Recently, the UK has got into a muddle over how to approach Scottish independence and Brexit. What can we learn from the U.S. which took much of its system from the theory behind the U.K. structure: the King as the Executive; a Legislature made up of the House of Commons balanced by the House of Lords; and the judiciary? And what role should the judiciary play? Have the British got confused about the notion of ‘Parliamentary Supremacy’, deciding that this meant that Parliament was supreme not just to the King, but to the judiciary too?

This lecture was recorded by Clive Stafford Smith on 1st January 2025 at Barnard's Inn Hall, London.

Clive is the Gresham Professor of Law

He is the founder and director of  the Justice League a non-profit human rights training centre focused on fostering the next generation of advocates.  He also teaches part time at Bristol Law School and Goldsmiths as well as running a summer programme for 35 students in Dorset, his home. He has received all kinds of awards in recognition of his work, including an OBE by Queen Elizabeth II for “services to humanity” in 2000. He has been a member of the Louisiana State Bar since 1984.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/british-constitution

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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Watch the Q&A session here: https://youtu.be/0ZK1Y1QnFDg

This looks at how and why a particular form of the non-Christian divine feminine came to take over the Western European imagination from the beginning of the nineteenth century. This was a great goddess representing the natural world, or the moon and stars, or both. It traces the development of belief in the importance of this being, and her impact not only on creative literature but upon the developing disciplines of ancient history and archaeology. It also confronts the problem of the different kinds of politics represented by this figure.

This lecture was recorded by Ronald Hutton on 8th January 2025 at Barnard's Inn Hall, London.

Ronald is the Gresham Professor of Divinity.

He is also Professor of History at the University of Bristol and a Fellow of the British Academy, the Royal Historical Society, the Society of Antiquaries and the Learned Society of Wales.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/modern-goddess

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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Watch the Q&A session here: https://youtu.be/d6Ao4KmGXBc

Artificial Intelligence is a very recent invention…or is it? Humans have been fascinated by intelligent machines for thousands of years. Some exist only in our collective imagination, in art and literature. Others have seen the light of day as mechanical marvels, although a few were later exposed as elaborate frauds. The robots of today might not be what our ancestors imagined. This lecture argues that the relationship between humans and machines has always been complex, and that we still can’t decide whether we really want them to be like us.

This lecture was recorded by Victoria Baines on 7th January 2025 at Barnard's Inn Hall, London.

Victoria is IT Livery Company Professor of Information Technology.

Victoria is a Senior Research Associate of the Intellectual Forum at Jesus College, Cambridge, a Senior Research Fellow of the British Foreign Policy Group, and a Fellow of the British Computer Society. She is also Visiting Fellow at Bournemouth University’s School of Computing, a former Visiting Research Fellow at Oxford University, and was a guest lecturer at Stanford University in 2019 and 2020. She is a graduate of Trinity College, Oxford and holds a doctorate from the University of Nottingham. She serves on the Safety Advisory Board of Snapchat, the Advisory Board of cybersecurity provider Reliance Cyber, and is a trustee of the Lucy Faithfull Foundation.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/afraid-robots

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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Watch the Q&A session here:  https://youtu.be/f6Z9L2dnxSA

This lecture explores the emergence of the "femme au piano" genre in 19th-century French painting, depicted by artists like Renoir, Van Gogh, and Matisse. What suddenly made this topic so popular, and what does it tell us about the role of women in music-making at the time? Tracing the genre's roots from the Italian Renaissance clavichord depictions to Vermeer’s Dutch domestic scenes, and 18th-century harpsichord portraits. Discover how the piano became a middle-class status symbol and how modernists of the 1910s-20s reinterpreted it. Presented from the perspective of a music historian, this lecture will delve into the roots of the “Women at the Piano” genre and reveal how these paintings offer a window onto women’s music-making.

This lecture was recorded by Marina Frolova-Walker  on 10th December 2024 at Barnard's Inn Hall, London.

Marina is Gresham Emerita Professor of Music.

Marina Frolova-Walker, a Russian-born British musicologist and music historian, was Visiting Gresham Professor of Russian Music in 2018-19 and Gresham Professor of Music 2019-23. She is Professor of Music History and Director of Studies in Music at Clare College, Cambridge.

She is a specialist in the Russian music of the 19th and 20th centuries. She has published extensively on Russian music and is a well-known lecturer and broadcaster for BBC Radio 3. Among her many awards and appointments, she is a Fellow of the British Academy and was awarded the Edward Dent Medal in 2015 by the Royal Musical Association for her achievements in musicology.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/women-piano

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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Watch the Q&A session here: https://youtu.be/wpF0oB9Mz-0

The US Constitution, both in its structural element and the Bill of Rights, reflect a catalogue of colonial complaints about the British system as well as centuries of evolution in the law. In general terms, contrary to the slightly complacent attitude of the British legal authorities. This lecture will demonstrate, most of the original complaints still hold true.

This lecture was recorded by Clive Stafford Smith on 7th November 2024 at Barnard's Inn Hall, London.

Clive is the Gresham Professor of Law

He is the founder and director of  the Justice League a non-profit human rights training centre focused on fostering the next generation of advocates.  He also teaches part time at Bristol Law School and Goldsmiths as well as running a summer programme for 35 students in Dorset, his home. He has received all kinds of awards in recognition of his work, including an OBE by Queen Elizabeth II for “services to humanity” in 2000. He has been a member of the Louisiana State Bar since 1984.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/us-constitution

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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Support Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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Watch the Q&A session here: https://youtu.be/JCTgxcPu78I

The human immune system rivals the brain in its complexity. Billions of cells coordinate their activity with amazing precision to protect us from infection. Immune cells can respond to millions of different pathogens within seconds and yet rarely respond to a false alarm. This lecture explores how cells achieve this, what happens when they go wrong and how you can keep your own immune system in top condition.

This lecture was recorded by Robin May on 27th November 2024 at Barnard's Inn Hall, London.

Robin is Gresham Professor of Physic.

He is also Chief Scientific Adviser at the Food Standards Agency (FSA) and Professor of Infectious Disease at the University of Birmingham.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/immune-protection

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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This lecture will explore corporate governance mechanisms designed to address agency problems, including executive compensation, boards of directors, and shareholder activism. Additionally, it will examine how solutions addressing one agency problem might create another.

This lecture was recorded by Raghavendra Rau on 5th November 2024 at Barnard's Inn Hall, London

Raghu is the Mercers School Memorial Professor of Business

He is also the Sir Evelyn de Rothschild Professor of Finance at Cambridge Judge Business School.

The transcript of the lecture is available from the Gresham College website:
https://www.gresham.ac.uk/watch-now/corporate-rules

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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Watch the Q&A session here: https://youtu.be/LW0DLhTxfCE

This festive lecture explores the unusual roots of the song ‘White Christmas’ and its role in establishing the concept of the commercial Christmas song. It will explain how the song’s release during the summer months hints at how its potential as an enduring seasonal classic was not anticipated, and then examine how the music and lyrics helped it to resonate in a time of war. The lecture will also consider Berlin’s patriotism and his active role in the Second World War.

This lecture was recorded by Dominic Broomfield-McHugh on 12th December 2024 at Conway Hall, London.

Dominic is Gresham Visiting Professor of Film and Theatre Music.

Dominic is also Professor of Music at the University of Sheffield and is Associate Producer of the PBS documentary Meredith Willson: America's Music Man and has appeared on all the main BBC television and radio stations as well as NPR in America. He has given talks and lectures at the Sydney Opera House, New York City Center, the Library of Congress, New York Public Library, Sadler's Wells, and Lincoln Center, among many others

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/unwrapping-irving-berlins-white-christmas

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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Watch the Q&A session here: https://youtu.be/VeJxEXZfT2Y

This lecture analyses the ‘psychedelic era’ of the Beatles, from Sgt. Peppers Lonely Hearts Club Band to Let it Be, a period of staggering musical invention and experimentalism. We explore the mechanics behind the magic, untangling the layers of harmony, melody, lyrics, structure and technology, and how these all combine in ways both accessible and ground-breaking. This ‘Magical Mystery Tour’ pulls back the curtain on these timeless tracks, illuminating the craft of their transporting effects.

This lecture was recorded by Milton Mermikides on 12th September 2024 at LSO St Luke's, London.

Milton Mermikides  is Gresham Professor of Music.

He is Associate Professor in Music at the University of Surrey, Professor of Guitar at the Royal College of Music and Deputy Director of the International Guitar Research Centre.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/magical-mystery-tour

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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Shakespeare lived in a period of exciting mathematical innovations, from arithmetic to astronomy, and from probability to music. Remarkably, many of those innovations are mentioned, or at least hinted at, in his plays. Rob Eastaway will explore the surprising ways in which mathematical ideas connect with Shakespeare and reveals that the playwright could be as creative with numbers as he was with words. Along the way you will discover surprising new mathematical insights on the Elizabethan world.

This lecture was recorded by Rob Eastaway on 9th October 2024 at Barnard's Inn Hall, London.

Rob Eastaway is best known as the author of several bestselling popular maths books, including Why Do Buses Come in Threes? and Maths On the Back of an Envelope. With Mike Askew, he wrote Maths for Mums & Dads, a book that helps parents to understand the new methods being used to teach maths. The American edition was published in 2010 entitled Old Dogs, New Math.

Rob has given hundreds of maths talks across the world to audiences of all ages, including several family lectures at the Royal Institution, and he is Director of Maths Inspiration, a programme of interactive lecture shows for teenagers, held in theatres across the UK. From 2019 to 2023 he was the puzzle adviser for New Scientist magazine.

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/bshm-25

Gresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today

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