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Part 3 of 3: The final installment, A New Canon, places the work of color theorists, Mary Gartside and Emily Noyes Vanderpoel in historical context so as to examine how their inclusion (and by extension, additional underrepresented color theorists and practitioners) may help us to understand how we may expand our contemporary approaches to color usage in all creative visual fields.
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 By Ed Charbonneau
By Ed Charbonneau5
2828 ratings
Part 3 of 3: The final installment, A New Canon, places the work of color theorists, Mary Gartside and Emily Noyes Vanderpoel in historical context so as to examine how their inclusion (and by extension, additional underrepresented color theorists and practitioners) may help us to understand how we may expand our contemporary approaches to color usage in all creative visual fields.
Send us a text

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