Our largest news story this week, is that lead theatre critic for the Times, Jesse Green, has been relocated and is being replaced. Nick and Gavin dive into all sorts of news, both real and fake.

We're all back this week for a packed week of news, and even some BREAKING news while we're recording. We recap Nick and Gavin's trip to Cabaret, and give some insight on the shows we saw this week.

A full-cast, packed episode this week with all sorts of Masquerade drama, Evita controversies, and Gavin's research project findings.

Your fave duo is back this week, as Liam gears up for a big week ahead, but we have a jam packed episode that mostly consists of laughs, and debate on why the state of Broadway is what it is right now.

We're so happy to have the squad all together yet again this week, where we dive into all sorts of awesome news, including more crazy stars to join Broadway Bares. We also have our first-ever CORRECT prediction from an opening night!?

We've got a packed episode with tons of news, Tony Awards recap, and more hosts than you've ever had before. Join us for Smash closing announcement, and extensions of all sizes. No extension announcement is too small!

A jam-packed episode with all sorts of craziness, twists, and turns, Nick and Gavin break down not only an awesome batch of news and grosses, but give their predictions for how the 2025 Tony Awards are going to shake out.

It's almost Tony week, so thus there wasn't a ton of news for us to break down. Nonetheless, we get into some pretty awesome news and tidbits that we DID have. We also coined probably the coolest and best new term in the history of terms.

We've got some pretty insane news this week, but none cooler than the news of Good Night and Good Luck airing live on CNN this summer. We break down some Tony predictions from The New York Times, give our thoughts on struggling musicals, and Gavin makes a strong guarantee for this year's Tony's.

It's a packed week, with a lot of cool announcements happening across the scene. We break down our thoughts on the virtual open-call drama, and give credit where credit is due to Philip Boroff.