The year of the London Olympics and its successor sees theatre at a red hot peak. Sarah and Alex discuss plays from James Graham’s breakthrough to Lucy Prebble’s The Effect and Lucy Kirkwood’s era defining Chimerica. Plus The Audience with Helen Mirren and the groundbreaking The Curious Incident of the Dog in the Night-Time

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Welcome to this midweek bonus episode of the WhatsOnStage Podcast! Today, the Donmar Warehouse's artistic director Tim Sheader (fresh from directing Jesus Christ Superstar at The London Palladium) reveals two brand new shows in his 2026 season – a new comedy involving Elvis' dead body, and a revival of Harold Pinter's No Man's Land. He also calls on more new comedies in UK theatre. After that, we head over to America where the stars of Hadestown discuss taking the award-winning musical to the big screen.

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Sarah and Alex discuss Simon Stone’s new adaptation of The Orestia, out in the same week as Christopher Nolan’s blockbuster, and another example of the huge appeal of the Greeks. They talk about the cult surrounding Jonathan Larson, the composer of Rent, and ask whether Andrew Lloyd Webber is right when he puts the early closure of Cats:The Jellicle Ball down to the impossibility of producing theatre in New York’s famous heartland.

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Producer Francesca Moody has brought some iconic shows to the stage: Fleabag, Baby Reindeer and Weather Girl amongst their number. This year, she's taking three new productions to the Edinburgh Fringe, even working with partners like Global Creatures, the minds behind the Moulin Rouge! and Muriel's Wedding musicals. Shedinburgh will also be shooting down south to the Young Vic for a London spell, in a big step forwards for the artist-led project. Moody also reflects on her programming strategy and always developing work with a long life in mind.

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An interview double bill to end the week! Our main episode ran early to coincide with the barnstorming Palladium production of Jesus Christ Superstar at The London Palladium, but we had to wrap up the week with something special. Firstly, you can hear award-winning director Thomas Kail discuss his work on the live-action version of Moana, now sailing into cinemas across the world. We also ask Kail if he'd ever give Hamilton the same treatment... secondly, we head to Pitlochry Festival Theatre where stage legend Frances Ruffelle is premiering I Can Die Too, a brand new play with music co-created with Alan Cumming and Sally George. Ruffelle unpacks the fascinating, metatheatrical new work.

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What's the buzz? Our main episode has landed a few days early to coincide with the opening night of Jesus Christ Superstar at The London Palladium! Sarah and Alex discuss Sam Ryder's performance and the show's ability to awe on the largest stages. Elsewhere, it was a big, bold, exciting opening for Pride at the National Theatre, while Sarah and Alex mull over big news stories from the NT, RSC and Bridge.

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Actress Nancy Carroll returns to the podcast while Alex Wood takes a break. She and Sarah talk about their theatre outings to The Guilty at the Donmar Warehouse and Springwood with Robert Lindsay at Hampstead and the MAMA (Many Actors Make Art) exhibition Nancy is organising. Plus as a theatre is named the Stoppard, Nancy reveals his favourite thing in rehearsals - and why Arcadia is a perfect play.

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Welcome to this bonus episode of the WhatsOnStage Podcast! In a double bill, we head first to Regent's Park Open Air Theatre to hear from three of the cast members of A Midsummer Night's Dream – Jenny Rainsford, Terique Jarrett and Mary Malone. The trio explain why Shakespeare's comedy is such a tried-and-tested hit at the beautiful outdoor venue.  Secondly, we hop to The Other Palace for the return of hit musical Hot Mess, which is currently celebrating a well-received second and expanded run at the central London venue. 

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We've hit the 2010s! Sarah and Alex continue their odyssey through the top plays of the century, which in this episode has two central themes: plays about climate catastrophe and the gargantuan success of the Royal Court under Dominic Cooke. At the same time, playwrights like Branden Jacobs-Jenkins and Alice Birch are entering the mix... while Laura Wade correctly predicts Partygate a decade early. And James Corden brings some cheer with One Man, Two Guvnors.

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Gregory Doran stops by on this bonus episode to discuss his production of Shakespeare's Venus and Adonis, performed by puppetry and narrated by Simon Russell Beale. As part of the chat, Doran also dives into the prompts behind his new book Walking Shadow, based on diary entries and experiences following the death of his husband, the legendary actor Antony Sher.

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