G44 Podcast

A conversation between artist Leala Hewak and Curator of Exhibitions and Public Programs at Gallery 44, Lillian O'Brien Davis about her vitrines exhibition, Small House.

more info here: digital.gallery44.org

An interview with emerging artist Lorenzo Colocado, Leila Fatemi (G44)and Celeste Cole (JAYU) about Colocado's current exhibition Loving Lola in the Gallery 44 Vitrines.

A French-language interview with curator Josephine Denis about Bracmort's exhibition at Gallery 44 Peau Nature Morte (Tropical Market) from June 3 - July 2, 2022.

Materials referenced in the conversation:

Minorit'art revue recherches decoloniales trilingual

Minorit'Art – Revue de recherches décoloniales (minoritart.org)

Edouard Glissant - Institut du Tout Monde

http://www.edouardglissant.fr/

Exhibitions et projets à venir

Regarder le monde en face/ Looking the World in the Face à l'espace Âjagemô, Ottawa

Looking the World in the Face at Âjagemô | Canada Council for the Arts

Comme un archipel d'îles en automne 2022 (info à venir)

Exposition en cours | entrée gratuite (centre-expo-udem.com)

While Black à Montréal, du 1er au 3 septembre 2022

Maison de la culture Janine-Sutto, Montréal

An interview with artist Elnaz Mansouri and curator Lillian O'Brien Davis about Mansouri's current exhibition Winter Abstracts in the Gallery 44 Vitrines.

Interview with artist Bidemi Oloyede and curator Lillian O'Brien Davis

Adrienne Scott is an artist currently based in Toronto with an interdisciplinary approach to media. She takes a material stance to photography, and in her work she refers to themes such as natural history, forgery, and fantasy. She anchors her practice and materials in the collection of objects that may act as props, artifacts, or fabricated evidence from image to image. This accumulation and recycling is central to how she makes work, and the displacement of materials and fragments is in turn how she creates visual play.

Isabel Okoro and Timothy Yanick Hunter in conversation with Liz Ikiriko, Katherine McKittrick and Lillian O'Brien Davis in support of the September 2021 exhibition Is Love a Synonym for Abolition?

WENDY RED STAR

"FORGING PATHWAYS FOR FUTURE APSÁALOOKE FEMINISTS"

March 22, 7:00PM to 9:00PM

As a mother / daughter artist collaborative duo working in the realm of Native history, identity politics, cultural subversion, and reclamation, Wendy Red Star and her ten-year-old daughter Beatrice Red Star Fletcher probe the colonial thought bubble with intergenerational collaboration and institutional critique. Working with museums like the Denver Art Museum, Portland Art Museum, and Seattle Art Museum Beatrice and Wendy engage the public to decolonize thinking around Native American art and collections through performative tours, interactive activities, and interventionist installations. Intergenerational collaborative work is integral and a means to creating a forum for the expression of Native women’s voices in contemporary art.