Mark Smith talks to Esther Richardson, Bryony Lavery and Hannah Peel in a busy York Theatre Royal café about Pilot Theatre's new adaptation of Brighton Rock. They discuss the appeal of Brighton Rock's morally complex underworld, getting younger people into regional theatres, creating a musical and choreographic world for the play, and how the company set out to look at Graham Greene's classic story through a lens which is both contemporary and of the time. Director Esther Richardson has been the Artistic Director of Pilot since February 2016. Her previous theatre work has included productions at theatres throughout the UK, including Soho Theatre, Cast in Doncaster, Tamasha Theatre, Royal and Derngate, Nottingham Playhouse, Bolton Octagon, and many more. Adapter Bryony Lavery is a renowned playwright whose work is regularly performed internationally. She is a prolific writer and adapter, whose plays include Stockholm, Beautiful Burnout and The Believers for Frantic Assembly, Queen Coal for Sheffield Crucible and Treasure Island at the National Theatre. She has also written numerous adaptations which have premièred at York Theatre Royal, including most recently the adaptation of Brideshead Revisited for the York Theatre Royal and English Touring Theatre's 2016 production. Hannah Peel is a multi-instrumentalist singer-songwriter, composer and arranger, who has recorded as a solo artist as well as with band The Magnetic North and various other high-profile collaborators. She has created scores and co-composed for dance theatre performances at Sadler's Wells and for television.

Brighton Rock runs at York Theatre Royal until 3 March 2018 and then tours to Brighton, Colchester, Hull, Cheltenham, Winchester, Watford, Birmingham, Newcastle, Mold, Derby and finally The Lowry Salford Quays.

(Photo of Esther Richardson, Bryony Lavery and Hannah Peel by John Saunders.)