Today, we share with you the finale of the Fresh Art International podcast, ending more than a decade of storytelling from art scenes around the world. Coming full circle, we’ve returned to Baltimore, Maryland. The Magic City is where we released our very first episode in October 2011. Our guest was MacArthur Genius, artist Joyce J. Scott.

In October 2025, we sit down with another long time friend of Fresh Art International: artist Amy Sherald. Inside the Baltimore Museum of Art, she takes us on a tour of American Sublime, her traveling mid-career retrospective exhibition.

This isn’t our first story with Amy. Nine years ago, in July 2016, we recorded an episode live with an audience, in a Chicago, Illinois, gallery. Surrounded by Amy Sherald’s paintings, we acknowledged acute racial tensions in the United States at that moment. Incidents of police violence against black citizens were sparking countrywide public protests. A hopeful counterpoint, Amy’s exhibition A Wonderful Dream met viewers with luminous positive depictions of Black life in America. A year and a half later, in December 2017, Amy joined us on our Fresh Art International radio show during Miami Art Week, in Florida. Again, she voiced her commitment to the work. Recording conversations with this artist along her path to greatness has been a privilege and an honor.

Fresh Art International holds an archive of many such stories—all with enduring value. Over time, we have documented critically important voices from the evolving world of contemporary art. The John S. and James L. Knight Foundation, Emily Hall Tremaine Foundation, Locust Projects and the Andy Warhol Foundation for the Visual Arts, and most important, Listeners Like You, have made Fresh Art International possible. Thank You, for Listening!

Production: Cathy Byrd | Sound Design: Anamnesis Audio | Featured: Amy Sherald

Related Episodes: Amy Sherald on New Racial Narratives, Report from Miami Art Week 2017

Related Links: Obama Portrait Unveiling at the Smithsonian’s National Portrait Gallery, 2018, Artist Amy Sherald: The 60 Minutes Interview

*Amy Sherald: American Sublime is touring these venues in the United States: San Francisco Museum of Modern Art/San Francisco, Whitney Museum of American Art/New York, Baltimore Museum of Art/Baltimore, High Museum of Art/Atlanta

Today, we introduce Cannupa Hanska Luger, an American artist born on the Standing Rock Reservation in North Dakota, who now lives and works outside Santa Fe, New Mexico. 

Our conversation reveals a few of the ways Cannupa acts on his deep respect for heritage and community, belief in ritual and remembrance, and fascination with science fiction and mythology. The artist shares the stories behind his mystical re-creation of Midéegaadi, a traditional buffalo dance he filmed against a green screen to show in exhibition spaces, on digital billboards, and even in a virtual reality app. 

The dance is one strand of Future Ancestral Technologies, a new myth that Cannupa has been weaving since 2015. His interrelated projects reimagine Indigenous life and culture in a postcolonial world where space exploration has reduced and reconfigured the earth’s population. As Cannupa builds a framework for understanding, respecting and sharing indigeneity in the 21st century, he holds out hope for our collective future.

Production: Cathy Byrd | Sound Design: Anamnesis Audio

Special Audio: Cannupa Hanska Luger, Midéegaadi and Mirror Shield Project

Related Episodes: Video Performance Art Reimagines the Future, Live from the Everglades—Part One and Part Two

Related Link: Cannupa Hanska Luger

In this episode, we explore an emerging microgenre in contemporary performance art. Some of today’s artists create liminal spaces, construct original expressive forms, and make powerful statements in a range of inventive video performances.

The 2025 exhibition (Im)Posibilidades: Performance Art for Video at Ogden Contemporary Arts in Ogden, Utah, reveals the microgenre’s potential. Featured projects from the United States and Mexico envision ways to correct historical distortions and construct new possible futures. They show us a world where everyone’s stories can thrive through performance and reimagination.

Production: Cathy Byrd | Sound Design: Anamnesis Audio

Featured Voices: Stephanie Garcia and Peter Hay of PROArtes Mexico, Adam Forrester, Lilly McElroy, Cannupa Hanska Luger

Feature Soundtracks, Courtesy the Artists and Ogden Contemporary Arts: María Eugenia Chellet/La Dolorosa, Lilly McElroy/A Woman Runs Through a Pastoral Setting, Naomi Rincón Gallardo/Eclipse, Cannupa Hanska Luger/Midéegaadi, Ileana Moreno/Kowatl y el Mejor Amigo del Sol, Kameron Neal and Jarrett Key/CARGO!, Yoshie Sakai/ Grandma NightClub Music Video, José Villalobos/El Peso Del Rio/The Weight of the River

Related Episodes: Joan Jonas, William Pope.L, Maria Magdalena Campos-Pons, Carolee Schneeman, Cheryl Pope, Regina Frank

About the Exhibition: Ogden Contemporary Arts

Today’s episode is a poetic epilogue to the Student Edition we produced with university students from the United States and Canada. The emerging podcasters who share this story are enrolled at schools in Chișinău, capital city of the Republic of Moldova. Their tiny Eastern European country declared its independence from the Soviet Union not so long ago, in 1991. Russia’s ongoing invasion of neighboring Ukraine continues to have an impact on everyday life here. Olga Raileanu, Bogdan Glavan, and Daniel Boldurat reached out to local photographer Mihail Calarașan, Ukrainian artist KAR, and sociologist Vitalie Sprînceană to talk about art in times of war for their new Reflecting Zemstvei podcast.

Note: The original version of this episode premiered on YouTube as #1/ Reflectând Zemstvei / Peace Street.

About Casa Zemstvei and the Reflecting Zemstvei Podcast: Since 2013, artists and independent initiatives have rented spaces in a center-city building known as Muzeul Zemstvei. They call their improvisational community “Casa Zemstvei.” Creators and curators, animators and activists, visitors and regulars embrace the crumbling architecture, the arctic cold, the echoey acoustics, and the primitive grandeur of this historic space.

In spring 2025, Fresh Art International’s Cathy Byrd introduced podcasting during a 3-day intensive workshop. Participants recorded voices and sounds for stories about the independent art scene inside Casa Zemstvei.

Workshop participants became producers by learning to master recording equipment, script stories, collect sounds and voices and shape stories. Recorded on location, episodes in the limited edition Reflecting Zemstvei audio program are influenced by the surrounding sonic landscape and informed by the creative characters that inhabit this “House of Wonders.” The venue’s displays and public conversations around the war in Ukraine at the time of our workshop sparked this episode.

Peace Street Producers

Peace Street Guests

Post-production for the Fresh Art International version of this episode: Anamnesis Audio

Related Episodes: Starting an Art Podcast in Moldova, Fresh Art International Student Edition

Related Links: 

Reflecting Zemstvei Podcast on YouTube, with Subtitles

Reflecting Zemstvei Podcast on SoundCloud

To introduce the new Reflecting Zemstvei podcast produced by local creatives in Chișinău, Moldova, Cathy Byrd and Olga Raileanu take listeners inside an intensive workshop experience that spanned three days in March 2025. In this episode, you’ll meet the young Moldovans who learned to master recording equipment, script stories, and collect sounds and voices to shape stories from their hometown’s independent art scene. Our story from Eastern Europe takes Fresh Art International's Student Edition outside the English speaking world.

Since 2013, artists and independent initiatives have rented spaces in a center-city building complex known as “Zemstvei,” a state-owned architectural monument that dates from the mid-19th century. They call their improvisational community “Casa Zemstvei.” Creators and curators, animators and activists, visitors and regulars embrace the crumbling architecture, arctic cold, echoey acoustics, and primitive grandeur of this historic space. 

Recorded on location, episodes in this limited edition audio program are inspired by the surrounding sonic landscape and the creative characters that energize Chișinău’s “House of Wonders.”

Note: The original version of this episode premiered on YouTube as #1/ Reflectând Zemstvei / How We Made the Podcast.

Production: Cathy Byrd, with Olga Raileanu | Sound Design: Marian Lupu, Olga Raileanu, and Anamnesis Audio

Voices:

Daniel Boldurat - student and volunteer at Oberliht Association, Franz Cocarcea - producer of the video podcast Omul face locul, Bogdan Glavan - high school student, with experience in sound design, Alex Hanganu - student, activist and cultural manager, Olga Raileanu - graphic designer with journalism experience, Marina Scalețchi - communicator, Vladimir Us - curator, president of Oberliht Association

Related Links: Fresh Art International Student Edition, FreshArt.Education, Reflecting Zemstvei Podcast on SoundCloud, Reflecting Zemstvei Podcast on YouTube, with Subtitles

How does your art engage the world? How do you speak to the issues and ideas of our time? What do you hope others will remember about your life, your beliefs, your work?

The exhibition Teresita Fernandez / Robert Smithson, SITE Santa Fe opens a portal for us to consider our place in the landscape and explore the legacy of two significant artists. Their vibrant visual exchange feels both time sensitive and timeless.

This dialogue with artist Teresita Fernández and Lisa Le Feuvre, Executive Director of the Holt/Smithson Foundation, deepens our appreciation of resonant and divergent perspectives. Embracing change, they show us the way to and through a few of the entanglements that come with being an artist and being human. 

Host: Cathy Byrd

Special Audio featured with permission, as follows:

Recordings on site at Spiral Jetty, Salt Lake, Utah, 2013, courtesy Anamnesis Audio. 

Extracts from Teresita Fernández, Cuajaní (2024), directed by Teresita Fernández and Juan Carlos Alom; 16mm film converted to digital video, black and white, sound; duration 20 minutes, 9 seconds.

Extracts from Robert Smithson, Spiral Jetty (1970); 16mm film; duration 35 minutes; © Holt/Smithson Foundation 2024.

Related Episodes: Unsettled Landscapes at SITE Santa Fe, Louis Grachos, Land Arts of the American West

Related Links: Teresita Fernández, Holt/Smithson Foundation, SITE Santa Fe

Today, we take you to Sharjah, in the United Arab Emirates, for our first experience of the yearly gathering known as March Meeting. The Sharjah Art Foundation designs these programs to resonate with issues and events of the moment. March Meeting 2024 is no exception. Across three days, artists, curators, educators and writers from near and far converge to consider the power and purpose of collective creativity.

Here, we bear witness to diverse artistic energies behind grass roots initiatives in the Global South. Finding strength in numbers, creative activists collaborate on initiatives that bring positive change to the vulnerable communities where they live and work. All embrace multiple voices. None are unafraid of messy entanglement. They give us hope, they show us the way— to a more inclusive, sustainable, and livable future. 

Sound Design: Anamnesis Audio

Special Audio: Alex Pierce and Zoe Annesley, “Beneath a Tent, a Performance for Strings and Voice”; Bint Mbareh, “Lentil Soup as an Antidote to Rampant Wildfires”; dhaqan collective “Camel Song” and “House of Weaving Song”; La Revuelta YouTube channel; Episodio 7 - El podcast de Anamá Rojas, June 2021; Vela Vela; Stanza for Lumi

Related Episodes: Sharjah Biennial 15—with Hoor Al Qasimi, Searching for Libertalia—with Shiraz Bayjoo, Creating Community in Kazakhstan—with CEC ArtsLink, The BLCK Family of Miami on Collective Creativity

Related Links: Sharjah Art Foundation, Topsoil, Sakiya, dhaqan collective, La Revuelta

In this episode, we consider the role that teaching artists play in shaping the art school experience. How does an artist in academia cultivate expressive opportunities for students while making time to deepen their own creative practice? 

New Orleans based artist Cristina Molina invites us to consider this challenging dynamic at the art school where she teaches—Southeastern Louisiana University's Department of Visual Art and Design. Research and observation, architecture and the environment, memory and motherhood, music and movies, intuition and uncertainty are a few of the forces that drive the artmaking we discover at the edge of Louisiana’s Gulf Coast.

Voices, in Order of Appearance: Garima Thakur, Kate Baczeski, Luisa Hernández, Vanessa Centeno, Dale Newkirk, Tom Walton, Ben Diller, Eric Huckabee, Lily Brooks, Rachel Harmeyer, Cristina Molina

Sound Design: Patrick Davis, with Anamnesis Audio

Special Audio: Garima Thakur, Bioscope, 2022; Luisa Hernández, What Matters Now, 2023; Chad Serhal, The Great American Motion Picture Rotoscope Animation, 2021; Ken Haskett, Morse Code message, 2021; Lily Brooks, We Have to Count the Clouds, 2012; NASA, recorded sounds of the sun, via Cristina Molina, 2022.

Related Episodes: Student Edition

Related Links: Southeastern Louisiana University Contemporary Art Gallery, FreshArt.Education, Fresh Art International Research Guides

Where in the world can you express yourself freely, share cultural knowledge, test inventive art practices, and build a transnational creative community in only 10 days time?

During an intensive CEC ArtsLink program in Kazakhstan, 23 artists and curators from across the region and the U.S. seize the moment to think deeply about their socially engaged projects. Our home base for talks, workshops, field expeditions, and performances is the bULt Collective rave space.

Paying attention to inclusion and access, issues and ideas, concept and creation, they begin to imagine new possible futures for collective art practices in Central Asia and beyond.

Acknowledgement: In Fall 2023, Cathy Byrd recorded voices and sounds for this episode during her CEC ArtsLink residency in Central Asia.

Sound Design: Anamnesis Audio

Featured Voices: bULt Collective, Lydia Matthews, Nara Bikinna, Zilïa Khansura, Laura Nova, Will Owen, Kristine Diekman

Special Audio: Bandistan Ensemble, DJ Nemezida; DJs inspired by traditional Kazakh music/Almaty, Kazakhstan; Nara Bikinna recording of a Tatar gathering/Tyumen, Siberia; recording of felting workshop with Zilïa Khansura/Oak Gallery, Bishkek, Kyrgyzstan; Collective Soundwalk Mixdown/Almaty

Related Episodes: Poetic Interventions Point to Pollution in Kyrgyzstan, When Art Sparks Social Engagement

Related Research Guide (downloadable hyperlinked pdf for learning and teaching): Creating Connections/Sparking Engagement—Research Guide Issue 4

Download ALL Free Research Guides HERE

Related Links: CEC ArtsLink, bULt Collective

Today, we introduce a few of the artists and activists energizing the 2023 Art Prospect & TRASH-5 Festival in Kyrgyzstan. They give voice to the issues, ideas, and intentions that shape their truly creative approaches to mitigate pollution. Their projects illuminate the potential for artists everywhere to build community and drive sustainable solutions to our global environmental crisis. 

From the city of Bishkek to the settlement of Altyn Kazyk, we discover myriad ways that socially engaged artists encourage awareness and action. They bring us together from around the world to experience, understand, and create true moments of beauty and meaning—giving us hope for a future that holds clean air, land, and water.

Acknowledgement: In Fall 2023, Cathy Byrd recorded the voices in this episode during her residency with CEC ArtsLink in Central Asia.

Sound Design and Engineering: Anamnesis Audio

Featured Voices: Sto Len, Ronja Roemmelt, Mishiko Solakauri, Begimai Zhunusova, Ellen Harvey, Bermet Borubaeva, Aimeerim Tursalieva

Special Thanks to the Bishkek Sanitary Landfill—Director Nurlan Djumaliev, Head of Municipal Enterprise Section Arzykulov Almaz Toktomukhanmedovich, Landfill Museum Co-Curator Samat Marso

Special Audio: Live musicians performance at the People’s Landfill Museum and the Bandistan Ensemble

Related Episodes: Public Water—with Mary Mattingly, Topical Playlist—Sustainability and the Environment 

Related Links: CEC ArtsLink, Art Prospect & TRASH-5 Festival 2023, Tazar, EU Compliant Landfill to Open in Bishkek