RadioTheatre was last on the podcast with their H. P. Lovecraft festival in 2012—and being a fan of the master’s fiction, the producer of GSAS! just had to get back to The Kraine to hear more of Dan Bianchi & … Continue reading →

GSAS! Producer’s Note: playwright David Haan is writing things you should read, produce, and/or go and see. Case-in-point: his 42-play cycle The President Plays re-imagines the death of every U.S. president from Washington to G.W. Bush, a series so epic that the … Continue reading →

New on the scene Battalion Theatre presents their second production, where a night of excessive partying and drunken carousing with handsome strangers leads to unavoidable confrontations with the realities of the relationships between a young bachelorette and her circle of friends—Adam Bock’s The … Continue reading →

It’s time once again for the world’s largest solo theatre festival, United Solo (the last time GSAS! was there was in 2011, for the first iteration of Sylvia Milo’s The Other Mozart!). This time out, the podcast takes in a … Continue reading →

Theatre 167‘s I Like To Be Here: Jackson Heights Revisited, or, This Is A Mango is part four of a trilogy—yes, you read that right—looking at one of the most diverse neighborhoods not just in New York, but in the … Continue reading →

This episode serves as both a “welcome back!” and a fond “farewell” to the excellent company Australian Made Entertainment (previously heard on the podcast with their wonderful shows Speaking in Tongues and Once We Lived Here), who are presenting their last … Continue reading →

Imitation is the sincerest form of flattery. But in the case of Hold On To Your Butts, this isn’t straight imitation—while yes, it is a shot-for-shot live remake of elementary-school-you’s favorite movie (at least, elementary-school-me), it’s a madcap comic theatrical … Continue reading →

Students of the sordid history of psychological treatment might be aware of social psychologist Milton Rokeach’s experiment, chronicled in his book The Three Christs of Ypsilanti, to lessen the delusions of three paranoid schizophrenic patients who all believed themselves to … Continue reading →

Take one part Chekhov, two parts drinking game, one part party, add a dash of improv, and you’ve got a recipe for fun, boozy theatre in a bar the way only Three Day Hangover can do it. When you love Chekhov the way adapter/director Lori … Continue reading →

In 2009, in the town of Praxedis G. Guerrero, Chihuahua, México, the police chief was tortured and beheaded, a victim of the drug cartels. A year later, with all but three of the town’s police officers having quit, Marisol Valles García, … Continue reading →