In this episode, we begin our look at the 2013 Japanese TV series Neo Ultra Q, which was intended as a second season of 1966’s Ultra Q. We’ll be looking at them two episodes at a time. In the first episode, Quo Vadis we are introduced to a world populated with kaiju, not all of ... Read more

Simon and Eugene discuss the evolution of Bugs into a slicker but more standard thriller, whether ministers in Bugs are dealt with any more consistently than in Doomwatch, and we reminisce about LaserDiscs.

Kenneth and Eugene ask the question, can writers wrap a conspiracy within a conspiracy within a conspiracy so deep that the whole thing vanishes up its own butt?

John and Eugene look back in time to 1976 for a peek at Irwin Allen's prospective pilot for the Time Travelers. The story of scientists trying to solve a pandemic of the day using a pandemic of yesteryear.

Find out what happens when a production team looks at their series and says, "Hey, this just isn't working," when John and Eugene look at the Return of Starbuck.

Simon and Eugene discuss the emerging love polygon within the Bureau of Weapons Technology, why Beckett is being written as a bit of a jerk as well as a bad boss, and they speculate on the identity of the mole within the agency.

Kenneth and Eugene discuss and ask how many people it is acceptable to kill to bury the already dead.

John and Eugene look at the 1960 George Pal film, The Time Machine.

It's every bit as bad as you remember, and not nearly as bad as you think. John and Eugene look at Space Croppers.

Simon and Eugene discuss the difference between a sequel and the second of two parts, when heroes are allowed to commit manslaughter and how this differs on each side of The Pond, and the state of password security in the 1990s.