Great New American Essays

Stephanie G’Schwind is the editor-in-chief of Colorado Review and the director of the Center for Literary Publishing at Colorado State University. She has edited two anthologies, Man in the Moon: Essays on Father and Fatherhood and Beautiful Flesh: A Body of Essays, which won the 2018 Colorado Book Award for Anthology.

Harrison Canelaria Fletcher is the author of Descanso for My Father, Presentimiento: A Life in Dreams, and Finding Querencia: Essays from in Between. Besides being G’Schwind’s fellow nonfiction editor at Colorado Review, he’s been an editor at Shadowbox, Upstreet and Speculative Nonfiction. He teaches at Colorado State University and Vermont College of Fine Arts.

All four of the essays from recent back issues discussed in this episode involve identity, place, and survival. The first is “Who Lives in That House” by Emily Winakur. For her the home operates on the level of being a dream about the self, what matters, what the risks are, why it is that a party of our brain is devoted to memories and specifically a sense of place. As a psychologist, Winakur uses her curiosity and concern for her patients to serve almost like a home inspector, making sure they’re safe. In turn, Shze-Hui Tjoa’s “The Story of Body” concerns a mind-body split that causes the author to mostly describe herself as a distanced, alienated “Body” and “Mind” that struggles under parental demands to become an exceptional musician. In Sarah Curtis’s “The Ghost of Lubbock,” she’s not a musician, but her dad is; in fact, he played with Buddy Holly and wrote “I Fought the Law” among other notable songs. But who is her dad, really: the stage performer, or the quiet guy who deflects questions? In Jarek Steel’s “Nesting,” confinement and becoming are the dominant motifs. As a pregnant 19-year-old, she occupies a “garbagehouse” of a place, but transforms herself into a man who can look back at a very primal, vulnerable part of life and put the pieces together.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc.

Danielle Amir Jackson is a Memphis-born writer and critic, and the editor-in-chief of the Oxford American. Her work has appeared in the New York Times, Vulture, Bookforum, Lapham’s Quarterly, the Criterion Collection, and elsewhere. Honey’s Grill: Sex, Freedom, and Women of the Blues, her first book, is forthcoming from Farrar, Straus, and Giroux.

Originally based in Oxford, Mississippi, hence its name, Oxford American is both a literary and general interest magazine intent on honoring the cultural wealth of the South. Four writings are discussed, beginning with “What If It All Burned Down?” by Katrina Andy, which as its title suggests, is loaded with questions about the largest slave revolt in U.S. history. It happens at the Andry Plantation north of New Orleans, in the aftermath of the successful Haitian Revolution. Two other writings involve music: there’s “How to Take It Slow” by Lauren Du Graf and “Coming Up Fancy” by Jewly Hight. The first portrays Shirley Horn, emphasizing her unique singing and piano style as well as her being such a homebody that she took a pressure cooker along with her on musical road tours. The second takes the song “Fancy” as sung by Reba McEntire and others and explores what home means when it isn’t a place of comfort. The episode’s fourth entry, “The Mustang” by Gwen Thompkins, is an evocative piece about a family journey to see grandparents at the same time that the narrator’s parents’ marriage is coming to an end.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc.

Stephanie Bastek has been with The American Scholar for 10 years, where she is now senior editor. She hosts and produces the magazine’s Smarty Pants podcast, with has just returned with a new miniseries called “Exploding the Canon” about the student protests at her alma mater, Reed College, over the mandatory freshmen humanities course eight years ago.

The American Scholar plays a unique role in the literary-journalism realm: its writings often offer a response to newsworthy events but may do through an interdisciplinary approach that weaves in history or literature, for example, and aims to be far-ranging and reflective. In this episode, the first essay we focus on is Hugh Martin’s “Shooting a Dog” from the Winter 2024 issue. Set in Iraq, it invokes a parallel to George Orwell’s essay “Shooting an Elephant” set in what was then called Burma. In each case, the supposedly superior Westerner fears being seen as a fool by those he lords over. Similar tensions involving masculine pride, patriotism, and more, surface here. A second essay being covered is “The Lives of Bryan” by Jennifer Sinor from the Summer 2023 issue. The author’s brother has had four previous brushes with death, before a heart attack ends his life. A distraught father’s insistence that what Bryan has hoarded in his mobile equates to “throwing away a piece of your brother,” brings up issues of loss, transience, and the uncertain vagaries we all try to navigate as best we can. “An Outrage Sacred to the Gods” by Greg Afinogenov from the Winter 2024 issue explores his father’s death, and the role of alcoholism as a death wish that the author struggles to overcome in his own life. With “I’ll Be Seeing You” by Patricia Hampl from the Spring 2023 issue, being an outsider is front and center. Hampl has made a pilgrimage to visit a close associate of the writer Katherine Mansfield, only to be rebuffed, leading to a more fruitful connection with her guide for the occasion, an editor whose “pure homosexual” accent places him, like his American visitor, outside England’s class structure.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc.

Today’s spotlight is in part on the literary magazine River Teeth. I’m joined by the magazine’s senior editors, Jill Christman and Mark Neely.

Jill Christman is the author of If This Were Fiction: A Love Story in Essays (the 2024 Chicago Writers Association Nonfiction Book of the Year) and two memoirs, Darkroom: A Family Exposure (winner of AWP Prize for CNF) and Borrowed Babies: Apprenticing for Motherhood. Her essays have appeared in numerous anthologies and in magazines such as Creative Nonfiction, Fourth and O, The Oprah Magazine. A 2020 NEA Literature Fellow, she teaches at Ball State University.

Mark Neely is the author of Beasts of the Hill and Dirty Bomb, both from Oberlin College Press. His third book, Ticker, won the Idaho Prize for Poetry and was published by Lost Horse Press. His awards include an NEA Poetry Fellowship, an Indiana Individual Artist Grant, and the FIELD Poetry Prize. He is a professor of English at Ball State University.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site.

Ladette Randolph has served as editor-in-chief of Ploughshares literary journal since 2008, where she had acquired numerous notable essays and short stories. A publishing professional for 30 years, she is co-owner of the manuscript editing firm Randolph Lundine, and the author of five award-winning books, including A Sandhills Ballad, a New York Times Book Review Editor’s Choice book, and most recently the novel Private Way.

Under Ladette Randolph’s stewardship, Ploughshares is thriving with a solid endowment and an increasing pull toward essays that speak to disturbing trends happening in America and abroad. In this episode, the focus is on five essays of which one, Extractions,” by Mihaela Moscaliuc, centers on life as a young female in Nicolae Ceausescu’s Romania. There, it’s as if one’s pregnancy belongs to the state so eager is it increase the birthrate. Telltale signs of repression are everywhere in an essay notable in part for its chilling, subdued voice. A second essay, “Commuting” by Victoria Gannon, depicts life in the Bay area, with San Francisco rents skyrocketing and greedy developers eager to squeeze out below market renters. In Jesse Lee Kercheval’s “Minera” a great-grandmother’s ghostly presence haunts an essay in which (to quote Minerva) “When you can’t move in this life, you die,” and yet the narrator must deal with quicksand, menstrual cramps, her cancer, and helping a woman trapped—in of all things—an igloo somehow survive. Rounding out the discussion were stops at two other, commendable essays; J. D. Mathes’ “On the Origin of Time: A Meditation” and Sarah Twombly’s “The Difference Between Life and Death.” In the first case, the narrator finds a measure of peace in exploring music and learning “to play one note and try to get inside it.” In Twombly’s intensely lyrical piece, a death-wish swim off the coast of Maine in the wintertime becomes an ode to how the water “beads, gulps and roars, thunders and spits.”

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site.

Gerald Maa has been The Georgia Review’s director and editor since 2019. During his tenure there, the magazine has won the National Magazine Award for Best Fiction as well as Best New Poets, and the Robert Dau/PEN Prize. Prior to this role, Maa was the editor-in-chief of The Asian American Literary Review with Lawrence-Minh Bui Davis. Maggie Su is the associate prose editor for The Georgia Review and the author of the forthcoming novel Blob (Harper 2025). She holds a PhD in fiction from the University of Cincinnati and her short fiction has appeared or is forthcoming in The New England Review, TriQuarterly Review, and elsewhere.

The Georgia Review has a long, distinguished tradition of publishing writings vetted by a fully salaried staff. In this case, first up in the discussion is the essay “Campus Maximum” by Christopher Kempf. It explores the social justice versus academic freedom tussle that Cornell University found itself dealing with after an African-American student group took over one of the campus’s main buildings in 1969. To say the essay explores town/gown tensions would be to slight the exploration of multiple, conflicted views taken by everybody involved in the unfolding drama. In “Chopping Up the Gun” by Mary Margaret Alvarado witnesses a weapons turn-in program held in Aurora, Colorado where “cars wait, as though for French fries, or absolution.” Having former weapons transformed into sculpture pieces or other objects invites a variety of responses. In L. J. Sysko’s “Inside Lane,” an ominous foreboding exists among a girl’s swim team where the coach kisses a team member without consent, and may be on the hook for worse before losing his job. Finally, in Brian Truong’s “Fake Handbags,” an Asian-American family’s shopping trips to New York City for knock-off luxury goods doesn’t provide a brand halo that can protect the family members from the dad’s angry outbursts.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc.

Lynne Nugent is the editor of The Iowa Review and the author of a chapbook of essays, Nest, about motherhood and domesticity published by The Florida Review in 2020. She holds a MFA in nonfiction writing and a PhD in English from the University of Iowa.

It’s a small world, at times, as the podcast’s host grew up in Northfield, Minnesota, the site of the opening essay “Why I Lie” by Jonathan Wei. That essay opens, as guest Lynne Nugent observes, with a series of declarative sentences that quickly get modified as the author takes on the role of the fallible narrator to make the larger point that society isn’t always as grand as we’re led to believe by documents like the Pledge of Allegiance. A second essay discussed by Nugent takes the iconic status of California as the Golden State down a notch by focusing on rats that plague the sleepless nights of Elizabeth Hall, the author of “Rat Beach.” A third essay covered here, “Bloodlust: A Memoir” by Libby Kurz vividly describes life as a U.S. Air Force trauma center nurse, before pivoting to an enlistment interview and the dark memories it invokes.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc.

Sven Birkerts is the co-editor of AGNI magazine, an essayist, and a literary critic perhaps best known for his book The Gutenberg Elegies: The Fate of Reading in an Electronic Age (FSG, 2006), about the impact of the internet and “electronic culture” in general. He’s taught at Bennington College, Harvard University, and elsewhere.

What is MFA culture, and how has the rise of writing programs in academia changed the course of literature for better and, at times, perhaps for worst? That’s this episode’s first major topic, with Sven Birkerts offering observations about the rise of braided essays (spurred by Wikipedia perhaps), plus tonal and other stylistic marks that have become common. This episode next features three essays, all with a duality to them. Sarah Khatry’s essay, “Afterlives,” has both an objective element to it (she’s a data scientist working on Covid-19 data) and a subjective component, too, as she navigates her grandmother’s death. Mara Naselli’s essay, “My Misogny,” takes on how Pablo Picasso “manhandled” the women who appeared in his paintings, even as Naselli battles with the lessons she’s gathered from interacting with her parents. Peter Balakian’s essay, “A Poetry Reading in Diyarbakir” is seasoned with lush description of the food to be found in eastern Turkey, juxtaposed with the ethnic hatreds that make life so tough in that region. In every case, Birkerts does an admirable job steering listeners through the material at hand.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. 

Lee Gutkind is the founder of the literary magazine, Creative Nonfiction. He’s edited or authored over 30 books during his time on the faculty of, first, the University of Pittsburgh and, more recently, Arizona State University. His latest book is The Fine Art of Literary Fist-Fighting: How a Bunch of Rabble-Rousers, Outsiders, and Ne’er-do-wells Concocted Creative Nonfiction (Yale UP, 2024).

This episode encapsulates the journey that Lee Gutkind has made, as a self-confessed former hippie motorcyclist who not only “fought” his way into academia but helped revitalize the essay genre along the way. When Gutkind began his Creative Nonfiction magazine in 1994, maybe two dozen creative writing programs existed. Today, there are over 200 such programs around the world, and essays have become well-accepted. As Gutkind recounts, back in the day the non-beige nature of New Journalism was the driving force in style and get-out-into-the-world subject matter. Today, a previous all but all-male preserve is driven more by the talents of female nonfiction writers, often exploring more personal, heartful subject matter. True stories told with narrative drive remain central to Gutkind’s literary passions. Should want an episode about the value of exploring the world, this is your ticket.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site.

Chandrica Barua is the Nonfiction and Online Editor for MQR. A PhD candidate in the Department of English Language and Literature, her dissertation focuses on encounters between imperial objects and colonial bodies in the British Empire, especially in British India. She hails from Assam, India.

What draws an editor to a particular essay? In Chandrica Barua’s case, her criteria definitely include: whether the essay is inventive in form (for instance, by being a hybrid or “braided” essay that brings together different topical strands) and if it surprises the reader by where it goes. Also of note are factors like: does it have a compelling title, a strong start, and a satisfying moment of closure? The first of the essays discussed here comes from a special, forthcoming African literature issue. Does Emelda Nyaradzai Gwitimah’s “My Hairdresser Is Dead” have an intriguing title? Absolutely, along with a sense of humor missing in many memoirs. In turn, another African essay, “Side Pieces” by Chike Frankie Edozien, looks at how gay sexual practices both operate outside of marriage norms and yet, in the end, conform to those norms to a degree. From the 2024 Winter issue, we discussed Julia Kolchinsky Dasbach’s “Zombie Tag,” about a Jewish refugee from the Ukraine and her autistic son obsessed with lizards because their identities change through camouflage. Finally, a visual essay, “Enacting Masculinity” by McCain Thomas, uses redacted legislative proposals from four Southern states to show how oppressive and misguided attempts can be to limit the rights of transgender people.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc.