This week we sit down with Sony Pictures Imageworks to discuss their impressive visual effects in the hit: Men In Black 3.

In our second fxguidetv report from FMX 2012, we talk to Autodesk's David Morin about the new wave in virtual production and to Digital Domain's Erik Nash on how it was used so successfully on Real Steel. And we speak with Glassworks Amsterdam's Rüdiger Kaltenhäuser about a CG origami commercial.

This week we are at FMX and we talk to Chris Edwards, CEO & creative director of The Third Floor and Gustavo Sanchez-Perez, RealFlow product manager, at Next Limit.

John Montgomery heads to Adobe HQ, where fxguide was given exclusive access to the After Effects development team in Seattle for the CS6 release.

This week we have a stereo shot correction tutorial on NUKE and OCULA from Mr. X visual effects supervisor Aaron Weintraub based on his studio's work for TRON: Legacy.

After 20 years, flame is still going strong. To celebrate the anniversary, we visit with Autodesk's Philippe Soeiro for a discussion on the renaissance of Flame, as well as highlight some of the new features in the 2013 release.

Continuing our popular series of artist breakdowns in NUKE, VFX Supervisor Alex Fry takes us through the pipeline used to create the skies for Happy Feet 2.

Cinesite production director Courtney Vanderslice discusses the moving mining city of Zodanga in 'John Carter' and Cinesite's stereo conversion work.

We go behind the scenes with Mirada on their work for the Wrigley's 5 Gum 'Choose Your Energy' TVC - a futuristic parkour-inspired piece directed by Jon Favreau.

We talk to COPA co-founder and VFX supervisor Alex Frisch about 'Turn Me On,' a music video for David Guetta and Nicki Minaj, and about how the new virtual studio used collaboration tools to complete the work across the globe.