In 1996, the American composer John Harbison received an unusual commission—a ballet for dancers and symphonic winds. The commission came from a consortium of 14 wind ensembles, all members of the College Band Directors National Association.

Maybe the 1996 summer Olympics in Atlanta had something to do with it, but Harbison's imagination turned in that direction: he titled the resulting work "Olympic Dances," and Atlanta also happened to be the venue for the work's premiere performance on today's date in 1997, with the Pilobus Dance Theatre and the University of North Texas Wind Symphony performing.

"When asked to do a piece for dancers and winds," said Harbsion, "it immediately suggested something 'classical,' not our musical 18th century, but an imaginative vision of ancient worlds… I thought of an imagined harmony between dance, sport and sound that we can imagine from serene oranges and blacks on Greek vases, the celebration of bodies in motion that we see in the matchless sculpture of ancient times, and perhaps most important to this piece, the celebration of the ideal tableau, the moment frozen in time, that is present still in the friezes that adorn the temples and in the architecture of the temples themselves."

Harbison's ballet is an austere, rather than flashy score, reminiscent of Stravinsky's austere, neo-classical scores like "Agon" and "Apollo," which—like our modern Olympics—were also inspired by ancient Greek ideals.