the European Film Promotion comments on FRED about the secret of the success of the networking platform Producers on the Move, which celebrates its 17th edition this year. She also announces two new initiatives the EFP will carry on: Future Frames at the Karlovy Vary International Film Festival and the 10 Women Directors to watch at the Sydney Film Festival. The latter initiative marks the first time EFP, the Sydney Film Festival and Variety have joined forces to initiate “European Cinema: 10 Women Filmmakers to Watch,” presenting ten exceptional European women storytellers.

20 of the most energetic, emerging producers from across Europe are selected to participate in the networking platform PRODUCERS ON THE MOVE at the Cannes International Film Festival. EFP has set a high standard for participation and creates a tightly focused working environment involving project pitchings, 1:1 meetings as well as extensive promotion of the producers via profiles in the international trade papers. The aim of this initiative is to assist European producers in finding partners for their upcoming projects, to strengthen industry networking opportunities and to offer a platform where the producer’s potential is recognised.

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PODCAST | Chiara Nicoletti interviews Martin Schweighofer, president of European Film Promotion, at the 69th Cannes Film Festival.

Straight from the presentation of the 2016 edition of Producers on the Move at the 69th Cannes Film Festival, FRED Film Radio steals a moment away from the uber busy Martin Schweighofer, president of European Film Promotion, the institution that, among doing other things, organizes this annual networking event for emerging and talented European film producers. This year is no different. Producers on the Move returned to Cannes and we seized the opportunity to find out more about its selection criteria and the ultimate goal that Producers on the Move represents. We also ask Schweighofer how he feels the role of the film producer has changed throughout the years, especially the past 17 years in which Producers on the Move has been active.

20 of the most energetic, emerging producers from across Europe are selected to participate in the networking platform PRODUCERS ON THE MOVE at the Cannes International Film Festival. EFP has set a high standard for participation and creates a tightly focused working environment involving project pitchings, 1:1 meetings as well as extensive promotion of the producers via profiles in the international trade papers. The aim of this initiative is to assist European producers in finding partners for their upcoming projects, to strengthen industry networking opportunities and to offer a platform where the producer’s potential is recognised.

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PODCAST | Chiara Nicoletti interviews Helen Ahlsson, film commissioner of the Swedish Film Institute at the 69th Cannes Film Festival

FRED Film Radio, this year, followed closely the Producers on the Move networking platform. Therefore, it is a pleasure to be joined by a former participant, to tell us what impact this initiative had on her subsequent career. Helen Ahlsson started as a film producer and was a “Producer on the Move” ten years ago, in 2009. Now, she is a film commissioner at the Swedish Film Institute. In this interview, she tells us how being a film producer helped the way in which she selects the film projects to finance with the film commission in Sweden, and more.

20 of the most energetic, emerging producers from across Europe are selected to participate in the networking platform PRODUCERS ON THE MOVE at the Cannes International Film Festival. EFP has set a high standard for participation and creates a tightly focused working environment involving project pitchings, 1:1 meetings as well as extensive promotion of the producers via profiles in the international trade papers. The aim of this initiative is to assist European producers in finding partners for their upcoming projects, to strengthen industry networking opportunities and to offer a platform where the producer’s potential is recognised.

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PODCAST | Chiara Nicoletti interview Alex Brendemuhl and Louis Garrel, actors in the film From the Land to the Moon by Nicole Garcia, presented at the 69th Cannes Film Festival.

FRED catches up with Alex Brendemuhl once again, this time with Louis Garrel, to talk about the film From the Land to the Moon (Mal de Pierre) by director Nicole Garcia. The film was presented in the main competition of the 69th Cannes Film Festival. Here, the two actors play respectively husband and lover of Gabrielle, played by Marion Cottillard. The film is an adaptation of an Italian novel titled Mal di Pietre. The two actors comment on working with Nicole Garcia and of the way in which they were directed for their roles.

FROM THE LAND TO THE MOON (Mal de Pierre): Gabrielle comes from a small village in the South of France, at a time when her dream of true love is considered scandalous, and even a sign of insanity. Her parents marry her to José, an honest and loving Spanish farm worker who they think will make a respectable woman of her. Despite José’s devotion to her, Gabrielle vows that she will never love José and lives like a prisoner bound by the constraints of conventional post-World War II society until the day she is sent away to a cure in the Alps to heal her kidney stones. There she meets André Sauvage, a dashing injured veteran of the Indochinese War, who rekindles the passion buried inside her. She promises they will run away together, and André seems to share her desire. Will anyone dare rob her of her right to follow her dreams?

The post Alex Brendemuhl and Louis Garrel on their roles in “From the Land to the Moon” #Cannes2016 appeared first on Fred Film Radio.

PODCAST | Angelo Acerbi interviews Jerome Paillard, head of the Marché du Film (Cannes Film Market) at the 69th Cannes Film Festival.

We talked with the director of the Marché du Film (Cannes Film Market) to get a grasp of some of the figures and facts of this year’s edition of one of the most important film markets in the world. Jerome Paillard has been head of the market for years, and therefore compares this year’s edition with previous edition, also discussing some of the market’s newest features and the impressions that he got of the current state of the industry, as well as its constantly changing trends, innovations and techniques.

The post An overview of this year’s Marché du Film from its head, Jerome Paillard #Cannes2016 appeared first on Fred Film Radio.

PODCAST | Chiara Nicoletti interviews Maren Ade, director of the film Toni Erdmann from the 69th Cannes Film Festival.

To listen to the interview, click on the ► icon on the right, just above the picture of the film

Toni Erdmann is a film which, to cite director Maren Ade’s words, deals with a “conflict of values.” The conflict of values between a post-war father and his daughter, whom he things is conducting a career-driven life. Maren Ade also elaborates on the comic tones of her new film, presented in competition at the 69th Cannes Film Festival, since for her, comedy is something that comes from drama; like all good comedy, TonI Erdmann is fundamentally very serious.

TONI ERDMANN: Practical joker Winfried disguises himself as flashy “Toni Erdmann” to get busy Ines’ attention and change her corporate lifestyle. The father-daughter challenge reaches absurd proportions until Ines begins to see that her eccentric father deserves a place in her life…

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PODCAST | Angelo Acerbi interviews Pascal Diot, head of the Venice Film Market from the 69th Festival de Cannes

Pascal Diot, head of the Venice Film Market, the relatively new market of the annual Venice Film Festival, was at the 69th Festival de Cannes. We caught up with him to get a preview of what its next edition has in store and some of the new features that will define it, including a new name and a new space dedicated to literature..

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PODCAST | Angelo Acerbi interviews Boo Junfeng, director of the film Apprentice from the Un Certain Regard section of the 69th Festival de Cannes.

To listen to the interview, click on the ► icon on the right, just above the picture of the film

Through his masterful handling of characters and plot, director Boo Junfeng brings us inside a solid drama about a young man’s obsession with his father’s killer. The twist comes when he realizes that the perpetrator of his father’s death is not the monster he thought he was. Apprentice is a film about death penalties, analyzed from the inside and seen from an unusual point of view. Profoundly affecting.

APPRENTICE: Aiman, a 28-year-old correctional office, is tranferred to the territory’s top prison. He strikes up a friendship with Rahim, who is revealed to be the chief executioner of the prison, and one of the world’s most prolific. Can Aiman overcome his conscience and a past that haunts him to become the executioner’s apprentice?

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