<p>Filmsuck co-hosts Eileen and Dolores agree that the relentless affect and unusual staying power of the FX/Hulu series <em>The Bear </em>makes it a rare example of popular art in the tradition of the family-torment plays of Eugene O'Neill and Edward Albee. A belated tribute!</p>

Filmsuck co-hosts Eileen and Dolores agree that the relentless affect and unusual staying power of the FX/Hulu series The Bear makes it a rare example of popular art in the tradition of the family-torment plays of Eugene O'Neill and Edward Albee. A belated tribute!

Go Bears: Why We’re Still Thinking About THE BEAR Seasons 1 & 2

Support us on Patreon.com/filmsuck for bonus episodes and more perks!

A weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley.

In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. We consider the glories of cinemas past, and wonder about lots of things: what’s the role of contemporary film in a time of bad art and worse taste; popular entertainment in a time of fragmentation, generalized disaffection, and PTSD; and media in a time when it seems to have lost its power to get us off our asses?

In short, what is to be done when film sucks?

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Arts

Support us on Patreon.com/filmsuck for bonus episodes and more perks! A weekly podcast hosted by Eileen Jones, film critic at Jacobin magazine and recovering academic, and Dolores McElroy, diva enthusiast and lecturer in film and media at UC Berkeley. In this podcast for the people, we bring you the truth about the rotten state of cinema, its often odious or ham-fisted relationship to politics, and its occasional wondrous bursts of courage and brilliance. We consider the glories of cinemas past, and wonder about lots of things: what’s the role of contemporary film in a time of bad art and worse taste; popular entertainment in a time of fragmentation, generalized disaffection, and PTSD; and media in a time when it seems to have lost its power to get us off our asses? In short, what is to be done when film sucks?

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Go Bears: Why We’re Still Thinking About THE BEAR Seasons 1 & 2

Go Bears: Why We’re Still Thinking About THE BEAR Seasons 1 & 2

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