We asked him about his decision to set the film between 2005 and 2011 — a significant moment in Sudan’s recent history — and who he made the film for: international viewers curious about Sudan or Sudanese cinema-goers reflecting on themselves. Finally, we untangle some of the main social critiques and themes that the film seeks to confront — in particular, racism between Northern and Southern Sudanese people.

Mohamed Kordofani is a Sudanese film director and screenwriter. He started out as an aviation engineer, before changing careers to pursue his passion for film. His first feature film, Goodbye Julia, gained international recognition and won the Freedom Prize at Cannes Film Festival. Since then, it has also been screened internationally and was selected by the Sudanese National Committee operating in exile in the category of Best International Feature Film at the 96th Academy Awards. 
 

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About afikra | عفكرة: We are  a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity. ⚡ Become a member today. 

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ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
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