Entertainment Rigging
Discussing great performers to work with, unexpected hazards of the job, and the math involved in entertainment rigging.
Safety and regulations when setting up.When safety equipment was optional.Close calls when rigging.Overcoming fear through gradual exposure.What a lighting director co-ordinates during the show.Greatest danger during event set up and where the safest spot is.Best job on the set up.How to recharge and what can help with focus.Managing your own focus and composure along with everyone on your team.Strange demands some artists have.Surprise meeting with your childhood hero.The ratio of job proficiency to communication skills.Entertainment Rigging Terms
Rigging Bridle
Steel aircraft cable hung between beams.Used to mount a chain hoist to lift lights, speakers, trusses etc.Adjust length by adding or subtracting links of deck chain.Cable is generally 3/8" or 1/2".3/8" breaking strength of 14,400lbs.1/2" breaking strength of 24,000lbs.Deck Chain
Chain with 3.75" links.Working load limit between 12,000lbs to 15,000lbs.Class III Harness
Has 5 points of contact.Shoulders, waist, and legs.Dorsal d-ring to attach to fall arrest system.Tensile Strength
Amount of force material can withstand through stretching or pulling.Breaking Strength
Amount of force required to break a material through stretching or pulling.Working Load Limit
Amount of weight equipment can handle before breaking.5 to 1 ratio in this episode.Can be between 4-10 to 1 ratio.Mentioned in Episode
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