Early in our conversation, Gail shares that after one class at the Manchester Sewing Machine Center in Connecticut, she was hooked. She describes it as being a transformative experience for her. “Honestly,” she says, “it was like someone pulled back a curtain on a whole new world.” She took the class right after buying a new mid-range machine that had about 50 built-in decorative stitches. It was then that she realized there were a lot of techniques she could do on a home sewing machine; things she’d seen on ready-to-wear clothes and home décor items that she had previously thought you had to have some kind of fancy industrial machine to do. [ 10:18-12:32]

Gail continued to learn and pull back the curtain, and after a short while, she started working at the Center. Until then, she didn’t really know there was such a thing as a sewing world or people who did “fancy” sewing. After she’d been teaching about a year and seeing all the incredible things people were doing, she decided she had to have an embroidery machine. Over the years, Gail has taught at a number of American Sewing Guild national conferences, as well various chapters around the country. She talks fondly about the people and the conferences, and the amazing community of sewists. [16:32- 18:45]

Gail loves experimenting and embellishing and shares how her first attempt at creating her acclaimed windows technique fell way short of her expectations. According to Gail, “…the fabric looked like it was wounded with band-aids all over it.” When she shared her disappointment with her husband, he told her to think about how to do it differently. She shares that if he hadn’t given her that advice, she probably would have just thrown in the towel. It was fascinating to hear her talk about what she did originally, how she changed it to make it better, and how that basic windows technique became a jumping-off point for creating more elaborate designs. [18:49-21:45]

Gail reflects on seeing people come into class with their sergers and their four cones of thread on the top and thinking she could never master that machine.  But then she thought, “Well they are made for the home sewing market, so they can’t be impossible to learn.”   So she went to the store with the intention of buying a mid-range serger and walked out with a top-of-the-line model. Shortly after that, her husband went out of town for a conference and she used those four to five days to play with the serger from morning until night. With each day, her confidence grew.  As she talks about the nuances of needle position and tension settings and types of thread her expertise is matched only by her enthusiasm—especially when she embellishes on the numbers and types of decorative threads, and all the amazing things you can do on a serger. [20:00 – 34:00]

At Gail Patrice Design, she’s recently been gearing her pattern development towards teaching serger techniques on bags, placemats, table runners, and other decorative pieces.  Her focus is on designing things that are good not only for sophisticated and very knowledgeable sewists but also designs that will grow and expand a newer person’s skill level.  

Gail is continuing to teach and is starting to book more in-person events again, while also growing her YouTube channel, and leading more sew-alongs and virtual classes. You can reach Gail at [email protected], on YouTube, or by visiting her website, gailpatrice.com

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