In this episode of Horror Joy, Brian and Jeff examine Zach Cregger’s 2022 film Barbarian as a haunted house story without the supernatural, arguing the “haunting” comes from misogyny, capitalism, and systemic failure embedded in an Airbnb in decayed Detroit.

They outline the film’s triptych structure—Tess’s uneasy stay with Keith, AJ’s arrival as the absentee landlord facing rape allegations, and an ’80s flashback revealing Frank as the house’s original torturer—framing these men as escalating forms of masculinity.

The discussion connects hidden basement tunnels to epistemic tension and genre concepts like the Terrible Place, monstrous feminine, and Final Girl, noting failures of policing and protection, and interpreting the title Barbarian as critique of domestic invasion and violence.