FRUMESS

FRUMESS

By Jeff FrumessMusic
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FRUMESS episodes

  • Danzig's John Christ Interview 4P | The Misfits who Walked Among Us Episode 88 | Frumess

    John Christ returns as Ace Von Johnson and I continue to explore the history of the band Danzig! This is part 4 of a multipart interview.

    All things John Christ - http://www.johnchrist.com/
    All things Ace Von Johnson - https://linktr.ee/acevonjohnson

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    In 1987, Christ dropped out of college and moved to New Jersey to join Glenn Danzig's band Samhain, which became the band Danzig later that same year. Upon his arrival in New Jersey, Christ would share an apartment with Samhain drummer London May, for whom Christ had performed his first band audition. Christ auditioned well, but it wasn't until leaving countless guitar solos on Glenn Danzig's answering machine that he was finally invited to join the band. When May left the band, Christ shared an apartment with new drummer Chuck Biscuits, where they came up with Christ's original stage name "John Von Christ", before it was shortened to avoid it clashing with bassist Eerie Von. Christ played guitar with Danzig from 1987 to July 1995, appearing on the albums Danzig, Lucifuge, How the Gods Kill and 4, and also the Thrall-Demonsweatlive EP. In 1990, Christ recorded guitar for the Samhain album Final Descent. Christ officially left Danzig on July 5, 1995, citing a breakdown in communication within the band as the reason behind his departure. During his time with Danzig, Christ's main guitar was a 1983 BC Rich Bich strung with custom D'Aquisto strings and fit with PRS pickups. The guitar was customized with the Danzig skull symbol, and is currently on display at the Hard Rock Cafe in Orlando.

    In 1997, Christ was part of the short lived band Juice 13, which also included Randy Castillo, former drummer for Ozzy Osbourne. Christ's guitar work has been used by TV stations ABC and Nine Network.[During his time with Nine Network, he provided backing guitar for performances by artists including Tom Jones and Lou Rawls. In 1999, Christ released his debut solo album Flesh Caffeine. In 2004, Christ was involved in a serious crash and suffered injuries to his fretting hand. As a result of his injuries, he underwent lengthy rehabilitation. On November 27, 2009, Christ returned to the live stage for the first time in ten years with a solo performance in Essex, Maryland.
    1988 – Danzig
    1990 – Lucifuge
    1992 – Danzig III: How the Gods Kill
    1993 – Thrall-Demonsweatlive
    1994 – Danzig 4
    2001 – Live on the Black Hand Side
    2007 – The Lost Tracks of Danzig
    "Mother" is a song by American heavy metal band Danzig. It was originally released in August 1988 as the lead single from their debut album, Danzig.
    In 1993–1994, almost six years after its original release, a remixed version of the song titled "Mother '93" became a hit on radio and earned Buzz Bin rotation on MTV after a music video incorporating live footage was created to promote the band's new EP, Thrall-Demonsweatlive. During this time the single was reissued by American Recordings, with the remix title updated to "Mother '94" on later versions.
    "Mother" remains Danzig's highest charting single. It peaked at number 17 on the Billboard Hot Mainstream Rock Tracks chart and 43 on the Billboard Hot 100. In the UK, the song peaked at number 62 on the singles chart.

    1 hr 2 min
  • Tom Hanks Giving | Thanksgiving 2023 | Frumess

    HAPPY TOM HANKSGIVING!!! Giving a Tom Hanks movie on Thanksgiving is a great deed! I encourage you all to complete this symbolic gesture ( you don't actually have to give up a movie to someone if you don't want to.) But it's a really fun way to celebrate by giving Tom Hanks and taking a photo to go with it. Generally, a guest of honor is selected and an announcement and symbolic giving commence.


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    Thomas Jeffrey Hanks (born July 9, 1956) is an American actor and filmmaker. Known for both his comedic and dramatic roles, he is one of the most popular and recognizable film stars worldwide, and is regarded as an American cultural icon. Hanks' films have grossed more than $4.9 billion in North America and more than $9.96 billion worldwide, making him the fourth-highest-grossing actor in North America.[4] He has received numerous honors including the AFI Life Achievement Award in 2002, the Kennedy Center Honor in 2014, the Presidential Medal of Freedom and the French Legion of Honor both in 2016, as well as the Golden Globe Cecil B. DeMille Award in 2020.

    Hanks made his breakthrough with leading roles in a series of comedy films which received positive media attention, such as Splash (1984), The Money Pit (1986), Big (1988), and A League of Their Own (1992). He won two consecutive Academy Awards for Best Actor for starring as a gay lawyer suffering from AIDS in Philadelphia (1993) and the title character in Forrest Gump (1994).[8] Hanks collaborated with film director Steven Spielberg on five films: Saving Private Ryan (1998), Catch Me If You Can (2002), The Terminal (2004), Bridge of Spies (2015), and The Post (2017), as well as the HBO miniseries Band of Brothers (2001) and The Pacific (2010), which launched him as a director, producer, and screenwriter. He has also frequently collaborated with film directors Ron Howard, Nora Ephron, and Robert Zemeckis.
    Hanks' other films include the romantic comedies Sleepless in Seattle (1993) and You've Got Mail (1998); the dramas Apollo 13 (1995), The Green Mile (1999), Cast Away (2000), Road to Perdition (2002) and Cloud Atlas (2012); and the biographical dramas Charlie Wilson's War (2007), Captain Phillips (2013), Saving Mr. Banks (2013), Sully (2016), A Beautiful Day in the Neighborhood (2019), News of the World (2020) and Elvis (2022). He has also appeared as the title character in the Robert Langdon film series, and voiced Sheriff Woody in the Toy Story film series (1995–2019). Hanks directed the comedy That Thing You Do! (1996), followed by the romantic comedy Larry Crowne (2011), both of which he acted in.
    In 1998, Hanks launched his production company Playtone which has an exclusive television development deal with HBO. For his work on television, Hanks has also won seven Primetime Emmy Awards for his work as a producer of various limited series and television movies, including From the Earth to the Moon (1998), Band of Brothers (2001), John Adams (2008), The Pacific (2009), Game Change (2012), and Olive Kitteridge (2015). He made his Broadway debut in Nora Ephron's Lucky Guy (2013) earning a Tony Award for Best Actor in a Play nomination.

    31 min
  • Mad Max (1979) The Movie Novelization By Terry Kaye | Audio Book Part 7 | George Miller | Frumess

    "Mad Max" is a 1979 Australian dystopian action film directed by George Miller. Set in a desolate future, the movie takes place in a lawless Australia where society has crumbled and gangs roam the wasteland. The story follows Max Rockatansky (played by Mel Gibson), a police officer known as a "Road Warrior," who patrols the roads to maintain order.

    Max's life takes a dark turn when a vicious motorcycle gang led by the sadistic Toecutter (played by Hugh Keays-Byrne) and his lieutenant, Johnny the Boy (played by Tim Burns), terrorizes the region. As the gang becomes more violent, Max's world is shattered when they target his family.
    Driven to the edge and seeking revenge, Max embarks on a relentless pursuit to bring justice to the gang members responsible for the tragedy. With his iconic black interceptor car, Max engages in intense car chases, brutal confrontations, and explosive action sequences.
    "Mad Max" delves into the themes of vengeance, survival, and the unraveling of society in the face of chaos. The film showcases George Miller's unique blend of gritty storytelling, visceral visuals, and adrenaline-pumping action, establishing a template for the future installments in the franchise.
    The movie's success catapulted George Miller's career and led to the creation of several sequels, making "Mad Max" a cult classic and one of the most influential films in the action genre.

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    17 min
  • Ramones Pet Sematary: Secret History with Stephen King | Frumess

    "Pet Sematary" is a single by American punk rock band Ramones, from their 1989 album Brain Drain. The song, originally written for the Stephen King 1989 film adaptation of the same name, became one of the Ramones' biggest radio hits and was a staple of their concerts during the 1990s. The song plays over the film’s credits.


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    King, a huge Ramones fan, invited the Ramones to his Bangor, Maine home as they played in New England. During the visit, he handed Dee Dee Ramone a copy of his Pet Sematary novel, and the bassist retreated to the basement. One hour later, Dee Dee returned with the lyrics to "Pet Sematary". Shortly afterwards, drummer Marky Ramone said that Dee Dee's attitude that day showed that he could achieve his plans to leave the band and attempt a career at hip hop music. He likened Dee Dee to King, saying that both wrote things people could relate to because they "penetrated to the curiosity, fears, and insecurities carried around with them and couldn't put into words."

    Producer Daniel Rey became a co-writer by assisting with the structure of the song, while producer Jean Beauvoir of the Plasmatics helped give the song a more commercial style fit for radio play and film inclusion. As "Pet Sematary" sounded closer to the rock ballads of the period, it was a struggle for Johnny Ramone to play the arpeggios and chords, despite Dee Dee's guidance.
    The music video for "Pet Sematary" was filmed at the Sleepy Hollow Cemetery in the eponymous New York village. Shot on a cold night in January 1989, the video features black and white shots of the Ramones walking through the graveyard, as well as color footage of the band and various others miming to the song alongside an open grave. The video ends with the band playing on a hydraulic platform placed inside the open grave, which is gradually lowered until a group of undertakers covers the grave with a headstone that reads "The Ramones". It was the last video featuring Dee Dee Ramone, who would depart the band and be replaced with C. J. Ramone. The video features cameos by Debbie Harry and Chris Stein of Blondie, as well as members of the Dead Boys. An alternate edit of the video features the aforementioned scenes interspersed with scenes from the film, with the opening footage of the band walking through the graveyard now appearing in color.

    1 hr 2 min
  • History of Canned and Tinned Food | Frumess

    History of canned food and tinned food. Canning is a method of food preservation in which food is processed and sealed in an airtight container (jars like Mason jars, and steel and tin cans). Canning provides a shelf life that typically ranges from one to five years,[a] although under specific circumstances, it can be much longer. A freeze-dried canned product, such as canned dried lentils, could last as long as 30 years in an edible state.

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    43 min
  • The Boneyard (1991) Review | 31 Days of Halloween Horror Movie #36 | Frumess

    The Boneyard is a 1991 American direct-to-video horror film directed by James Cummins and starring Ed Nelson, Deborah Rose, Norman Fell, James Eustermann, and Phyllis Diller.


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    The film plunges into the nightmarish experiences of a depressed psychic named Alley Oates (Deborah Rose), whose involvement in a grisly child-murder case leads her and her detective partner, Jersey Callum (Ed Nelson), to an imposing, fortress-like mortuary. Chen (Robert Yun Ju Ahn), the owner of the funeral home and prime suspect in the case, claims the three mummified corpses in question are not children but ancient demons known as "kyoshi". It seems the little monsters have been around for centuries as a result of an age-old curse and can only be placated with offerings of human flesh — with which the mortician has been supplying them his entire life. When Chen is jailed on murder charges, the under-fed ghouls awaken in search of dinner, trapping the staff inside the mortuary walls and devouring them. The survivors, including Oates and Callum, use every means at their disposal to combat the demons, which have possessed the bodies of morgue attendant Mrs. Poopinplatz (Phyllis Diller) and her poodle, mutating them into hideous monsters.

    Patrick Naugle of DVD Verdict called it "good, goofy fun." Steve Simels of Entertainment Weekly rated the film B− and described it as a film destined to be a cult classic. In a negative review, Lawrence Cohn of Variety stated that, instead of being funny, the film "comes off as merely silly". Adam Tyner of DVD Talk rated it 2.5/5 stars and said that the film wastes too much time on setup rather than the campy monsters that have brought it a cult following. Writing in The Zombie Movie Encyclopedia, academic Peter Dendle called it an "energetic but directionless fiend-fest". Dendle praised the acting and serious nature of the first hour but said later scenes cause the tone to "just get silly".

    5 min
  • The Blob (1988) Review | 31 Days of Halloween Horror Movie #35 | Frumess

    The Blob is a 1988 American science fiction horror film co-written and directed by Chuck Russell. A remake of the 1958 film of the same name, it stars Shawnee Smith, Kevin Dillon, Donovan Leitch, Jeffrey DeMunn, Paul McCrane, Art LaFleur, Robert Axelrod, Joe Seneca, Del Close and Candy Clark. The plot follows an acidic, amoeba-like organism that crashes down to Earth in a military satellite, which devours and dissolves anything in its path as it grows. It is the third film in The Blob film series.


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    Filmed in Abbeville, Louisiana, The Blob was theatrically released in August 1988 by Tri-Star Pictures and was a box office failure, grossing $8.2 million against its budget of approximately $10 million.

    A meteorite crashes near Arborville, California. An elderly vagabond discovers, within the sphere, a massive slime mold-like substance that adheres to his hand. Three high school students, Brian, Meg, and Paul, take him to a hospital. After Brian leaves, Paul witnesses the lower half of the rescued man melting from exposure to the Blob. As he calls for help, the Blob drops on top of him. Meg returns to find Paul being consumed by the growing Blob. She tries freeing him, but his arm dissolves off. Meg is thrown against a wall and knocked unconscious. The Blob fully dissolves Paul and oozes out of the hospital.
    The film functions as a conspiracy theory film. The threat of the original film was an alien entity from outer space. The remake differs in making the threat a biological weapon, created by a secret government agency. The Blob is closely followed by soldiers and scientists in protective suits. The change reflects the mentality of a more cynical era. The sinister government agents are opposed by rebellious teenager Brian Flagg (Kevin Dillon). His depiction as a rebel and a "tough guy punk" includes wearing a leather jacket, sporting long hair, riding a motorcycle, and distrusting authority figures. Del Close, who portrays Reverend Meeker, played an eyepatch wearing hobo in the 1972 movie Beware! The Blob, which was a sequel to the original 1958 film.

    12 min
  • Yokai Monsters: 100 Monsters (1968) Review | 31 Days of Halloween Horror Movie #34 | Frumess

    Yokai Monsters: 100 Monsters (Japanese: 妖怪百物語, Hepburn: Yōkai Hyaku Monogatari, lit. One Hundred Yōkai Tales) is a 1968 Japanese fantasy horror film directed by Kimiyoshi Yasuda, with special effects by Yoshiyuki Kuroda. It is the first in a trilogy of films produced in the late 1960s, which focus around Japanese monsters known collectively as yōkai.


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    Notably darker in tone than its more famous sequel, Yokai Monsters: 100 Monsters focuses much more on a traditional story than it does on its titular monsters. While monsters do appear throughout the film, they are relegated to antagonistic roles, more akin to their appearances in traditional kaidan.

    A rich landowner intends to tear down a local shrine and other houses to build a brothel. He holds a Hyakumonogatari Kaidankai ceremony during which various tales of yōkai are told, such as the tales of kasa-obake (an umbrella tsukumogami), and a long-necked rokurokubi. However, the landowner omits the purification ceremony at the end to ward off the evil spirit conjured up during the telling of tales, after which the landowner and his supporters are scared to death or driven mad by the angered spirits, who at the end of the movie are seen parading out of the town with barrels of sake .
    Yokai Monsters: 100 Monsters was followed by two sequels: Yokai Monsters: Spook Warfare, released later that same year in 1968, and Yokai Monsters: Along with Ghosts, released in 1969.


    5 min
  • Sweetie, You Won't Believe It (2020) Review | 31 Days of Halloween Horror Movie #33 | Frumess

    Sweetie, You Won't Believe It (2020) Dastan can no longer stand the constant nagging of his highly pregnant wife and decides to run away for at least one day with his friends. The men go fishing, which would have gone smoothly, if not for a series of unforeseen events. Directed by Yernar Nurgaliyev

    Written by Zhandos Aibassov, Yernar Nurgaliyev, Daniyar Soltanbayev, Il'yas Toleu, Anuar Turizhigitov, and Alisher Utev.


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    6 min
  • 10 Favorite Punk Rock Albums | Frumess

    A look a 10 favorite punk rock albums from Frumess.

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    1. The Stooges - Funhouse
    2. Dead Boys - Younger, Louder, Snottier
    3. Buzzcocks -Singles Going Steady
    4. Christian Death - Only Theater of Pain
    5. The Dictators - Go Girl Crazy
    6. The Boys Next Door - Door Door
    7. T.S.O.L - Beneath The Shadows
    8. Pixies - Come on Pilgrim
    9. G.G. Allin - Always Was, Is, and Always Shall Be
    10. X - Under the Big Black Sun
    11. 1 hr 59 min

    About FRUMESS

    From the publisher's feed

    Misfits fans are the Star Wars nerds of the music world... Filmmaker and Podcaster Jeff Frumess revels in all things - ESPECIALLY the bands Misfits, Samhain, Danzig as he scrutinizes over the history and minutiae of Glenn Danzig, Jerry Only, Doyle Wolfgang Von Frankenstein, and other's artistic endeavors as well as all things adjacent.