halffloor

kamrater _ Lisa Ullén by halffloor

Non-Identical Drift _ Seroconversion by halffloor

HalffloorQuestion _ Sabine Vogel by halffloor

Zvug XI _ Dror Feiler by halffloor

March 21 2020 Southern Spain

We unfolded a huge Neo baroque house facade in a roundabout.

Guardia civil passed by, impatient about our lack of Spanish language

- a casa! A casa!

How to understand?

There was a beautiful house lying on the floor between them and us

In search for a place to stay over night, we drove down into a dried up river

At night, in the dark, the coyotes were howling

by climbing and hunting they caused stone avalanches right in front of us,

At 9 pm, we heard people clap their their hands, and drum kitchen pots in the nearby village

Demanding to shift the royal Saudi Arabian bribe money, to Spanish public health care

we woke up to the scent of thyme and rosemary bushes

We drove some kilometres in the river bed pulling an 80 m2 advertisement poster

of a yelling woman, behind our car

Let’s call it: calypso - banana - hallelujah - online -shopping

h a l f f l o o r p a l o o z a ! All pods from year One in one minute, by

Vinyl Terror & Horror, Midori Mitamura, Marja-leena Sillanpää, Ida Lundén, Fredrik Olofsson, Mattias Petersson, Lisa Domin, Qarin Wikström, Magnus Bunnskog, Dave Procter, Jesper Norda, Åsa Stjerna, Achim Zepezauer, Lise-Lotte Norelius, Frauke Berg, Michel Korn, Rees Archibald, Alexandra Nilsson & Halffloor Crew: George Kentros, Marie Gavois and Susanne Skog

Ramsnäs _ Alexandra Nilsson by halffloor

one minute and goldilocks. 

it can’t be too hot or too cold. 

it must not be brewed too strong or too weak. 

it can’t be too spicy or too sour.

 

it can’t be venus or mars.

it must be like the earth. but not the really cold parts or the hot parts.

it must be just right.

it should be a bit unstable but balanced just right.

pina coladas at the beach.

A mechanical assist high density storage system is controlled by the operator rotating a spoke-like handle.

Mobile Shelving gets rid of stationary aisles between shelves by condensing the shelves together and creating a movable access aisle.

Michel was recording 10 rows of empty Mobile Shelving In the basement of the abandoned Frankfurt Stock Exchange.

Sounds from a construction site recorded on the Gowanus Canal in New York City 
and interweave into a short swelling stream, blended with human noise.