Sundown of the Replicant is a dystopian short film set at the edge of fading light.

As day collapses into night, a replicant confronts the quiet weight of existence—identity without origin, memory without certainty.

The film explores isolation, artificial humanity, and the fragile boundary between programmed purpose and free will.

There are no grand battles.
Only silence, reflection, and the slow descent of the sun.

A meditation on what remains when imitation becomes indistinguishable from life.

Format: Sci-Fi Short Film
Style: Dystopian / Minimalist / Philosophical

#SundownOfTheReplicant
#SciFiShort
#DystopianFilm
#ArtificialHuman
#PhilosophicalCinema
#IndependentFilm 

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Noise Electron Attacks is an experimental audio-visual work exploring the collision between signal and consciousness.

Electronic distortion becomes both weapon and environment.
Sound behaves like interference—invading, fragmenting, destabilizing perception.

There is no traditional narrative.
Instead, the piece unfolds as a sensory assault, where noise is not background but protagonist.

This work examines technological saturation, psychological erosion, and the thin boundary between transmission and attack.

Format: Experimental Short Film / Audio-Visual
Style: Industrial / Electronic / Avant-garde

#NoiseElectronAttacks
#ExperimentalFilm
#SoundArt

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Collection of Radio Drama Stories – Near Future 20XX is a series of short experimental radio dramas set in a fragmented near-future world. Each piece explores themes of social pressure, control, silence, memory, and human perception through minimal dialogue and restrained sound design.

Rather than following a single linear narrative, this collection presents independent audio fragments that can be experienced in any order. Voices, atmospheres, and subtle sound cues form a loose mosaic of imagined futures shaped by technology, ideology, and quiet resistance.

Designed primarily for listening, these radio dramas emphasize mood and implication over explanation. This collection invites the audience to pause, reflect, and engage with sound as a narrative space beyond conventional storytelling.

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The image and the sound no longer share the same reality.

Actions and spoken words gradually drift apart, until overlapping voices dissolve the remaining sense of meaning.

What remains is a fragment of a world where memory, violence, and perception refuse to synchronize

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