Baroness Helena Kennedy QC, draws on her experience as a trustee of the Booker Prize and as a judge for many other literary prizes to offer a response to the question, 'What is a Classic?'.

Judith Luna, the Senior Commissioning Editor at Oxford World's Classics, draws on her practical involvement in re-launching the Oxford World's Classics series in 2008 to give a publisher's take on the question, 'What is a Classic?'.

Dr Ankhi Mukherjee, Wadham college, Oxford, speaks to the question 'What is a Classic?' by examining the residual influence of the Eurocentric literary canon in the age of world literature and emergent formations of canons and classics.

Professor Kathyrn Sutherland from the University of Oxford talks around the manuscripts of Jane Austen, what we can learn from them about her family life but also her writing style and techniques.

Professor Kathryn Sutherland from the University of Oxford talks about some of Jane Austen's manuscripts from the novel "The Watsons" and what we can learn about her from these.

A short introductory video to the "Great Writers Inspire project.

In this panel discussion from the Great Writers Inspire Engage Event workshop, Dr Seamus Perry, Dr Margaret Kean, Professor Peter McDonald and Dr Ankhi Mukherjee discuss what we mean when we talk about greatness in writing. Seamus Perry chooses Samuel Taylor Coleridge, inspired as he is by the 'Rime of the Ancient Mariner' and its myriad possible interpretations. Margaret Kean chooses John Milton, who used his Paradise Lost to position himself in the canon of great writers during his lifetime. Peter McDonald talks about who decides who is considered to be a great writer, suggesting literary agents, prize judges, editors, reviewers, critics, librarians, and ordinary readers. Finally, Ankhi Mukherjee discusses the greatness of V S Naipul, who was critical of the existing literary canon and so set out to create his own kind of great literature.

Professor Daniel Wakelin discusses the work of Chaucer and explains how he was one of the first to use everyday spoken English as a literary language in the 14th Century.

Dr Rebecca Beasley explains why we should read Pound, someone she considers as the central figure in early 20th Century poetry movements. In this podcast, Rebecca Beasley talks about a poem that Pound published in Blast, the magazine of the vorticist movement -- which Pound joined in 1914. Vorticism was mainly a visual arts movement, founded by Percy Wyndham Lewis. Blast is available on the Modernist Journals Project website with certain usage restrictions: the poem discussed, Et Faim Sallir le Loup des Boys, is on page 22 of Blast, volume 2 (War Number). Looking up the poem's title in a search engine should bring it up easily. Because we don't want to infringe copyright, the poem is not quoted, so you might want to read it before listening.

Dr Jennifer Batt talks about Mary Leapor, an 18th Century kitchen maid who wrote accomplished verses and won accolades from literary society.