Fresh Art International

In 2018, Locust Projects invited the Detroit-based design duo known as root of two to bring three headless chickens to roost in Miami. For six months, Cezanne Charles and John Marshall embellish the Magic City skyline with their public art and digital engagement project.

Previously presented in France and the United Kingdom, Whithervanes translate the traditional weathervane into a 21st century radio transmitter. Mounted on rooftops in downtown, the Design District and Biscayne Boulevard, the four-foot tall birds change colors and direction in response to the climate of fear propagated by the media. These are tech-savvy chickens. They scan the Internet for alarmist keywords, collecting information on topics from violence to economic crises to natural disasters. You can follow their “neurotic, early worrying system”, or N.E.W.S. on the Whithervanes Twitter account.

Connecting art with streaming social media and news technology, Whithervane designers Cezanne Charles and John Marshall invite us to think about the emotional impact of the digital information that controls our view of the world.

Sound Editor: Anamnesis Audio | Photographs courtesy root of two and Locust Projects

Related episodes: Art of the Everyday, Art and the Rising Sea, Report from Miami Art Week 2017

In 2018, seventy-five artists from thirty-three countries came together for the contemporary African art biennial known as Dak’Art. The offsite program featured more than 200 autonomous artist-organized exhibitions and events across Dakar and on the island of Gorée.

The projects we share in this episode explore ideas of freedom and responsibility as they investigate colonial histories, politics, and the economy, migration and the environment. Often achieved collectively and always emphasizing process, experimentation and action, they animate the legacy of legendary Senegalese artist Joe Ouakam and Agit'Art, the revolutionary creative movement he co-founded in 1974.

Voices: Simon Njami, Glenda León, Guy Woueté, Marcos Lora Read, Magdi Mostafa, Tori Wraånes, Marisol Rodriguez, Moataz Nasreldin, Pascal Traoré, Michel Amadou Gué

Sound Editor: Anamnesis Audio

Related Episodes: Magdi Mostafa Turns Analog Tech into Sound Sculpture, LIVE from Dak'Art 2018, SITElines, Unsettled Landscapes 2014

Related Links: Dak'Art 2018, Simon Njami, Glenda León, Guy Woueté, Marcos Lora Read, Magdi Mostafa, Tori Wrånes, Marisol Rodriguez, ZAM ZAM, Moataz Nasreldin, DARB1718, Issa Samb, Agit'Art, Pascal Traoré, Island of Gorée

In 2018, seventy-five artists from thirty-three countries came together for the contemporary African art biennial known as Dak’Art. The offsite program featured more than 200 autonomous artist-organized exhibitions and events across Dakar and on the island of Gorée.

The projects we share in this episode explore ideas of freedom and responsibility as they investigate colonial histories, politics, and the economy, migration and the environment. Often achieved collectively and always emphasizing process, experimentation and action, they animate the legacy of legendary Senegalese artist Joe Ouakam and Agit'Art, the revolutionary creative movement he co-founded in 1974.

Voices: Simon Njami, Glenda León, Guy Woueté, Marcos Lora Read, Magdi Mostafa, Tori Wraånes, Marisol Rodriguez, Moataz Nasreldin, Pascal Traoré, Michel Amadou Gué

Sound Editor: Anamnesis Audio

Related Episodes: Magdi Mostafa Turns Analog Tech into Sound Sculpture, LIVE from Dak'Art 2018, SITElines, Unsettled Landscapes 2014

Related Links: Dak'Art 2018, Simon Njami, Glenda León, Guy Woueté, Marcos Lora Read, Magdi Mostafa, Tori Wrånes, Marisol Rodriguez, ZAM ZAM, Moataz Nasreldin, DARB1718, Issa Samb, Agit'Art, Pascal Traoré, Island of Gorée

What does it mean to be Black in 21st century America? The expression of Blackness in art has a history of intricate connections to civil rights and social movements. In the United States and abroad, painting and drawing, filmmaking and photography, performance and protest have long represented diverse creative perspectives on the volatile subject of race and identity in this country.

Today, we hear from curators and artists whose work directly engages with race and American identity. Individually and collectively, they generate “freestyle” expressions of Blackness—revealing that no matter how history influences the Black cultural space, identity remains a fluid form in the hands of contemporary artists.

Sound Editor: Anamnesis Audio | Photos courtesy of featured artists and the Renaissance Society

Featured Audio: Thelma Golden at Crystal Bridges Museum of American Art, Hamza Walker, Black Is, Black Ain't Symposium, Renaissance Society, Johanne Rahaman field recordings in South Florida, Theaster Gates at Katzen Arts Center, American University, Theaster Gates performs at Huguenot House in Kassel, Germany, for documenta 13, Sanford Biggers, BAM (For Michael), Fahamu Pecou, All that Glitters Ain't Goals, Amy Sherald at Monique Meloche Gallery, Chicago 

Related Episodes: Modern Black Portrait of Florida, Jefferson Pinder on Symbols of Power and Struggle, Theaster Gates on Meaning, Making and Reconciliation, Sanford Biggers on Time and the Human Condition, Amy Sherald on New Racial Narratives, Fahamu Pecou on Art x Hip-Hop

Related links: Thelma Golden, Studio Museum of Harlem, Freestyle, Hamza Walker, Black Is, Black Ain't, Johanne Rahaman, Jefferson Pinder, Theaster Gates, Sanford Biggers, Amy Sherald, Fahamu Pecou, Deborah Roberts

Related Episodes: Borscht Film Festival, Buskerfest Miami, Miami's Caribbean Arts Remix Related Links: The BLCK Family, Najja Moon, James Klynn, Inez Barlatier, Frankie Midnight Freedom Session, Va Freedom Session

Today, capitalism, aka the free market, is linked to trade wars, suffocating student debt, entire countries gone bankrupt, burgeoning virtual currencies and coded security systems. What role can art and artists play in this wildly unbalanced economy? In abandoned bank buildings, failed urban development projects and public squares, we discover artists and their communities in the U.S., Western Europe, South America and Greece, taking on the challenge—as whistle blowers, catalysts, educators, money makers, evangelicals and documentarians.  

Featured in this episode: Occupy Museums/Imani Jacqueline Brown, Kenneth Pietrobono, Noah Fisher; Fictilis/Andrea Steves and Timothy Furstnau; Museum des Kapitalismus/Julian and Janosz; Musée du Capitalisme/Samuel Hus and Chloé Villain; La Torre de David/José Luis Blondet, Ángela Bonadies and Juan José Olavarría; Bank Job/Hilary Powell and Dan Edelstyn; Reverend Billy and the Stop Shopping Choir

Sound Editor: Anamnesis Audio | Special Sound: Ángela Bonadies and Juan José Olavarría; Bank Job; Reverend Billy and the Stop Shopping Choir; Contributing Producer: Anamnesis Audio for Reverend Billy Segment

Related Episodes: Art and the Rising Sea; Art Sparking Social Engagement; Where Art Meets Activism; Art of the Everyday; Occupy Museums on Artists and Debt Related Links: Occupy Museums; Museum of Capitalism: Fictilis; Museum des Kapitalismus; Musée du Capitalisme; Bank Job; Reverend Billy and the Stop Shopping Choir; SITE Santa Fe SITElines: Casa tomada

Today, capitalism, aka the free market, is linked to trade wars, suffocating student debt, entire countries gone bankrupt, burgeoning virtual currencies and coded security systems. What role can art and artists play in this wildly unbalanced economy? In abandoned bank buildings, failed urban development projects and public squares, we discover artists and their communities in the U.S., Western Europe, South America and Greece, taking on the challenge—as whistle blowers, catalysts, educators, money makers, evangelicals and documentarians.  

Featured in this episode: Occupy Museums/Imani Jacqueline Brown, Kenneth Pietrobono, Noah Fisher; Fictilis/Andrea Steves and Timothy Furstnau; Museum des Kapitalismus/Julian and Janosz; Musée du Capitalisme/Samuel Hus and Chloé Villain; La Torre de David/José Luis Blondet, Ángela Bonadies and Juan José Olavarría; Bank Job/Hilary Powell and Dan Edelstyn; Reverend Billy and the Stop Shopping Choir

Sound Editor: Anamnesis Audio | Special Sound: Ángela Bonadies and Juan José Olavarría; Bank Job; Reverend Billy and the Stop Shopping Choir

Related Episodes: Art and the Rising Sea; Art Sparking Social Engagement; Where Art Meets Activism; Art of the Everyday; Occupy Museums on Artists and Debt Related Links: Occupy Museums; Museum of Capitalism: Fictilis; Museum des Kapitalismus; Musée du Capitalisme; Bank Job; Reverend Billy and the Stop Shopping Choir

Egyptian artist Magdi Mostafa's interactive environment for the 2018 Dakar Biennial of Contemporary African Art turns the sounds of analog technology into a vibrating aesthetic force. Acting like tiny radio receivers, his handmade electronics make audible the otherwise silent electro-magnetic fields emanating from today’s myriad digital devices. He exposes the reverberations of energy emission and loss in our battery powered, wi-fi connected contemporary communications. 

In “Transmission Loss,” electronic residue becomes the main signal—the core source of energy for an audio playscape. Mostafa invites us to turn a field of full frequency noise into a sonic composition. By tweaking the dials of tone generators and manipulating vibrating devices, we can alter sounds, discover patterns and explore the mysterious interactions of feedback and inter-device communication. 

Sound Editor: Jonathan Pfeffer | Special Audio and Photos courtesy Magdi Mostafa

Related Episodes:

Samson Young Presents Hong Kong Mixtape

Stephen Vitiello

Live from Dak'Art 2018

Related Links:

Magdi Mostafa

Dak'Art 2018

Egyptian artist Magdi Mostafa's interactive environment for the 2018 Dakar Biennial of Contemporary African Art turns the sounds of analog technology into a vibrating aesthetic force. Acting like tiny radio receivers, his handmade electronics make audible the otherwise silent electro-magnetic fields emanating from today’s myriad digital devices. He exposes the reverberations of energy emission and loss in our battery powered, wi-fi connected contemporary communications. 

In “Transmission Loss,” electronic residue becomes the main signal—the core source of energy for an audio playscape. Mostafa invites us to turn a field of full frequency noise into a sonic composition. By tweaking the dials of tone generators and manipulating vibrating devices, we can alter sounds, discover patterns and explore the mysterious interactions of feedback and inter-device communication. 

Sound Editor: Jonathan Pfeffer | Special Audio and Photos courtesy Magdi Mostafa

Related Episodes:

Samson Young Presents Hong Kong Mixtape

Stephen Vitiello

Live from Dak'Art 2018

Related Links:

Magdi Mostafa

Dak'Art 2018