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FRUMESS
By Jeff FrumessMusic
FRUMESS episodes
- Russel Quan of The Mummies is Pizza Punk!
Russell Quan of the legendary Garage Punk Bands Mummies and Phantom Surfers loves records and is a big Beatles fan. He joins us for an interview to find out what makes him spin (spoilers: it's records)
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"The Mummies" is also the name of a garage punk band that originated in San Bruno, California, in the late 1980s. The band is known for their raw and lo-fi sound, as well as their distinctive stage presence which often involved wearing mummy costumes during performances. The Mummies gained a cult following within the underground punk and garage rock scene. Their music is characterized by its primitive and energetic style, drawing inspiration from 1960s garage rock and punk music. Despite their relatively short-lived career and limited mainstream recognition, The Mummies left a lasting impact on the DIY punk scene and are considered influential within their niche. The band members often used pseudonyms and maintained an aura of mystery around their identities. Some of their well-known releases include albums like "Never Been Caught" and "Death By Unga Bunga!!" as well as various singles and compilation appearances.
"Budget Rock" refers to a music genre, scene, and DIY (do-it-yourself) approach to making and promoting music. It emerged in the 1980s and is closely associated with garage rock, punk rock, and a lo-fi aesthetic. Budget Rock emphasizes a raw, unpolished sound and often involves bands producing their own music with minimal financial resources. The term "Budget Rock" reflects the idea that the music can be created and enjoyed without the need for large budgets or major record label support. Bands within the Budget Rock scene often prioritize creativity, authenticity, and a rebellious spirit over commercial success or polished production values.Characteristics of Budget Rock include:Lo-Fi Sound: Budget Rock bands intentionally embrace a low-fidelity sound, which can include recording on inexpensive equipment, using vintage gear, and deliberately avoiding overproduced sound.DIY Ethos: Bands within the Budget Rock scene often handle many aspects of their music themselves, from recording and producing to booking their own shows and creating their own artwork.Garage and Punk Influences: The music draws heavily from garage rock and punk rock, featuring energetic and often primitive musical styles.Minimalist Approach: Musicians within this scene focus on the essentials of music-making, emphasizing the songwriting and performance rather than complex arrangements.Independent Labels: Budget Rock bands often release their music on small independent labels that align with the DIY ethos.Underground Culture: The scene operates within underground and alternative music circles, catering to fans who appreciate the authenticity and unique character of the music.Budget Rock has contributed to the diversity of the music landscape by providing an alternative to mainstream, highly polished music production.1 hr 19 min - Grimm Tales IV: 1999 - 2000 | The Misfits who Walked Among Us Episode 89 | Frumess
Humungus aka Jim “The Tank” Dorsey started off with one of the most complete and legendary collections of Misfits, Samhain, and Danzig in all of the realms know as The Grimm Collection. In the years that followed, Grimm would find himself working for Jerry and Doyle and the Misfits 95, eventually becoming their Tour Manager. This is his story. Part 4
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5 hr 15 min - Sublime - Robbin' the Hood | Frumess
We take a look at Sublime’s cult classic album Robbin’ The Hood.
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The album also features 'Raleigh Soliloquies,' selections from a rant recorded by a man with schizophrenia named Raleigh Theodore Sakers (real name Rollie Theodore Saker).Some of the songs on the album contain parts that were later reused by the band on other albums. For example, the principal chord progression in the instrumental "Lincoln Highway Dub" was featured again in the band's later hit "Santeria", and elements of "Work That We Do" would later appear in "Under My Voodoo". Incidentally, it was during the recording of Robbin' the Hood, that the band recorded demos of "What I Got" and "Garden Grove."Gwen Stefani, of No Doubt, contributes guest vocals on the track "Saw Red", notably before either Sublime or No Doubt enjoyed mainstream success.
All songs written by Sublime unless otherwise noted"Waiting for Bud" – 1:02"Steady B Loop Dub" – 1:23 (Contains samples of "Badfish",and "Bring the Beat Back" by Steady B.)"Raleigh Soliloquy Pt. I" – 1:46"Pool Shark" – 0:57"Steppin' Razor" (Joe Higgs) – 2:24 (Contains a sample of Steely Dan's "Do It Again".)"Greatest-Hits" – 2:53 (Contains a sample of "Zungguzungguguzungguzeng!" by Yellowman and a partial cover of the Mad Mad riddim, first heard in "Mad Mad Mad" by Alton Ellis)"Free Loop Dub" – 3:08 (Contains a sample of "Loaded" by Primal Scream.)"Q-Ball" – 0:43"Saw Red" - 1:57 (Featuring guest vocals from Gwen Stefani. Contains a partial cover of "She's Mine" by Barrington Levy.)"Work That We Do" – 2:34"Lincoln Highway Dub" – 2:21 (The intro is 30 seconds. The chord progression, melody, and elements of the guitar solo were later used in “Santeria”)"Pool Shark (Acoustic)" – 1:25"Cisco Kid" – 4:38 (Contains samples of "Introduction" by Guru, "When the Music's Over" by the Doors, dialogue from Scarface, and clips from The Cisco Kid)"Raleigh Soliloquy Pt. II" – 3:39"S.T.P." – 2:57 (Contains lyrics from "I Second That Emotion" by Smokey Robinson)"Boss D.J." – 2:51 (Contains partial covers of "Do it Twice" and "Waiting in Vain" by Bob Marley, as well as Aswad's "Roots Rocking", although Roots Rocking covers "Do it Twice" as well.)"I Don't Care Too Much for Reggae Dub" – 5:20"Falling Idols" – 2:37 (Ross Fletcher/William Pangborn III; originally performed by the Falling Idols)"All You Need" – 2:45 (Contains a lyric from "Fight Like a Brave" by the Red Hot Chili Peppers)"Freeway Time in L.A. County Jail" – 3:17 (Contains slightly modified lyrics from "The Hukilau Song" by Jack Owens and "Them Belly Full" by Bob Marley)"Mary" – 1:34"Raleigh Soliloquy Pt. III" / "Don't Push" / untitled / "The Farther I Go" (Mudhoney) – 8:29* Track 22 includes several hidden tracks including an alternate version of "Don't Push" and an untitled dub song that includes snippets of "Boss D.J." The original Skunk Records release also contains a cover of Mudhoney's "The Farther I Go," which was removed from the Gasoline Alley/MCA re-release for legal reasons.
1 hr 52 min - Bagel Boss: The Ballad of Albert Colao and Chris Morgan | Frumess
Chris Morgan rose to infamy as Long Island, New York's number one Bagel Boss. But there is a lesser known and far stranger tale involving Bagel Boss Chris Morgan and a guy he accuses of being a "conman," Albert Colao. Sometimes the best scenes of drama, cannot be written, but instead found in the wilds of life itself.
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1 hr 1 min - The Heartbreakers Billy Rath: In His Final Years - New Details | Frumess
We take revisit our look at The Heartbreakers Billy Rath in his final years with new details.
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The band quickly became one of the most popular and well-known underground bands in New York City, headlining shows at CBGB, Mother's (located across from the Chelsea Hotel), and Max's Kansas City. In the band's early days, each member took turns on vocals, with Hell bringing in songs (such as "Blank Generation") originally written for Television, and Thunders contributing new material as well. Lure began singing lead on some songs and co-writing with Nolan. The combination of the style-conscious Nolan and Thunders with the beatnik Hell and gangly Lure made for a visually arresting and musically powerful group.
The band members shared songwriting and singing, Hell increasingly attempted to impose his will on the band. At a rehearsal in early 1976, Hell laid down an ultimatum - he would sing most of the songs in the set, with Thunders relegated to one or two songs per set. Thunders walked out, and Nolan and Lure followed; with all three united against him, Hell wound up leaving the band. After auditioning several bass players, the band settled on Boston transplant Billy Rath. Hell went on to form his own band, Richard Hell and the Voidoids.Replacing Hell with Rath solidified the Heartbreakers sound, firmly rooted in 1950's rock and rhythm 'n' blues, but with the energy, volume, and attitude of punk. Rath was a better bassist than Hell, meshing with Nolan to form a formidable rhythm section, and was also content with playing a supporting role in the band without seeking the spotlight. Now managed by Leee Black Childers, the band also consciously emphasized their New York street-tough image, abandoning the glam rock look Thunders and Nolan had flaunted in the New York Dolls in favor of short hair and '50's style suits. The first gigs with the new lineup took place on July 23 and 24, 1976 at Max's Kansas City and earned rave reviews. The band continued to gig regularly in New York City throughout the summer and fall, and played several shows in Boston in September. Despite Childers' efforts and a reputation as a must-see live act, no recording contract was forthcoming, a situation that became increasingly frustrating. Lure wrote that "the kind of deals being offered were laughable, sleazy 50-50 splits that the bands could never, ever hope to profit from." Although the band regularly drew packed crowds at Max's and other venues, by this point Thunders, Nolan, and Lure were heroin addicts (Rath preferred methamphetamine), so money was tight.52 min - Mad Max (1979) The Movie Novelization By Terry Kaye | Audio Book Part 10 | George Miller | Frumess
"Mad Max" is a 1979 Australian dystopian action film directed by George Miller. Set in a desolate future, the movie takes place in a lawless Australia where society has crumbled and gangs roam the wasteland. The story follows Max Rockatansky (played by Mel Gibson), a police officer known as a "Road Warrior," who patrols the roads to maintain order.
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Max's life takes a dark turn when a vicious motorcycle gang led by the sadistic Toecutter (played by Hugh Keays-Byrne) and his lieutenant, Johnny the Boy (played by Tim Burns), terrorizes the region. As the gang becomes more violent, Max's world is shattered when they target his family.Driven to the edge and seeking revenge, Max embarks on a relentless pursuit to bring justice to the gang members responsible for the tragedy. With his iconic black interceptor car, Max engages in intense car chases, brutal confrontations, and explosive action sequences."Mad Max" delves into the themes of vengeance, survival, and the unraveling of society in the face of chaos. The film showcases George Miller's unique blend of gritty storytelling, visceral visuals, and adrenaline-pumping action, establishing a template for the future installments in the franchise.The movie's success catapulted George Miller's career and led to the creation of several sequels, making "Mad Max" a cult classic and one of the most influential films in the action genre.35 min - Danzig's John Christ CHRISTMAS SPECTACULAR Interview Part 5 | The Misfits who Walked Among Us Episode 88 | Frumess
John Christ returns as Ace Von Johnson and I continue to explore the history of the band Danzig! This is part 5 of a multipart interview.
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In 1987, Christ dropped out of college and moved to New Jersey to join Glenn Danzig's band Samhain, which became the band Danzig later that same year. Upon his arrival in New Jersey, Christ would share an apartment with Samhain drummer London May, for whom Christ had performed his first band audition. Christ auditioned well, but it wasn't until leaving countless guitar solos on Glenn Danzig's answering machine that he was finally invited to join the band. When May left the band, Christ shared an apartment with new drummer Chuck Biscuits, where they came up with Christ's original stage name "John Von Christ", before it was shortened to avoid it clashing with bassist Eerie Von. Christ played guitar with Danzig from 1987 to July 1995, appearing on the albums Danzig, Lucifuge, How the Gods Kill and 4, and also the Thrall-Demonsweatlive EP. In 1990, Christ recorded guitar for the Samhain album Final Descent. Christ officially left Danzig on July 5, 1995, citing a breakdown in communication within the band as the reason behind his departure. During his time with Danzig, Christ's main guitar was a 1983 BC Rich Bich strung with custom D'Aquisto strings and fit with PRS pickups. The guitar was customized with the Danzig skull symbol, and is currently on display at the Hard Rock Cafe in Orlando.
In 1997, Christ was part of the short lived band Juice 13, which also included Randy Castillo, former drummer for Ozzy Osbourne. Christ's guitar work has been used by TV stations ABC and Nine Network.[During his time with Nine Network, he provided backing guitar for performances by artists including Tom Jones and Lou Rawls. In 1999, Christ released his debut solo album Flesh Caffeine. In 2004, Christ was involved in a serious crash and suffered injuries to his fretting hand. As a result of his injuries, he underwent lengthy rehabilitation. On November 27, 2009, Christ returned to the live stage for the first time in ten years with a solo performance in Essex, Maryland.1988 – Danzig1990 – Lucifuge1992 – Danzig III: How the Gods Kill1993 – Thrall-Demonsweatlive1994 – Danzig 42001 – Live on the Black Hand Side2007 – The Lost Tracks of Danzig"Mother" is a song by American heavy metal band Danzig. It was originally released in August 1988 as the lead single from their debut album, Danzig.In 1993–1994, almost six years after its original release, a remixed version of the song titled "Mother '93" became a hit on radio and earned Buzz Bin rotation on MTV after a music video incorporating live footage was created to promote the band's new EP, Thrall-Demonsweatlive. During this time the single was reissued by American Recordings, with the remix title updated to "Mother '94" on later versions.1 hr 2 min - Sublime and their partnership with Michael "Miguel" Happoldt and Skunk Records | Frumess
Michael "Miguel" Happoldt and Skunk Records were synonymous with the band Sublime. Today we look at a contract between Miguel and the band and the nature of their partnership.
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Sublime was an American rock band from Long Beach, California, formed in 1988. The band's line-up, consistent throughout its duration, consisted of Bradley Nowell (vocals and guitar), Eric Wilson (bass), and Bud Gaugh (drums). Lou Dog, Nowell's dalmatian, was the mascot of the band. In 1997, songs such as "What I Got", "Santeria", "Wrong Way", "Doin' Time", and "April 29, 1992 (Miami)" were released to U.S. radio.
Sublime released three studio albums, one live album, five compilation albums (one of which also contains never-before released material), three EPs, and one box set. Although their first two albums—40oz. to Freedom (1992) and Robbin' the Hood (1994)—were slightly popular in the United States, Sublime did not experience major commercial success until 1996 with their self-titled third album, released two months after Nowell's death, which peaked at No. 13 on the Billboard 200, and spawned the single "What I Got", which remained the band's only No. 1 hit single, until it was overtaken by "Santeria" (on the Billboard Alternative Songs chart) in their musical career. As of 2022, the band has sold over 20 million albums worldwide, including about ten million in the U.S. alone. Michael "Miguel" Happoldt and Marshall "Ras MG" Goodman contributed to several Sublime songs.1992–1995: 40oz. to Freedom and Robbin' the HoodEventually, Sublime developed a large following in California. After concentrating on playing live shows, the band released 40oz. to Freedom in 1992 under Nowell's label, Skunk Records. The record established Sublime's blend of ska, reggae, punk, surf rock, and hip hop, and helped to further strengthen the group's growing California following. By 1996, 40oz. to Freedom had sold more than 209,000 units, beating the future self-titled album's running total of 145,000 unit sales.In 1992/1993, Sublime was briefly signed to Danny Holloway's True Sound imprint. However, the band stayed on Skunk Records and then in June 1994, they were signed to the label Gasoline Alley of MCA Records by Jon Phillips who subsequently became Sublime's manager. Sublime released their second album Robbin' the Hood in 1994, an experimental effort with its diffuse mixture of rock, rap, spoken-word nonsense and folk-leaning acoustic home recordings. Robbin' the Hood was a commercial failure. The band toured extensively throughout 1994–1995, their popularity increasing gradually beyond the West Coast as "Date Rape" began earning radio play. In 1995, the band co-headlined the inaugural nationwide Vans Warped Tour. The band was eventually asked to leave the tour for a week due to unruly behavior of Sublime guests and Lou Dog biting four different individuals.After the Warped Tour and the subsequent Three Ring Circus Tour, the band was pressured to begin producing new studio material as a follow-up to Robbin' the Hood.43 min - Kisstory Round Table | Exploring the band Kiss | Frumess
Larry The Wolf, Chris Alo, Dave Lagreca and more join me in a roundtable discussion of all things Kiss.
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Kiss (often styled as KISS) was an American rock band formed in New York City in 1973 by Paul Stanley (vocals, rhythm guitar), Gene Simmons (vocals, bass guitar), Ace Frehley (lead guitar, vocals), and Peter Criss (drums, vocals). Known for their face paint and stage outfits, the group rose to prominence in the mid-1970s with shock rock-style live performances which featured fire-breathing, blood-spitting, smoking guitars, shooting rockets, levitating drum kits, and pyrotechnics. The band has gone through several lineup changes, with Stanley and Simmons remaining the only consistent members. The final lineup consisted of them, Tommy Thayer (lead guitar, vocals), and Eric Singer (drums, vocals).
With their makeup and costumes, the band members took on the personas of comic book-style characters: the Starchild (Stanley), the Demon (Simmons), the Spaceman or Space Ace (Frehley), and the Catman (Criss). Beginning with their 1975 live album Alive!, Kiss became one of America's most successful rock bands and a pop culture phenomenon during the second half of the 1970s. Due to creative differences, Criss departed the band in 1980, followed by Frehley in 1982. They were replaced by Eric Carr (the Fox) and Vinnie Vincent (the Ankh Warrior), respectively.The band's commercial success declined during the early 1980s before experiencing a resurgence in 1983, when they began performing without makeup and costumes, marking the beginning of the band's "unmasked" era that would last until 1996. The first album of this era, 1983's platinum-certified Lick It Up, successfully introduced them to a new generation of fans, and its music videos received regular airplay on MTV. Vincent left the band in 1984, being replaced briefly by Mark St. John and more permanently by Bruce Kulick. Eric Carr died in 1991 of heart cancer and was replaced by Eric Singer. In response to a wave of Kiss nostalgia in the mid-1990s, the original lineup reunited in 1996, which also saw the return of their makeup and stage costumes. The resulting 1996–1997 reunion tour was highly successful, grossing $143.7 million, making it the band's most successful tour. Criss and Frehley subsequently left the band again, and were replaced by Singer and Tommy Thayer, respectively. The band continued with its original stage makeup, with Singer and Thayer using the original Catman and Spaceman makeup, respectively. After 46 years of recording and performing, Kiss began a four-year-long farewell tour, the End of the Road World Tour, in January 2019 and disbanded after performing their final show in New York City in December 2023.Kiss is regarded as one of the most influential rock bands of all time, as well as one of the best selling bands of all time, claiming to have sold more than 75 million records worldwide,[9] including 21 million RIAA-certified albums.1 hr 27 min - I.S.S. (2023) My story idea just became a Hollywood Movie and here is what I learned | Frumess
My story idea just became the Hollywood Movie I.S.S. - I have learned a valuable lesson. Here is the synopsis: Tensions flare in the near future aboard the International Space Station when a worldwide conflict breaks out on Earth. Soon, the U.S. and Russian astronauts each receive orders from the ground: take control of the station by any means necessary. Written by Nick Shafir and Directed by Gabriela Cowperthwaite.
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59 min
About FRUMESS
From the publisher's feed
Misfits fans are the Star Wars nerds of the music world... Filmmaker and Podcaster Jeff Frumess revels in all things - ESPECIALLY the bands Misfits, Samhain, Danzig as he scrutinizes over the history and minutiae of Glenn Danzig, Jerry Only, Doyle Wolfgang Von Frankenstein, and other's artistic endeavors as well as all things adjacent.
WWW.FRUMESS.COM
PLEASE NOTE: This podcast IS SOURCED from the UNEDITED audio created from video live podcast streams from the Frumess channel on youtube and comes from the live shows. www.youtube.com/frumess