Good Point Podcast

2 listener questions this week:

Sean Batchelor asks "can you talk about the difference between art & design?"

https://www.seanbatchelor.com

Jesper Nørbæk suggests the topic of artist interviews.

https://www.instagram.com/hektttt

185 - Neighborhood by Jeremy Bailey & Rafaël Rozendaal

this week, we try to not talk about money or power

This week Jack Rieger asks:

Have you done a proper episode on burnout?

+ a field recording by Nadine Treister

https://www.jackrieger.com/

https://www.nadinetreister.com/

This week we talk about freedom. We keep talking about it until the word loses all meaning.

Field recording by Nadine Treister: Saturday morning summertime in Melbourne, Australia. www.nadinetreister.com

This week we freestyle... but we end up talking about AI of course... and a special remix audio mashup via holly.plus

This week Jesper Nørbæk asks us:

What role does fun play in choosing what work you do?

Will you change how you work to have more fun?

Is having fun while working a goal in itself for you?

https://www.instagram.com/hjesper/?hl=en

This week we talk about taste... bad taste... aesthetic taboos...

+ a field recording by Jesper Nørbæk of a Danish bird.

https://www.instagram.com/hjesper

This week’s topic comes from Flora Miranda:

... how you choose which programmer fits for which project. Rafaël, you work with the same person for most of your works, but work with 2 more as you told in the last episode.

How do you select these people? Regarding skillset, do you even know enough about the skills/technology to be able to judge if they are the right fit? Regarding past work, do you judge if they have worked with artist before or would you also work with a programmer who is totally new to the creative world? Personal level, how do you have to click with them personally, do you judge according to 'would I have coffee with this person'?

And same question to Jeremy, of course. I think in your organisational experience, you must have seen things happening daily. And also when installing AR exhibitions...

Furthermore, I would love to hear stories of when things went wonderfully fruitful with programmers, how programmers have inspired your thinking.

But also, when the knowledge was far apart from each other, you picked the 'wrong person' or just any other failed operations.

Also, where can one find programmers for art projects? Is it even possible to pay them, as there might be a big wage gap between artists and programmers? 

What about yourselves? Do you program? If not, have you not naturally picked up some code-thinking over the years? 

Let's demystify the 'programmer'! :)

Flora Miranda

https://floramiranda.com/

3 listener questions around the topic of "the perfect museum".

Eva van Ooijen 

https://www.evavanooijen.nl

Intton Godelg

https://www.intton.com

Pyry Qvick 

https://www.instagram.com/pilkulleen