Kari connects Kath to her father, as they reconnect and talk about The Guardian's glowing review of her new album "Bye Bye These Are The Days," as well when her song "Come Here" brought her to a large audience in a famous scene on "Before Sunrise," how she wrote it among a group of songs she wrote in a field or when she was working at a famous New England cemetery, being kind, parallels in life, whether she thinks she has a gift of music or not, how channeling a song from one's Higher Self is like coming home, making music with others is like another dimension, Ram Dass, her early days as a folk singer back with avant-garde guitarist Loren Mazzacane Connors, nature as inspiration and what she does when she feels blue. 

Kari connects Suzzy to her sister Maggie, who was one third of The Roches, whose songs were covered by artists such as Phoebe Snow, as they talk about her new album "I Can Still Hear You" with the song  "I Think I Am A Soul,"  which features Emily Saliers of the Indigo Girls and was inspired by her sister Maggie, where she got the inspiration for that song in Greenwich Village, the blending of the voices of mothers and daughters and sisters when they sing, how she knew to follow her raison d'etre even when things are tough, helping others with one's gifts, the magic of the gift of music, the similarities of channeling music from one's Higher Self and the Other Side and loved ones on the Other Side, nature as magic and other things about the animal world, being grateful in simple things and simple gifts from the universe.

Kari connects Steve to his aunt Margaret, as they talk about the days when Steve was a member of the Spiritualist Association of Great Britain in a building in Belgrave Square, something Steve mentions in his autobiography "A Genesis in My Bed," which had a Sir Arthur Conan Doyle connection and where Steve once got readings and learned about spirituality from its book collection, his own experience receiving and giving healings, the rich music scene that occurred near his home, feeding the animals that come to his home, how he knew to follow his life path of music, which includes leaving Genesis, how "Under the Eye of the Sun" was inspired by places in the desert like Monument Valley, and what he's been listening to lately which he finds sublime and healing.

Kari connects Mark to a psychic he got readings and studied with who was part of that catalytic moment when he moved to where she lived and joined Firefall, as they talk about how he knew to follow his gift which was being a bass player, how the bass line can take its own life within a song, the physical body and a fall on the knees moment, how taking care of his horses is meditative, his time with Heart and playing on songs like "These Dreams," and honoring the music that fans come to hear for generations.

Kari talks to Christine, a veteran folk, jazz, blues singer-songwriter on the Isle of Man, as she connects to her father. They talk about what it's like living on the actual road course of the famous Isle of Man TT, the most dangerous motorcycle race in the world, the secret of this island and its power and magic as Christine shows what "toning" sounds like when she does it in front of the rare ancient yew trees, the land and sea and in a meditative, mystical way, channeling it each time, what she thinks of time and nearing 60 "sitting" in her life now, what keeps her being in the music industry for 37 years, despite the lack of hits, but yet still staying true to her raison d'etre, after early success singing the hit theme song of the 1986 BBC adaption of "The Life and Loves of a She-Devil," as well as joining the Richard Thompson Band in 1985.

Kari connects Steve to his father, while they talk about a new song "Birdeen" on Steve's new album "Eleven Women," about a lorikeet who regularly visits, signs from our loved ones through birds, how lyrics and music just appear on their own, all songs are a pure channel moment for him, as he can hear windshield wipers and create music around it, how he likes to write about nature; born in England, how he never felt like he was in the right place till now, how everyone should see at least one past life through hypnotherapy/regression, as Steve shared his past life when he was in India as a Sikh in the 1800s, how we often live one past life and then another juxtaposed life that is an "opposite" one to experience all facets and glean more higher information, how our lives are like Method acting to the Nth degree for our souls to fully feel it as reality, and we're meant to experience life lessons or play roles, and birds in the sky showing an infinite beautiful moment.

Kari connects Franke to his mom as they talk about writing the hit "Hungry Eyes" for "Dirty Dancing," which he also wrote "(I've Had) The Time of My Life," garnering an Academy Award. She also connects Pamela to her mom, as they talk about how one song created a spin-off from "Happy Days," and caused 17-year olds to get married in "Joanie Loves Chachi." They also talk about "One World," the song they wrote for "Earth, Wind and Fire" in 1989, which was recently re-recorded by stars like Patti LaBelle, Christine Ebersole and Tico Torres, as Kari notes hearing it underscored the importance of the environment. They also discuss feeling a soul connection with a person, how adoptive parents are often the true soul connection, while sometimes family members who share the same DNA don't feel that soul connection, past lives and knowing when you're on the life path you're meant to be on, what they do when they feel blue to pick themselves up and whether they hear random original tunes in their heads as songwriters.

Kari connects Jonatha with her mother, as they talk about how her mother gave her great material for her art and how we play roles for one another, the importance of being glass half full people especially now, and the amazing glass half full aspect to this year, her new song "Glass Half Empty," the Boston folk music scene back when she had her folk duo "The Story" and the legendary Passim, being part of Christine Lavin's brainchild "Big Times in a Small Town," wilderness moments that helped her on her path, the void in our lives as a spiritual favor that bring about the good and the path we're meant to be on, what she does to pick herself up when she feels blue, how one knows when they're on their life path they're meant to be on. 

Kari connects Alan to his grandfather, as they talk about scatting as channeling, "Soul Food to Go" as an homage to Tim Hauser, being in a legendary group and the ego, the metaphysical "Twilight Zone/Twilight Tone," harmony and chakras opening up, time not being linear, being present in a moment that was years ago, life going by like a flash, the dichotomy of the soul going on forever while the body which feels real is temporary and like life (an illusion), grace, the soul consciousness and a different way of life, signing up to be in this moment and a new paradigm, how he takes care of his voice daily after asking Tony Bennett what hedoes for his voice, playing roles for one another's life lessons, meditation, a life of service, "Many Lives, Many Master" and past life regressions.  

Kari connects Jon to his father, as they talk about past lives, knowing author and past-life regression pioneer Dr. Brian Weiss (a Yes fan) whose work was the subject of his musical, how his wife Jane got a personal regression session from Brian himself after she brought his book "Many Lives Many Masters" up on their first date as they talked about the spiritual side of life, finding a fellow seeker of the spiritual with his wife and partner in music and life, Jane, the other dimensional, metaphysical experience with angels that helped put him on his life path of spirituality that happened in Sin City, being a pure channel for music from his Higher Self and the Other Side, how it took him a long time to meditate even after going to another place one time with his spiritual teacher, the spiritual words of action in "Owner of a Lonely Heart" that one may not initially hear, his daily process for music that includes vocalizing and creating words like "Ramalama," a track on his new album "1,000 Hands," which includes Yes bandmate Steve Howe, Jethro Tull's Ian Anderson, Jean-Luc Ponty, Tower of Power horns, and new music he's busy working on during this moment in the world.