“…it’s become about women, and the role that we play in what we want, and what we do to go after it. What do we feel that we’re entitled to, what are our aspirations, and what are the obstacles getting … Continue reading →

If you’ve ever wandered around Greenwich Village, you might have noticed a very tiny house at 75 1/2 Bedford Street, built on a former alley (it’s Manhattan, so if there’s land to be built on, someone’s going to try it). Stop … Continue reading →

Key Change comes to New York’s 4th Street Theatre from Northern England, after a long and interesting journey. It was created by the Newcastle-based theatre company, Open Clasp, in a collaboration with women in Her Majesty’s Prison Low Newton. It … Continue reading →

What does it take to survive? In AntiMatter Collective‘s show The Tower, that question, in the context of the winter in the mountains for the Donner Party in 1846-47, becomes an allegory for American individualism & imperialism. And it’s done through … Continue reading →

Convention halls, brunch, fish all over the highway, shoot-outs—they all come together in New Georges’ world premiere of How to Get Into Buildings, currently playing at The Brick. Working with the structure of an “exploded view,” playwright Trish Harnetiaux has … Continue reading →

Retro Productions is back with another revival of a 20th Century play, directly in line with their mission “to broaden our own understanding of the world we live in.” Roberto Aguirre-Sacasa’s Good Boys and True may be set in 1988, but the … Continue reading →

“Do your own work.” As one of the guests on this episode notes, that’s a common suggestion to independent theatre practitioners—and the thought of it can exhaust even the most ambitious of artists. But sometimes, you discover that the people … Continue reading →

The Republican presidential primary is a clown-car with the lead clown espousing fascism, Sheldon Silver’s just been found guilty of corruption, Rahm Emmanuel’s currently in hot water with the stove turned to “high”… I wouldn’t blame anyone for being disgusted … Continue reading →

Ever wanted to watch as a major heist unfolds in front of your eyes? Not on film, but actually happening right in front of you? Thanks to the magic of immersive theatre, you can. Daria Miyeko Marinelli and Elana McKelahan, the playwright and … Continue reading →

Opera tends to be pretty tragic. And even though Mind the Art Entertainment‘s operetta Fatty Fatty No Friends is about a group of kids, it doesn’t shy away from the dark and grisly themes and action that usually goes along … Continue reading →