The most important thing to do as you get up to speed is to relax. Relaxing means that you use only those muscles that are needed to play ...

http://www.pianofundamentals.com/book/en/1.II.14

Get up to speed as quickly as possible. Remember, we are still practicing HS ...

http://www.pianofundamentals.com/book/en/1.II.13

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There is no faster way of memorizing than to memorize when you are first learning a piece and, for a difficult piece, there is no faster way of learning than memorizing it ...

http://www.pianofundamentals.com/book/en/1.II.12

Now that the LH CEG chord is satisfactory, try to switch suddenly from the chord to the quadruplet at several different bounce frequencies. You will now have to move the fingers but keep the finger motions to a minimum ...

http://www.pianofundamentals.com/book/en/1.II.11

Learning to play accurate chords is the first step in applying the chord attack ...

http://www.pianofundamentals.com/book/en/1.II.10

Suppose that you want to play the (LH) "do-so-mi-so" quadruplet (“Alberti accompaniment”) many times in succession, very fast (as in the 3rd movement of Beethoven's Moonlight Sonata) ...

http://www.pianofundamentals.com/book/en/1.II.9

Essentially 100% of technique development is accomplished by practicing hands separately (HS). Do not try to develop finger/hand technique hands together (HT) ...

http://www.pianofundamentals.com/book/en/1.II.7

A most important learning trick is to choose a short practice segment. This trick has perhaps the largest effect on reducing the practice time because of many reasons ...

http://www.pianofundamentals.com/book/en/1.II.6

Returning to Fur Elise, there are two difficult sections with 16 and 23 bars. Start by practicing the most difficult sections first.These will take the longest time to learn, so they should be given the most practice time. Since the ending of most pieces is generally the most difficult, you will learn most pieces starting from the end. Therefore, we will start by tackling these two difficult sections.

http://www.pianofundamentals.com/book/en/1.II.5

Starting a Piece: Listening and Analysis (Fur Elise)

http://www.pianofundamentals.com/book/en/1.II.4