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The 14th century B.C.E. pharaoh Akhnaten is remembered for his radical abandonment of the multiple gods of Egypt in favor of just one: the sun god Aten. Akhnaten’s heresy ended with his death when traditional beliefs were quickly reestablished and Akhnaten’s name literally chiseled out of Egyptian history.
Sigmund Freud’s “Moses and Monotheism” opined that Moses might have been an Egyptian priest of Akhnaten, and Immanuel Velikovsky, a once-popular but fanciful historian, suggested in his book “Oedipus and Akhnaton,” that a garbled memory of Akhnaten’s reign was the source of the Greek tragedy “Oedipus the King.”
The American composer Philip Glass credits both those authors among the inspirations for his opera “Akhnaten,” which premiered on today’s date in 1984 at the Staatstheaer in Stuttgart, Germany.
In 1984, the Stuttgart opera was undergoing renovations, so the premiere was moved to a much smaller hall, with a much smaller orchestra pit. Rather than scrimp on other instruments, Philip Glass simply made a virtue of necessity and omitted the entire violin section from his score. The role of Akhnaten is sung by a counter-tenor, whose high voice provides a striking contrast to the a low, dark timbre of the Glass’s violin-less orchestration.
Philip Glass (b. 1937) Hymn to the Sun, from Akhnaten Paul Esswood, ct; Stuttgart Opera Orchestra; Dennis Russel Davies, cond. CBS Masterworks/Sony 42457
1740 - American-born Moravian composer John Antes, in Frederickstownship, Pa.;
1654 - German composer Samuel Scheidt, age 66, in Halle;
1916 - Spanish composer Enrique Granados, age 48, dies at sea returning to Europe from New York City when the S.S. Sussex is torpedoed in the English Channel by a German submarine during WWI;
1921 - French composer Deódat de Sévérac, age 48, in Céret;
1784 - Mozart: Piano Concerto No. 15 in Bb, K. 450, at the Trattnerhof in Vienna, with composer as soloist;
1860 - Joachim: Violin Concerto ("Hungarian"), in Hannover, Germany;
1868 - Brahms: Piano Quintet in f, Op. 34, in Paris, with pianist Luise Langhans-Japha, with an unidentified string ensemble;
1881 - Verdi: opera "Simon Boccanegra" (2nd version, with libretto revised by Boito), in Milan at the Teatro alla Scala;
1924 - Sibelius: Symphony No. 7, in Stockholm, with the composer conducting;
1932 - Randall Thompson: Symphony No. 2, in, Rochester, N.Y.;
1941 - Shostakovich: incidental music for Shakespeare's "King Lear," in Leningrad, at the Gorky Bolshoy Dramatic Theater;
1949 - Panufnik: "Tragic Overture," in New York City;
1984 - Philip Glass: opera "Akhnaten," in Stuttgart, at the Wurttemberg State Theater, with Dennis Russell Davies, conducting;
1996 - Thomas Oboe Lee: "ART: arias and interludes" for string quartet, in Gassoon Hall at Boston College by the Artaria Quartet;
2001 - Chihara: "Songs of Love and Loss," by violist Geraldine Waltherthe and the 20-voice San Francisco Chamber Singers, at the Unitarian Universalist Church of Berkeley, Calif., directed by Robert Geary;
1721 - J.S. Bach dedicates his six "Brandenburg" Concertos to Margrave Christian Ludwig of Brandenburg, whose orchestra apparently never performed them.
By American Public Media4.7
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The 14th century B.C.E. pharaoh Akhnaten is remembered for his radical abandonment of the multiple gods of Egypt in favor of just one: the sun god Aten. Akhnaten’s heresy ended with his death when traditional beliefs were quickly reestablished and Akhnaten’s name literally chiseled out of Egyptian history.
Sigmund Freud’s “Moses and Monotheism” opined that Moses might have been an Egyptian priest of Akhnaten, and Immanuel Velikovsky, a once-popular but fanciful historian, suggested in his book “Oedipus and Akhnaton,” that a garbled memory of Akhnaten’s reign was the source of the Greek tragedy “Oedipus the King.”
The American composer Philip Glass credits both those authors among the inspirations for his opera “Akhnaten,” which premiered on today’s date in 1984 at the Staatstheaer in Stuttgart, Germany.
In 1984, the Stuttgart opera was undergoing renovations, so the premiere was moved to a much smaller hall, with a much smaller orchestra pit. Rather than scrimp on other instruments, Philip Glass simply made a virtue of necessity and omitted the entire violin section from his score. The role of Akhnaten is sung by a counter-tenor, whose high voice provides a striking contrast to the a low, dark timbre of the Glass’s violin-less orchestration.
Philip Glass (b. 1937) Hymn to the Sun, from Akhnaten Paul Esswood, ct; Stuttgart Opera Orchestra; Dennis Russel Davies, cond. CBS Masterworks/Sony 42457
1740 - American-born Moravian composer John Antes, in Frederickstownship, Pa.;
1654 - German composer Samuel Scheidt, age 66, in Halle;
1916 - Spanish composer Enrique Granados, age 48, dies at sea returning to Europe from New York City when the S.S. Sussex is torpedoed in the English Channel by a German submarine during WWI;
1921 - French composer Deódat de Sévérac, age 48, in Céret;
1784 - Mozart: Piano Concerto No. 15 in Bb, K. 450, at the Trattnerhof in Vienna, with composer as soloist;
1860 - Joachim: Violin Concerto ("Hungarian"), in Hannover, Germany;
1868 - Brahms: Piano Quintet in f, Op. 34, in Paris, with pianist Luise Langhans-Japha, with an unidentified string ensemble;
1881 - Verdi: opera "Simon Boccanegra" (2nd version, with libretto revised by Boito), in Milan at the Teatro alla Scala;
1924 - Sibelius: Symphony No. 7, in Stockholm, with the composer conducting;
1932 - Randall Thompson: Symphony No. 2, in, Rochester, N.Y.;
1941 - Shostakovich: incidental music for Shakespeare's "King Lear," in Leningrad, at the Gorky Bolshoy Dramatic Theater;
1949 - Panufnik: "Tragic Overture," in New York City;
1984 - Philip Glass: opera "Akhnaten," in Stuttgart, at the Wurttemberg State Theater, with Dennis Russell Davies, conducting;
1996 - Thomas Oboe Lee: "ART: arias and interludes" for string quartet, in Gassoon Hall at Boston College by the Artaria Quartet;
2001 - Chihara: "Songs of Love and Loss," by violist Geraldine Waltherthe and the 20-voice San Francisco Chamber Singers, at the Unitarian Universalist Church of Berkeley, Calif., directed by Robert Geary;
1721 - J.S. Bach dedicates his six "Brandenburg" Concertos to Margrave Christian Ludwig of Brandenburg, whose orchestra apparently never performed them.

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