A showcase of key objects from National Theatre productions featuring the boobam, one of the musical instruments used in the 1981 production of Aeschylus' The Oresteia, directed by Peter Hall with music composed by Harrison Birtwistle and masks designed by Jocelyn Herbert for the same production, alongside the set model designed by Paul Brown for the 2008 production of Sophocles' Oedipus, directed by Jonathan Kent.

Professor Edith Hall talks about Paul Brown's set design for the 2008 production of Sophocles' Oedipus, directed by Jonathan Kent.

Professor Oliver Taplin discusses the staging of the 1981 production of Aeschylus' The Oresteia, directed by Peter Hall and performed in both the Olivier Theatre in London and at Epidaurus in Greece.

Professor Oliver Taplin explores the use of masks in the choruses of Peter Hall's 1981 production of Aeschylus' The Oresteia. The masks used in the production were designed by Jocelyn Herbert

This is a short film about Greek Comedy and Satyr Drama, discussing the festival of Dionysus, the original performance conditions and how these types of performances differ from Greek Tragedy.

Featured in this video: Professor Edith Hall, Dr Sean McEvoy, Professor Alan Sommerstein, Dr Laura Swift

Ancient plays are often problematic because of their use of language, director Polly Findlay talks about she approached this in the 2012 production of Antigone.

Haemon is the last of Creon's three sons. In this video Christopher Eccleston discusses how the loss of his two sons affected his relationship with Haemon.

This video offers a brief introduction to Aristotle's theory of tragedy before focusing on the 2012 production of Antigone, directed by Polly Findlay from Don Taylor's translation.

This film offers a brief introduction to the Ancient Greek Chorus, and the contemporary interpretation of the Chorus in Polly Findlay's 2012 production from Don Taylor's translation.

This video looks at the central relationship in the play between Creon and Antigone. Christopher Eccleston and Jodie Whittaker offer their opinions on the characters they portrayed in the 2012 production.