On this episode of HowSound, a wide-ranging chat about writing for audio with one of the masters: Jonathan Goldstein of the Heavyweight podcast from Gimlet. From the importance of feeling what you write to Jonathan's penchant for courier font and a maneuver we jokingly dubbed "The Goldstein," you're bound to pick up a solid tip or three about writing.

Goldstein on Writing, Fonts, and “The Goldstein”

The Backstory to Great Audio Storytelling, hosted by Rob Rosenthal, for Transom and PRX.

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There's a moment in this episode when Rob is gasping and holding his hand to his chest. Why was he so astonished? Listen to his conversation with Jess Shane as they dissect the ethics of her Radiotopia documentary "Shocking, Heartbreaking, Transformative."

Shocking, Heartbreaking, Transformative…and Ethical?

Deadlines, production meetings, staff management, show scheduling... in any given day, there's rarely time to pause and consider the craft of audio storytelling. Of course, PRX and Transom hope Sound School provides an easy opportunity to do that. On this episode, we'd like to introduce you to another podcast with the same mission: Sound Judgment hosted by Elaine Appleton Grant and featuring an interview with Jonathan Menjivar about his podcast Classy.

Introducing Sound Judgment

Have NPR's news magazines occasionally been sounding more radiophonic lately? Rob thinks so. He's collected a handful of satisfying moments of writing, production, and reporting from several reporters: Daniel Estrin, Avery Keatley, Andrew Limbong, Barbara Moran, Ari Shapiro, and Andrea Shea.

Thanks, NPR. That Was Satisfying.

"Ums." You're supposed to cut them out, right? But what if the "um" means something? Talia Augustidis noticed her boyfriend "ummed" when he was lying and she thought "radio story." Talia takes a deep dive into the importance of not cutting out all the "ums" as well as the backstory to her piece for the BBC's Short Cuts called "What's In An Um?"

The Um, A Deep Dive

One of the top three questions Rob often hears when he's teaching is, "Should I record in stereo?" Rob says mono is usually the way to go. But on this archive episode of Sound School, former NPR engineer Flawn Williams evangelizes about the value of stereo recordings, and he brought along several sound-rich examples.

Goldstein on Writing, Fonts, and “The Goldstein”

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