In this episode, we discuss the Broadway production of Good Night, and Good Luck at the Winter Garden Theatre. We look at how the show tackles McCarthyism, the role of media, and the challenges of adapting a story rooted in journalism. We analyze George Clooney’s performance, the direction by David Cromer, and the design that brings 1950s America to life. We also talk about the Tony nominations, audience reactions, and what the ending montage means for today’s media landscape. 

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