Haven't Seen It

Is Joker 2 an inside job? Why are studios committing seppuku? Is this a deliberate attempt to destroy the film industry? Why do you think Todd Phillips is attacking the fans of his film, rather than interrogating his own storytelling? Do we really need another anti-film film? Another anti-superhero superhero? Do we need to deconstruct the deconstruction of the deconstruction? Or should we just grow up and make a good movie?

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Is techno-utopianism the answer? Is the auteur self-insert still cool? Is the future of cinema big budget TikToks? Is THIS the legendary director's magnum opus? Or just a big budget fart? Or something in the middle? It seems like Francis Ford Coppola's newest work is polarizing to say the least. Watch the boys struggle to put to words how they feel about the beautiful mess that is Megalopolis.

Are "meta" films cool? Is it subversive and deep when films are aware of themselves as films? Is there a good way and a bad way of exploring self-reflexivity? Is Brian DePalma overrated? Are we all perverts? Why do we keep coming back to Hitchcock? We tackle all this and more.

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What does it mean to be a Philosopher-Filmmaker? What does it mean to make a spiritual film? What's the difference between "faith-based" and "transcendent" cinema, and is Malick doing something different? How many true master artists are alive today? Why is Malick the best filmmaker alive? Where would we be without him?

Is cinema dead? Is the 21st century delivering fewer masterpieces than before? Why does Michael consider this French gangster film to be among the top films of the 21st century? Why are French prisons so weird? What is the deal with a white Frenchman making a film about Arab gangsters? Is it OK to represent Arabs as gangsters, or is that a problematic idea? Is "representation" a dirty word? Do we all have to chill out and love each other more? What do the guards from Oblivion sound like in French?

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YOUTUBE: @HaventSeenItPodcast

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Is the Curse biting social commentary, or is it just some random nonsense? Can politics and art co-exist? Does art have a responsibility to educate? Is Irony still a dead-end? Why is Rush the greatest band ever made? What is the connection between the Sufis and drunk driving? Is Nathan Fielder ok? Josh and Michael delve into all these questions (while ending racism) in this episode.

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Is it cool to be weird? Is being weird inherently subversive? Is being subversive inherently artistic? Or is being 'truthful' and 'sincere' what makes something artistic? Does anyone still care about art, or just the Discourse? Will Yorgos Lanthimos be stopped? Why are Josh's jokes so incredibly bad? None of these questions will be addressed in this discussion of the triptych film Kinds of Kindness. The boys also branch out and talk about MaxXine (again), BlackKklansman, The American Society of Magical Negroes, and so much more.

Do they watch horror films in heaven? Why do so few horror films have any staying power? Is Longlegs the horror film of the year or just another forgettable romp? Why do we like being scared by movies, anyway? What exactly is Nicolas Cage's problem? And who is Josh's real father? These questions and more will be answered.

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Have you ever wondered to yourself:

Does Kim Jong Un enjoy legally blonde?

Would Adolf Hitler have enjoyed Barbie?

What is Donald Trump's favourite film?

Look no further, loyal listener. We have all the answers. Maybe.

Ready to Ti off? Dot your I's and cross your Ti's. Then grab a cup of sweet iced Ti and join us for another adventure of cinema sans structure. In today's ep, we MIGHT answer burning questions like:

Do movies have second acts anymore?

What is the point of slasher films?

How is Ti West really pronounced?

Special guest: Scuzzy Mike.

We're on YOUTUBE!!!!!! GO LOOK!

@HaventSeenItPodcast