By Linda Morra
The podcast currently has 77 episodes available.
Linda speaks with Corinna Chong about her novel, Bad Land, published by Arsenal Pulp Press and long-listed for the Giller Prize. Chong, originally from Calgary, lives in Kelowna, B.C. where she teaches English and fine arts at Okanagan College. She published her first novel, Belinda's Rings, in 2013.
In her opening remarks, Linda explains why she sees the protagonist and main narrator, Regina, as … well, kind of “brat.” She's a fascinating, messy, and lovable character who has buried her life--and the secrets around that life--in the home in which she and her brother, Ricky, were raised ... until he shows up with his daughter, Jez, with a new secret of their own. The tensions that are produced open wide the secrets by the novel's end, revealing both the beauty and violence that have haunted Regina for years.
Other sources of discussion or references include:
And a final reminder! Please vote for us in the Women's Podcasting Awards! Only a few days left!
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Linda has been mulling over what an education is, what purposes it serves. She was so curious about it that she begin to reflect on the etymology of the word. The root of “educate” comes from educe, from the Latin, meaning "to lead forth" or "lead out of," which then led her to think, leading out of … what? From where and to where? And who is doing the leading? For whom? And why? Weaving in her personal conversations and experiences alongside different cultural texts – from Valley of the Bird Tail to An Education to Tom Wayman’s “Did I Miss Anything?” – she ultimately focuses on M. NourbeSe Philip’s She Tries Her Tongue, Her Silence Softly Breaks to demonstrate the potential deleterious effects of an “education.” It is not always an innocent or innocuous process.
Also in this episode – our first giveaway ever! We have a book to give away in honour of Indigenous History Month. The first person to write to Linda ([email protected]) with the correct response to the question Linda poses in this episode will receive a copy of Willie Poll’s (Metis) My Little Ogichidaa in addition to a gift from Getting Lit With Linda.
In the Takeaway, she notes that this episode is being released during Indigenous History Month, and so she recommends her listeners to visit the website, www.jelisautochtone.ca, which was produced by Dr. Colette Yellow Robe (member of the N. Cheyenne Nation in the USA), in addition to Cherie Dimaline's The Marrow Thieves.
References:
An Education, Scripted by Nick Hornby (3:55)
Willie Poll, My LItle Ochigidaa
Valley of The Bird Tail (4.40)
Emily Carr, Klee Wyck (5.15)
Clarke, Irwin’s expurgation of Klee Wyck (5:30)
Residential schools (6.15)
Re-education Camps, Vietnam (6:50)
Kim Thuy, Ru
Tom Wayman’s “Did I miss Anything?” (8:10)
M, NourbeSe Philip, She Tries Her Tongue, Her Silence Softly Breaks (9.50; 13.10; 15.10 )
Zong! (13:40)
“Discourse on the Logic of Language” (16.50)
Music: Raphael Krux (The Madness of Linda) and Brian Teoh (Finally See the Light)
Assistant Producer: Marco Timpano
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Indigenous mothers, Indigenous children, Indigenous parents – Willie Poll sees you – and she wants you to know that you’re enough.
In this episode of Getting Lit With Linda, Willie Poll (Metis Nation of Ontario) discusses with Linda why she wrote this children’s book, titled My Little Ogichidaa, and the source of inspiration for its creation – in large part, the Moose Hide Campaign (2:00).
The Moose Hide Campaign, which began as a BC-born Indigenous-led grassroots movement to engage men and boys in ending violence towards women and children, has since grown into a nationwide movement of Indigenous and non-Indigenous Canadians from local communities, First Nations, governments, schools, colleges/universities, police forces and many other organizations – all committed to taking action to end this violence.
Willie and Linda also discuss Willie's collaboration with illustrator, Hawlii Pichette, a Mushkego Cree (Treaty 9) urban mixed ancestry artist and illustrator who currently resides in London, Ontario. Linda asks her to explain the title for her book, which means "my little warrior" -- and how being a warrior is not necessarily incompatible with being loving.
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Linda begins this episode with a brief acknowledgement of the passing of Nobel Prize winner for the short story, Alice Munro – who died a couple of days before this episode was aired. It's a pertinent moment to take pause when the subject of this episode is, in part, about anniversaries - which often include remembering when a beloved person dies or, as was the case only a few days ago, honouring a special person - like mothers on Mothers' Day. Who we choose to so honour and how we do so says a great deal about us, not just the persons we are honouring.
In this episode, Linda interview author Christopher DiRaddo about anniversaries, particularly the 10th one for his first novel, The Geography of Pluto, and his reading series (in Montreal), called The Violet Hour. Among other topics, they also discuss the following:
And there is a Takeaway in this episode - appropriately (in view of our discussion about anniversaries and commemoration) referencing the Canada Post stamps that honour graphic novelists in Canada.
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In this -- the second live episode of Getting Lit With Linda held at the Blue Metropolis Literary Festival and co-sponsored by the Quebec Writers' Federation -- Linda speaks with Andrew Stobo Sniderman and Douglas Sanderson (Amo Binashi, Beaver Clan, of the Opaskwayak Cree Nation) about their book, Valley of the Birdtail: An Indian Reserve, A White Town, and the Road to Reconciliation. The book has been receiving all manner of recognition. Here are some examples of the awards it has garnered:
And deservedly so. In this interview, Douglas and Andrew explain how and why we have arrived at the present moment and how there is hope for finding the pathway toward meaningful reconciliation.
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What does the work of painter Renoir and his paintings of full-bodied women (2.15; 12.34), and tanning beds (2:30) have to do with the Quebecois author Marie Claire Blais (3:15) and La Belle Bette/Mad Shadows (3:20)? Have a listen to today’s episode to find out …
In this episode, Linda looks at Blais’s Mad Shadows and its historical importance to Quebec. Among other subjects, she also references:
Value Village, Holt Renfrew 1:3; 11:58 )
Sheila Fischman (3:45)
New Yorker (4:47; 16:11)
Margaret Atwood (4:58; 16:24 )
Andre Gide, Andre Breton (5:22; 17:04 )
Karen Kain, Veronica Tennant (6:08; 18:02)
Elle magazine (11:43)
Fluevog Shoes (11:48)
Quel est le rapport entre l'œuvre du peintre Renoir et ses tableaux de femmes épanouies (2.15 ; 12.34), et les lits de bronzage (2:30), et l'auteure québécoise Marie Claire Blais (3:15) et La Belle Bette/Mad Shadows ( 3:20) ? Écoutez l'épisode d'aujourd'hui pour le découvrir...
Dans cet épisode, Linda se penche sur La Belle Bette et son importance historique pour le Québec. Parmi d'autres sujets, elle fait également référence à :
Value Village, Holt Renfrew (1:3 ; 11:58)
Sheila Fischman (3:45)
New Yorker (4:47 ; 16:11)
Margaret Atwood (4:58 ; 16:24 )
André Gide, André Breton (5:22 ; 17:04 )
Karen Kain, Veronica Tennant (6:08 ; 18:02)
Elle magazine (11:43)
Chaussures Fluevog (11:48)
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In this episode, Linda and Bryn Turnbull discuss her new historical novel, The Paris Deception - and what it means to represent women's lives historically when there has been inadequate records or representation for them.
Linda considers the Indigo Girls and their song about Virginia Woolf - and listening attentively to the voices of women through time. Turnbull alludes to The Monuments Men (both the movie and the book) and her novel as an equivalent for women to such a story. Among other topics, we address
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Michael V. Smith is a deeply loving, insightful poet and performer – who uses intimacy and humour as tools to explore pain. In this interview, Linda chats with him about power dynamics and bullying, as they address his poetry collection, Queers Like Me (published by Book*hug in 2023)
Here are some of the subjects we covered:
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Eloise Marseille is the first guest for Season 5 - yes, season 5! - and, this time, it's English AND French (starting at the 31.55 mark for the French interview). Marseille is a wonderful Quebecoise graphic novelist, whose candid and humorous book, Naked: The Confessions of a Normal Woman / Confessions d'une Femme Normale examines sexuality and self-love--especially as it bears on women, cis- and trans-. Linda begins with a reference to the feminist theory courses she teaches and some of the theorists, like Kimberlé Crenshaw, and how sometimes students say "do we need feminist theory any more?" Linda wants to unplug students from the Matrix (a reference to the film starring Keanu Reeves) and show them the gritty reality in which we live - yes, we STILL need feminism and Marseille is leading the way/the charge!
With thanks to James Healey, the recording engineer who set up the studio; Raphael Krux for music; and Marco Timpano, Sarah Henzi, and Benoit Cantin for giving this episode an advance listen!
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Eloise Marseille est la première invitée de la saison 5 - oui, la saison 5 ! - et, cette fois, c'est en anglais ET en français (à partir de 31.55 pour l'entretien en français). Marseille est une merveilleuse écrivaine, dont le livre candide et humoristique, Naked: The Confessions of a Normal Woman / Confessions d'une Femme Normale, examine la sexualité et l'amour de soi, en particulier en ce qui concerne les femmes, cis et trans. Linda commence par évoquer les cours de théorie féministe qu'elle donne et certaines théoriciennes, comme Kimberlé Crenshaw, et comment les étudiants disent parfois "avons-nous encore besoin de la théorie féministe?" Linda veut débrancher les étudiants de la Matrice (référence au film avec Keanu Reeves) et leur montrer la réalité crue dans laquelle nous vivons - oui, nous avons ENCORE besoin du féminisme et Marseille montre la charge!
Merci à James Healey, l'ingénieur du son qui a installé le studio, à Raphael Krux pour la musique, et à Marco Timpano, Sarah Henzi, et Benoit Cantin pour avoir écouté cet épisode en avant-première!
Hosted on Acast. See acast.com/privacy for more information.
The podcast currently has 77 episodes available.