GoodPoetry

GoodPoetry

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GoodPoetry episodes

  • Episode 51: "The Negro Speaks of Rivers" by Langston Hughes
    Read and more GoodPoetry at www.GoodPoetry.org, and listen on Audible, iTunes, Stitcher, Spotify, Anchor.Fm, iHeart, and GooglePlay Music and connect with us @itsGoodPoetry on Facebook, and Twitter.
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    Photograph Info:
    Langston Hughes in 1936 by Carl Van Vechten
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    The Poem:
    The Negro Speaks of Rivers
    (To W.E.B. DuBois)
    I’ve known rivers:
    I’ve known rivers ancient as the world and older than the flow
    of human blood in human veins.
    My soul has grown deep like the rivers.
    I bathed in the Euphrates when dawns were young.
    I built my hut near the Congo and it lulled me to sleep.
    I looked upon the Nile and raised the pyramids above it.
    I heard the singing of the Mississippi when Abe Lincoln went 
    down to New Orleans, and I’ve seen its muddy bosom
    turn all golden in the sunset.
    I’ve known rivers:
    Ancient, dusky rivers.
    My soul has grown deep like the rivers.
    1 min
  • Episode 50: "Kids Who Die" by Langston Hughes
    Read and more GoodPoetry at www.GoodPoetry.org, and listen on Audible, iTunes, Stitcher, Spotify, Anchor.Fm, iHeart, and GooglePlay Music and connect with us @itsGoodPoetry on Facebook, and Twitter.
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    Photograph Info:
    Portrait of American writer and activist Langston Hughes in 1943 (US Library of Congress Archives)
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    The Poem:
    Kids Who Die
    This is for the kids who die,
     Black and white,
     For kids will die certainly.
     The old and rich will live on awhile,
     As  Always,
     Eating blood and gold,
     Letting kids die.
    Kids will die in the swamps of Mississippi
     Organizing sharecroppers
     Kids will die in the streets of Chicago
     Organizing workers
     Kids will die in the orange groves of California
     Telling others to get together
     Whites and Filipinos,
     Negroes and Mexicans,
     All kinds of kids will die
     Who don’t believe in lies, and bribes, and contentment
     And a lousy peace.
    1 min
  • Episode 49: "Harlem" by Langston Hughes
    Read and more GoodPoetry at www.GoodPoetry.org, and listen on Audible, iTunes, Stitcher, Spotify, Anchor.Fm, iHeart, and GooglePlay Music and connect with us @itsGoodPoetry on Facebook, and Twitter.
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    Photograph Info:
    Portrait of American writer and activist Langston Hughes in 1943 (US Library of Congress Archives)
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    The Poem:
    "Harlem"
    What happens to a dream deferred?
    Does it dry up
     like a raisin in the sun?
     Or fester like a sore—
     And then run?
     Does it stink like rotten meat?
     Or crust and sugar over—
     like a syrupy sweet?
    Maybe it just sags
     like a heavy load.
    Or does it explode?
    1 min
  • Episode 48: "Dreams" by Langston Hughes
    EPISODE DESCRIPTION
    Read and more GoodPoetry at www.GoodPoetry.org, and listen on Audible, iTunes, Stitcher, Spotify, Anchor.Fm, iHeart, and GooglePlay Music and connect with us @itsGoodPoetry on Facebook, and Twitter.
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    Photograph Info:
    Portrait of American writer and activist Langston Hughes in 1943 (US Library of Congress Archives)
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    The Poem:
    "Dreams"
    Hold fast to dreams
     For if dreams die
     Life is a broken-winged bird
     That cannot fly.
    Hold fast to dreams
     For when dreams go
     Life is a barren field
     Frozen with snow.
    1 min
  • Episode 47: "American Heartbreak" by Langston Hughes
    Read and more GoodPoetry at www.GoodPoetry.org, and listen on Audible, iTunes, Stitcher, Spotify, Anchor.Fm, iHeart, and GooglePlay Music and connect with us @itsGoodPoetry on Facebook, and Twitter.
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    Photograph Info:
    Langston Hughes in 1936 by Carl Van Vechten
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    The Poem:
    American Heartbreak
    I am the American heartbreak—
     Rock on which Freedom
     Stumps its toe—
     The great mistake
     That Jamestown
     Made long ago.
    1 min
  • Episode 46: "My People" by Langston Hughes
    "My People" by Langston Hughes
    Read and more GoodPoetry at www.GoodPoetry.org, and listen on Audible, iTunes, Stitcher, Spotify, Anchor.Fm, iHeart and GooglePlay Music and connect with us @itsGoodPoetry on Facebook, and Twitter.
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    Photograph Info:
    Langston Hughes in 1936 by Carl Van Vechten
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    The Poem:
    My People
    The night is beautiful,
    So the faces of my people.The stars are beautiful,
     So the eyes of my people.
    Beautiful, also, is the sun.
     Beautiful, also, are the souls of my people.
    1 min
  • Episode 45: "When Sue Wears Red" by Langston Hughes
    Read and more GoodPoetry at www.GoodPoetry.org, and listen on Audible, iTunes, Stitcher, Spotify, Anchor.Fm, iHeart and GooglePlay Music and connect with us @itsGoodPoetry on Facebook, and Twitter.
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    When Sue Wears Red
    When Susanna Jones wears red
     Her face is like an ancient cameo
     Turned brown by the ages.
    Come with a blast of trumpets,
     Jesus!
    When Susanna Jones wears red
     A queen from some time-dead Egyptian night
     Walks once again.
    Blow trumpets, Jesus!
    And the beauty of Susanna Jones in red
     Burns in my heart a love-fire sharp like pain.
    Sweet silver trumpets,
     Jesus!
    1 min
  • Episode 44: Theme for English B by Langston Hughes
    Read and more GoodPoetry at www.GoodPoetry.org, and listen on iTunes, Stitcher and GooglePlay Music and connect with us @itsGoodPoetry on Facebook, and Twitter.
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    "Theme for English B" by Langston Hughes
    The instructor said,
    Go home and write
     a page tonight.
     And let that page come out of you—
     Then, it will be true.
    I wonder if it’s that simple?
     I am twenty-two, colored, born in Winston-Salem.
     I went to school there, then Durham, then here
     to this college on the hill above Harlem.
     I am the only colored student in my class.
     The steps from the hill lead down into Harlem,
     through a park, then I cross St. Nicholas,
     Eighth Avenue, Seventh, and I come to the Y,
     the Harlem Branch Y, where I take the elevator
     up to my room, sit down, and write this page:
    It’s not easy to know what is true for you or me
     at twenty-two, my age. But I guess I’m what
     I feel and see and hear, Harlem, I hear you:
     hear you, hear me—we two—you, me, talk on this page.
     (I hear New York, too.) Me—who?
     Well, I like to eat, sleep, drink, and be in love.
     I like to work, read, learn, and understand life.
     I like a pipe for a Christmas present,
     or records—Bessie, bop, or Bach.
     I guess being colored doesn’t make me not like
     the same things other folks like who are other races.
     So will my page be colored that I write?
    Being me, it will not be white.
     But it will be
     a part of you, instructor.
     You are white—
     yet a part of me, as I am a part of you.
     That’s American.
     Sometimes perhaps you don’t want to be a part of me.
     Nor do I often want to be a part of you.
     But we are, that’s true!
     As I learn from you,
     I guess you learn from me—
     although you’re older—and white—
     and somewhat more free.
    This is my page for English B.
    3 min
  • Episode 43: "The Washer-Woman" by Otto Leland Bohanan
    #GoodPoetry​ presents an excerpt from Phillis Wheatley's poem, entitled "To the Right Honourable William, Earl of Dartmouth". This poem was published in Phillis Wheatley's poetry book, entitled, "Poems on Various Subjects, Religious and Moral" in 1773. This poem is in the public domain.
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    This colored illustration of Phillis Wheatley is in the public domain.
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    Here is the text for the excerpt of Phillis Wheatley's poem, entitled, "To the Right Honourable William, Earl of Dartmouth":
    Should you, my lord, while you peruse my song,
    Wonder from whence my love of Freedom sprung,
    Whence flow these wishes for the common good,
    By feeling hearts alone best understood,
    I, young in life, by seeming cruel fate
    Was snatch'd from Afric's fancy'd happy seat:
    What pangs excruciating must molest,
    What sorrows labour in my parent's breast?
    Steel'd was that soul and by no misery mov'd
    That from a father seiz'd his babe belov'd:
    Such, such my case. And can I then but pray
    Others may never feel tyrannic sway?
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    You can watch more GoodPoetry videos on GoodPoetry's YouTube Channel and on Teyuna Darris' YouTube channel.
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    You can listen to more GoodPoetry episodes at Stitcher, Google Podcasts, Apple Podcasts, Anchor.FM, and other major podcast platforms.
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    Connect with GoodPoetry (@itsgoodpoetry) and Teyuna Darris (@tdarris) on Facebook, Twitter and Instagram.
    1 min
  • "Ars Poetica" by Archibald Macleish
    Ars Poetica
    BY ARCHIBALD MACLEISH
    A poem should be palpable and mute
    As a globed fruit,
    Dumb
    As old medallions to the thumb,
    Silent as the sleeve-worn stone
    Of casement ledges where the moss has grown—
    A poem should be wordless
    As the flight of birds.
    *
    A poem should be motionless in time
    As the moon climbs,
    Leaving, as the moon releases
    Twig by twig the night-entangled trees,
    Leaving, as the moon behind the winter leaves,
    Memory by memory the mind—
    A poem should be motionless in time
    As the moon climbs.
    *
    A poem should be equal to:
    Not true.
    For all the history of grief
    An empty doorway and a maple leaf.
    For love
    The leaning grasses and two lights above the sea—
    A poem should not mean
    But be.
    2 min

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