Ask an intelligent music lover to name some of the major figures in modern music and it’s likely the names Schoenberg, Stravinsky and Bartók will crop up. But in addition to those Austrian, Russian and Hungarian composers, a lively group of Italian modernists were also active throughout the 20th century—only their names and music are not so well known.

One of them was Goffredo Petrassi, born in 1904. Petrassi became one of the leading figures in a group of Italian composers that included Dallapiccola, Casella and Malipiero. This group tried to compensate for Italy’s almost total preoccupation with opera by concentrating more on instrumental pieces.

Petrassi’s own musical influences range from the Italian Renaissance music he sang as a young choirboy in Rome to the works of abstract painters like Jackson Pollock that he viewed when visiting America.

Petrassi’s largest body of work was his eight Concertos for Orchestra composed between 1933 and 1972, but in his final years he turned to chamber works, such as this “Autumn Sestina” completed in 1982. A “Sestina” is a poetic stanza of six dissimilar verses, and Petrassi scored his work for six instruments.

When asked where the “Autumn” in the title came from, Petrassi responded: “Perhaps it’s got something to do with my age.” Shortly after finishing this work, Petrassi’s eyesight failed, and he stopped composing entirely. He died in Rome on today’s date in 2003 at the age of 98.