FRUMESS

We peel the onion layers a bit further as we get to what I think is at the core of Kevin Allin and G.G. Allin. A continuation of our recent broadcast discussing G.G. Allin and whether he has any legitimate artistic and musical merit.

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Kevin Michael "GG" Allin (born Jesus Christ Allin; August 29, 1956 – June 28, 1993) was an American ⁠punk rock⁠ musician who performed and recorded with many groups during his career. His live performances often featured ⁠transgressive⁠ acts, including ⁠self-mutilation⁠, ⁠defecating⁠ on stage, and assaulting audience members, for which he was arrested and imprisoned on multiple occasions. ⁠AllMusic⁠ called him "the most spectacular degenerate in rock n' roll history", while ⁠G4TV⁠'s ⁠That's Tough⁠ labelled him the "toughest rock star in the world".

Fat Mike from NOFX talks about what it was like to see G.G. Allin live. We ponder whether G.G. Allin would have been a Trump supporter or a Proud Boy if he was alive today.

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Kevin Michael "GG" Allin (born Jesus Christ Allin; August 29, 1956 – June 28, 1993) was an American punk rock musician who performed and recorded with many groups during his career. His live performances often featured transgressive acts, including self-mutilation, defecating on stage, and assaulting audience members, for which he was arrested and imprisoned on multiple occasions. AllMusic called him "the most spectacular degenerate in rock n' roll history", while G4TV's That's Tough labelled him the "toughest rock star in the world".

Known more for his notorious stage antics than for his music, Allin recorded prolifically, not only in the punk rock genre, but also in spoken word, country, and more traditional-style rock. His lyrics often expressed themes of violence and misanthropy.

Allin's music was often poorly recorded and produced, given limited distribution, and met with mostly negative reviews from critics, although he maintained a cult following throughout and after his career. Allin promised for several years that he would commit suicide on stage during one of his concerts, but he instead died from a drug overdose on June 28, 1993, at age 36.

Michael John Burkett (born January 16, 1967), known professionally as Fat Mike, is an American musician and producer. He is the bassist and lead vocalist for the punk rock band NOFX and the cofounder and bassist of the punk rock supergroup cover band Me First and the Gimme Gimmes. Burkett started out with his first band False Alarm in 1982. He credits Joe Escalante of the Vandals for introducing him to punk rock when he was 13 at a summer camp.

Sex figures greatly in the Scream movies, as does the final girl's archetype. Psycho meets Halloween as Billy Loomis and Sydney Prescott's relationship is far more twisted than portrayed on the screen. This essay explains all this and why Scream 3 works so well.

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Scream is a 1996 American slasher film directed by Wes Craven and written by Kevin Williamson. It stars David Arquette, Neve Campbell, Courteney Cox, Matthew Lillard, Rose McGowan, Skeet Ulrich and Drew Barrymore. Set in the small American town of Woodsboro, Scream's plot follows high school student Sidney Prescott (Campbell) and her friends, who become, on the anniversary of her mother's murder, the target of a costumed serial killer known as Ghostface.

Williamson, a struggling writer at the time, was inspired by reports of a series of murders by the Gainesville Ripper as he wrote a screenplay that satirized the clichés of the slasher genre popularized in films such as Halloween (1978), Friday the 13th (1980), and A Nightmare on Elm Street (1984). Developed under the title Scary Movie, Williamson's script became the subject of an intense bidding war from multiple studios before Miramax Films purchased the rights. Despite turning down the opportunity multiple times, Craven agreed to direct the film after reading the script and being disappointed by the failure of Vampire in Brooklyn (1995). The involvement of Barrymore and Cox helped secure support from the studio. Principal photography took place from April to June 1996 in California on a budget of $15 million. Craven trimmed down the violence in the film after being involved in a tense conflict with the Motion Picture Association of America over the desired R-rating he wanted.

Scream was not expected to perform well on December 20, 1996, due to concerns over releasing a slasher film in a time normally reserved for holiday entertainment, but it went on to earn approximately $173 million worldwide through the strength of word of mouth, becoming a surprise success and one of the highest grossing films of the year. Reviews praised the performances of its cast and its unique meta humor but criticized its excessive violence and lack of suspense in favor of that humor. Scream helped elevate Williamson’s career as a writer and raised the profiles of the rest of the cast.

Scream is now regarded as one of the greatest horror and slasher films ever made. It has been credited with rekindling interest in the horror genre during the 1990s following a decline in the genre's popularity. It has remained influential, as Barrymore's involvement helped make participating in horror films more acceptable to prominent actors and increased horror films' appeal with younger audiences. The success of the film launched a multimedia franchise, which comprises the sequels Scream 2 (1997), Scream 3 (2000), Scream 4 (2011), Scream (2022), and Scream VI (2023), as well as an anthology television series.

I had no idea there were so many differences in the script for Return of the Living Dead Part 2! Here are some scenes that did not make it to the final film that we have all seen.

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Return of the Living Dead Part II is a 1988[4] American comedy horror film written and directed by Ken Wiederhorn, and starring Michael Kenworthy, Marsha Dietlein, Dana Ashbrook, Thom Mathews, James Karen, and Phil Bruns. It is the first of four sequels to The Return of the Living Dead.

Return of the Living Dead Part II was released by Lorimar Motion Pictures on January 15, 1988, and was a minor box office success, making over $9 million at the box office in the United States against its $6.2 million budget.

Reflecting back on Nicolas Cage BEEIng ravaged by Bees in that fantastically absurd Wicker Man remake from 2006.

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The Wicker Man is a 2006 horror film written and directed by Neil LaBute and starring Nicolas Cage.[5] It is a remake and reimagining of the 1973 British film The Wicker Man, but also draws from its source material, David Pinner's 1967 novel Ritual. The film concerns police officer Edward Malus, whose ex-fiancée Willow Woodward informs him that her daughter Rowan has disappeared and asks for his help in her search. When he arrives at the island in the Pacific Northwest where Rowan was last seen, he suspects something sinister about the neo-pagans who live there. The film received negative reviews on Metacritic, and Rotten Tomatoes' critical consensus calls it unintentionally funny. The film also flopped at the box office, grossing $38.8 million on a $40 million production budget.

Jurassic Park is one of the greatest films of all time. Took my son to see the 30th anniversary 3D version. It was a wonderful experience.

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Jurassic Park is a 1993 American science fiction action film[4] directed by Steven Spielberg, produced by Kathleen Kennedy and Gerald R. Molen, and starring Sam Neill, Laura Dern, Jeff Goldblum, and Richard Attenborough. It is the first installment in the Jurassic Park franchise, and the first film in the original Jurassic Park trilogy, and is based on Michael Crichton's 1990 novel of the same name, with a screenplay by Crichton and David Koepp. The film is set on the fictional island of Isla Nublar, off Central America's Pacific Coast near Costa Rica, where a wealthy businessman, John Hammond (Attenborough), and a team of genetic scientists have created a wildlife park of de-extinct dinosaurs. When industrial sabotage leads to a catastrophic shutdown of the park's power facilities and security precautions, a small group of visitors, including Hammond's grandchildren, struggle to survive and escape the now perilous island.

Ravagers frontman Alex Hagen sits down to slice pie with Jeff! Who knows where this crazy conversation could go? Tune in for some pizza and punk live on the Frumess channel!

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Ravagers are a rock band from Baltimore Maryland. They have been ripping up a dust storm of debauchery for nearly a decade. Dressed in leather and denim, the Filth City foursome may look like menaces to society, but rest assured, their ferocious blend of punk fury and sneering rock ’n’ roll nonchalance make them a threat to not just the laws of man, but the laws of nature. It’s easy to think of Ravagers as a group of rebel-rousing stirrers. Their songs evoke an attitude of manifest malfeasance. Lyrics often paint perilous, black landscapes akin to a Danzig wet dream. But at its core, Ravagers are here for a good time, and the brevity of their songs, influenced no doubt by late 70’s punk and early 80’s hardcore, means they won’t be here for long. No tomorrow? No problem! Rather than extinguish the rising flames of hell, these guys prefer to throw a Molotov cocktail and raise a Natty Bo. A brief history lesson for the squares: 2014 brought about their premier EP Livin’ In Oblivion (Cricket Cemetery Records) with subsequent touring slashed across the U.S. and Canada. Fans lucky enough to have caught a glimpse certainly have the scars to prove it. Their 2015 followup EP Natural Instinct (Rock & Rule Records) not only continued the momentum, but proved the gang to be the new east coast champs in the contemporary rock circuit. The group soon found themselves scorching stages as warmup acts for legends like The Damned, Fear, and The Adicts, and featured on festivals like Las Vegas’ Punk Rock Bowling. Ravagers’ ascension was not without its mishaps and misfortunes. Finding a second guitarist was a challenge, set back by life’s little hurdles (girlfriends, etc.) until long-time friend and former Biters guitarist Matt Gabs filled the void. Together, he and band leader/lyricist/vocalist Alex Hagen carved out the sadistic, sardonic and supremely catchy “Drowning in Blood” single in 2018, b/w “Suzi (Has an Uzi).” This brief tease of new material baited fans throughout their blitzkrieg of gigs, all the while singing songs of recklessness and apocalyptic pop until Covid-19 turned the world into exactly that. Making the most of a bad situation, the band headed South to write and record their first full-length LP, Badlands due in 2021 with production/engineer duo Tuk Smith (Biters, Tuk Smith & The Restless Hearts) and Dan Dixon (PLS PLS) at the helm. The result is 10 of the groups strongest tracks yet, an auditory onslaught of filth and fun, of catchiness and catastrophe. The album’s first single, “Nasty Night” is layered with guitars and Stooges-esque pianos that give the listener a real bad feeling, and it feels real good. Tracks like “White Widow” and “Shake the Reaper” have the hooks and harmonies of the strongest Turbonegro tracks with the arena-filling riffs of Blue Oyster Cult or Alice Cooper. This could very well be the record to take them to that sort of capacity. Not to say the group has abandoned their roots as fun-loving alley-lurking psychopaths. Aided by the bouncy percussion of Ray and the rapid fire rhythm of bassist Curt, “Blackout” is the closest we get to a bubblegum beach party singalong about getting wasted until you just gotta, well… you know.

"Mad Max" is a 1979 Australian dystopian action film directed by George Miller. Set in a desolate future, the movie takes place in a lawless Australia where society has crumbled and gangs roam the wasteland. The story follows Max Rockatansky (played by Mel Gibson), a police officer known as a "Road Warrior," who patrols the roads to maintain order.

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Did you know there is a novelization of Dan O'Bannon's Return of the Living Dead script WRITTEN by John Russo of Night of the Living Dead?! It's pretty meta when you think about it.

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"The Return of the Living Dead" is a horror-comedy film released in 1985, directed by Dan O'Bannon. The film itself was a loose adaptation of John A. Russo's novel "Return of the Living Dead," which was originally intended as a sequel to George A. Romero's classic "Night of the Living Dead." The novel was released in 1977, and its story differs significantly from both Romero's and O'Bannon's interpretations of the zombie genre.

Here's a brief overview of the novelization "Return of the Living Dead":

Plot:

The novel follows a group of characters, including government officials, workers from the warehouse, and a group of punk rockers, as they deal with the sudden outbreak of reanimated corpses. The narrative focuses on the efforts to contain the situation and the struggles of the characters to survive against the growing horde of zombies.

Key Differences from the Film:

Overall, the novel "Return of the Living Dead" provides a unique take on the zombie genre and offers a darker and more serious exploration of the consequences of a zombie outbreak. It's worth noting that the film adaptation directed by Dan O'Bannon took significant creative liberties and infused a comedic element, which led to a cult following and a distinct legacy separate from the original novel.

Quentin Tarantino is supposedly retiring from writing and directing movies after his 10th film, "The Movie Critic," but if he wasn't, and he wanted to try a remake, these are some films I'd like to see done.

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