Greenhouse Environmental Humanities Book Talks

Lisa Bloom, Scholar-in-Residence at the Beatrice Bain Research Group in the Department of Gender and Women’s studies, University of California, Berkeley (USA), discussed her book Climate Change and the New Polar Aesthetics: Artists Reimagine the Arctic and Antarctic (Duke University Press, 2022) in the Greenhouse environmental humanities book talk series on Monday, 12 December 2022.

In Climate Change and the New Polar Aesthetics, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climate-led migrations. As opposed to mainstream media depictions of climate change that feature apocalyptic spectacles of distant melting ice and desperate polar bears, artists such as Katja Aglert, Subhankar Banerjee, Joyce Campbell, Judit Hersko, Roni Horn, Isaac Julien, Zacharias Kunuk, Connie Samaras, and activist art collectives take a more complex poetic and political approach. In their films and visual and conceptual art, these artists link climate change to its social roots in colonialism and capitalism while challenging the suppression of information about environmental destruction and critiquing Western art institutions for their complicity. Bloom’s examination and contextualization of new polar aesthetics makes environmental degradation more legible while demonstrating that our own political agency is central to imagining and constructing a better world.

Charne Lavery, Lecturer in the Department of English at the University of Pretoria (South Africa), presented her book Writing Ocean Worlds: Indian Ocean Fiction in English (Palgrave Macmillan, 2021) in our Greenhouse environmental humanities book talk series on Monday, 5 December 2022.

This book explores the Indian Ocean world as it is produced by colonial and postcolonial fiction in English. It analyses the work of three contemporary authors who write the Indian Ocean as a region and world—Amitav Ghosh, Abdulrazak Gurnah, and Lindsey Collen—alongside maritime-imperial precursor Joseph Conrad.  If postcolonial literatures are sometimes read as national allegories, this book presents an account of a different and significant strand of postcolonial fiction whose geography, in contrast, is coastal and transoceanic. This work imaginatively links east Africa, south Asia and the Arab world via a network of south-south connections that precedes and survives European imperialism. The novels and stories provide a vivid, storied sense of place on both a local and an oceanic scale, and in so doing remap the world as having its centre in the ocean and the south.

Min Hyoung Song, Professor of English at Boston College (USA), discussed his book Climate Lyricism (Duke University Press, 2022) in the Greenhouse environmental humanities book talk series on Monday, 28 November 2022.

In Climate Lyricism Min Hyoung Song articulates a climate change-centered reading practice that foregrounds how climate is present in most literature. Song shows how literature, poetry, and essays by Tommy Pico, Solmaz Sharif, Frank O’Hara, Ilya Kaminsky, Claudia Rankine, Kazuo Ishiguro, Teju Cole, Richard Powers, and others help us to better grapple with our everyday encounters with climate change and its disastrous effects, which are inextricably linked to the legacies of racism, colonialism, and extraction. These works employ what Song calls climate lyricism—a mode of address in which a first-person “I” speaks to a “you” about how climate change thoroughly shapes daily life. The relationship between “I” and “you” in this lyricism, Song contends, affects the ways readers comprehend the world, fostering a model of shared agency from which it can become possible to collectively and urgently respond to the catastrophe of our rapidly changing climate. In this way, climate lyricism helps to ameliorate the sense of being overwhelmed and feeling unable to do anything to combat climate change.

For our 100th Greenhouse environmental humanities book talk, writer Lydia Pyne discussed her book Endlings: Fables for the Anthropocene (University of Minnesota Press, 2022) with us on Monday, 21 November 2022.

An endling is the last known individual of a species; when that individual dies, the species becomes extinct. These “last individuals” are poignant characters in the stories that humans tell themselves about today’s Anthropocene. In this evocative work, Lydia Pyne explores how discussion about endlings—how we tell their histories—draws on deep traditions of storytelling across a variety of narrative types that go well beyond the science of these species’ biology or their evolutionary history.Endlings provides a useful and thoughtful discussion of species concepts: how species start and how (and why) they end, what it means to be a “charismatic” species, the effects of rewilding, and what makes species extinction different in this era. From Benjamin the thylacine to Celia the ibex to Lonesome George the Galápagos tortoise, endlings, Pyne shows, have the power to shape how we think about grief, mourning, and loss amid the world’s sixth mass extinction.

Eric Hirsch, Assistant Professor of Environmental Studies at Franklin & Marshall College (USA) discussed his book Acts of Growth: Development and the Politics of Abundance in Peru (Stanford University Press, 2022) in the Greenhouse environmental humanities book talk series on Monday, 14 November 2022.

Over the last decade, Peru has experienced a spectacular mining boom and astronomical economic growth. Yet, for villagers in Peru’s southern Andes, few have felt the material benefits. With this book, Eric Hirsch considers what growth means—and importantly how it feels. Hirsch proposes an analysis of boom-time capitalism that starts not from considerations of poverty, but from the premise that Peru is wealthy. He situates his work in a network of villages near new mining sites, agricultural export markets, and tourist attractions, where Peruvian prosperity appears tantalizingly close, yet just out of reach.

This book centers on small-scale development investments working to transform villagers into Indigenous entrepreneurs ready to capitalize on Peru’s new national brand and access the constantly deferred promise of national growth. That meant identifying as Indigenous, where few actively did so; identifying as an entrepreneur, in a place where single-minded devotion to a business went against the tendency to diversify income sources; and identifying every dimension of one’s daily life as a resource, despite the unwelcome intimacy this required. Theorizing growth as an affective project that requires constant physical and emotional labor, Acts of Growth follows a diverse group of Andean residents through the exhausting work of making an economy grow.

Kjetil Fallan, Professor of Design History at University of Oslo (Norway), discussed his book Ecological by Design: A History from Scandinavia (The MIT Press, 2022) in the Greenhouse environmental humanities book talk series on Monday, 7 November 2022.

Scandinavia is famous for its design culture, and for its pioneering efforts toward a sustainable future. In Ecological by Design, Kjetil Fallan shows how these two forces came together in the late 1960s and early 1970s, when Scandinavian designers began to question the endless cycle in which designed objects are produced, consumed, discarded, and replaced in quick succession. The emergence of ecological design in Scandinavia at the height of the popular environmental movement, Fallan suggests, illuminates a little-known reciprocity between environmentalism and design: not only did design play a role in the rise of modern environmentalism, but ecological thinking influenced the transformation in design culture in Scandinavia and beyond that began as the modernist faith in progress and prosperity waned.

Fallan describes the efforts of Scandinavian designers to forge an environmental ethics in a commercial design culture sustained by consumption; shows, by recounting a quest for sustainability through Norwegian wood(s), that one of the main characteristics of ecological design is attention to both the local and the global; and explores the emergence of a respectful and sustainable paradigm for international development. Case studies trace key connections to continental Europe, Britain, the US, Central America, and East Africa.

Today, ideas of sustainability permeate design discourse, but the historical emergence of ecological design remains largely undiscussed. With this trailblazing book, Fallan fills that gap.

Joshua Trey Barnett, Assistant Professor in Communication Arts & Sciences at Penn State (USA), discussed his book Mourning in the Anthropocene: Ecological Grief and Earthly Coexistence (Michigan State University Press, 2022) in the Greenhouse environmental humanities book talk series on Monday, 31 October 2022.

Enormous ecological losses and profound planetary transformations mean that ours is a time to grieve beyond the human. Yet, Joshua Trey Barnett argues in this eloquent and urgent book, our capacity to grieve for more-than-human others is neither natural nor inevitable. Weaving together personal narratives, theoretical meditations, and insightful readings of cultural artifacts, he suggests that ecological grief is best understood as a rhetorical achievement. As a collection of worldmaking practices, rhetoric makes things matter, bestows value, directs attention, generates knowledge, and foments feelings. By dwelling on three rhetorical practices—naming, archiving, and making visible—Barnett shows how they prepare us to grieve past, present, and future ecological losses. Simultaneously diagnostic and prescriptive, this book reveals rhetorical practices that set our ecological grief into motion and illuminates pathways to more connected, caring earthly coexistence.

Thomas Zeller, Associate professor of History at the University of Maryland, College Park (USA) discussed his book Consuming Landscapes: What We See When We Drive and Why It Matters (Johns Hopkins University Press, 2022) on the Greenhouse environmental humanities book talk series on Monday, 24 October 2022.

What we see through our windshields reflects ideas about our national identity, consumerism, and infrastructure. For better or worse, windshields have become a major frame for viewing the nonhuman world. The view from the road is one of the main ways in which we experience our environments. These vistas are the result of deliberate historical forces, and humans have shaped them as they simultaneously sought to be transformed by them. In Consuming Landscapes, Thomas Zeller explores how what we see while driving reflects how we view our societies and ourselves, the role that consumerism plays in our infrastructure, and ideas about reshaping the environment in the twentieth century.

Zeller breaks new ground by comparing the driving experience and the history of landscaped roads in the United States and Germany, two major automotive countries. He focuses specifically on the Blue Ridge Parkway in the United States and the German Alpine Road as case studies. When the automobile was still young, an early twentieth-century group of designers—landscape architects, civil engineers, and planners—sought to build scenic infrastructures, or roads that would immerse drivers in the landscapes that they were traversing. As more Americans and Europeans owned cars and drove them, however, they became less interested in enchanted views; safety became more important than beauty.

Clashes between designers and drivers resulted in different visions of landscapes made for automobiles. As strange as it may seem to twenty-first-century readers, many professionals in the early twentieth century envisioned cars and roads, if properly managed, as saviors of the environment. Consuming Landscapes illustrates how the meaning of infrastructures changed as a result of use and consumption. Such changes indicate a deep ambivalence toward the automobile and roads, prompting the question: can cars and roads bring us closer to nature while deeply altering it at the same time?

Historian Rohan Lloyd discussed his book Saving the Reef: The Human Story Behind One of Australia’s Greatest Environmental Treasures (University of Queensland Press, 2022) in the Greenhouse environmental humanities book series on Monday, 17 October 2022.

While in the past Australians wrestled with what the Reef is, today they are struggling to reconcile what it will be. To do this, we need to understand the Reef’s intertwining human story. The Great Barrier Reef has come to dominate Australian imaginations and global environmental politics. Saving the Reef charts the social history of Australia’s most prized yet vulnerable environment, from the relationship between First Nations peoples and colonial settlers, to the Reef’s most portentous moment – the Save the Reef campaign launched in the 1960s. Through this gripping narrative and interwoven contemporary essays, historian Rohan Lloyd reveals how the Reef’s continued decline is forcing us to reconsider what ‘saving’ the Reef really means.

Sophie Chao, Discovery Early Career Researcher Award (DECRA) Fellow and Lecturer at the Department of Anthropology, University of Sydney (Australia), discussed her book In the Shadow of the Palms: More-Than-Human Becomings in West Papua (Duke University Press, 2022) in the Greenhouse environmental humanities book talk series on Monday, 26 September 2022.

With In the Shadow of the Palms, Sophie Chao examines the multispecies entanglements of oil palm plantations in West Papua, Indonesia, showing how Indigenous Marind communities understand and navigate the social, political, and environmental demands of the oil palm plant. As Chao notes, it is no secret that the palm oil sector has destructive environmental impacts: it greatly contributes to tropical deforestation and is a major driver of global warming. Situating the plant and the transformations it has brought within the context of West Papua’s volatile history of colonization, ethnic domination, and capitalist incursion, Chao traces how Marind attribute environmental destruction not just to humans, technologies, and capitalism but also to the volition and actions of the oil palm plant itself. By approaching cash crops as both drivers of destruction and subjects of human exploitation, Chao rethinks capitalist violence as a multispecies act. In the process, Chao centers how Marind fashion their own changing worlds and foreground Indigenous creativity and decolonial approaches to anthropology.