As the new year arrives, Alex and Sarah look forward to some of the exhilarating theatrical treats in store which range from Aidan Turner’s return to the stage opposite Lesley Manvill in Les Liaisons Dangereuses at the National Theatre to Mischief Theatre’s first musical Thespians and the Royal Court’s 70th anniversary season.

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Jack Holden had a runaway hit with Cruise back in 2021, one of the first new shows to rock the West End after the final lockdown. He's been pretty much non-stop since then – with new five-star show Kenrex opening to dazzling notices and audience acclaim in Sheffield. That show now begins a second London season, this time at The Other Palace in central London. It comes off the back of an assured stage version of The Line of Beauty, based on Alan Hollinghurst

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With 2026 fast approaching, Sarah and Alex thought they’d run through some of the names expected to make a splash over the coming 12 months – from directors, to writers, to stage stars – there are some very exciting people making very exciting theatre across the country. We touch on a trendy new production of a David Hare classic, the return of the fist-pumping musical Sylvia and the indomitable rise of playwright Ava Pickett.

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If you haven't heard of Kenny Wax, we are fairly certain you know some of his shows – a mastermind behind building brands from the ground up, he has steered productions like The Play That Goes Wrong and SIX to international acclaim. This Christmas, he has five shows running concurrently in the heart of the capital – on top of the previous two, Top Hat is dazzling at the Southbank Centre, Christmas Carol Goes Wrong is a sell-out seasonal sensation and Just For One Day is rockin' all over Shaftesbury Avenue. But what is the secret to his success? The man touches on a multitude of topics in a wide-ranging interview.

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In our final main episode before Christmas, Alex and Sarah discuss their favourite shows of 2025, from Golden Globe winners on Palladium balconies to animatronic bears reducing thousands of punters to tears. With names like Bryan Cranston, Cate Blanchett, Brendan Gleeson, Rosamund Pike and Samira Wiley leading top-tier productions, there's a whole lot to chew on. The pair also pick out their favourite new plays, revivals and names that really made a splash in 2025 – and what it might all mean for the future of theatre.

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Few producers are as intrepid as Michael Harrison – steering hits like Evita, Hello, Dolly!, Starlight Express, Gypsy, Titanique and The Bodyguard. But one centrepiece of his producing portfolio is the Palladium pantomime – the crown jewel of the London panto season and renowned for its big sets, big laughs and big innuendo count (courtesy of one Julian Clary). Alex Wood heads to MHE towers to discuss ten years of panto back at the Palladium – and why Michael considers himself the worst usher to have ever worked at Edinburgh Playhouse

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Sarah has ventured into Giant Country (otherwise known as Stratford-upon-Avon) for the opening night of the RSC's stage version of The BFG, sparking a series of thoughts about why puppets have such a profound effect on audiences. This comes mere weeks after the critics raved about the stage production of Paddington. Speaking of the much-loved Bear, the Paddington musical was the runaway smash for the audience-driven WhatsOnStage Awards shortlist – which saw theatregoers across the nation pick their favourite shows and performers. Sarah and Alex comb through the nominated shows to see what it says about the state of UK theatre in 2025.

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In a little casting exclusive, Alex Wood reveals two of the agents tackling the multi-award-winning musical Operation Mincemeat, which kicks off its first ever tour in February 2026. Based on the true story of a plot to con the Nazis during World War Two, it also continues its run in the West End at the Fortune Theatre. So sit back, pour a glass of sangria and see who’s born to lead!

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Merrily We Roll Along has landed in cinemas worldwide, providing a unique take on the multi-award-winning Broadway production, first seen in London, with Jonathan Groff, Daniel Radcliffe and Lindsay Mendez. Friedman maps out her incredible journey with the material and how she transformed the stage show for the big screen. Plus, she explains why changing keys to suit performers should never be discouraged and why you should avoid showing feet when filming on stage!

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Hopping onto a remote recording at the earliest opportunity, Sarah and Alex discuss the legacy of the late, great Tom Stoppard – following the news of his passing on Saturday night. In an episode of two halves, this is accompanied by a reflection on the glorious response to Paddington The Musical, which received a deluge of glowing reviews following its Sunday night world premiere.

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