Hawaiian Concert Guide

🌺🎙️ HAWAIIAN CONCERT GUIDE — SHOW 710 🎙️🌺 🍌 "HORMONAL BANANAS" 🍌

This week's Hawaiian Concert Guide takes a musical journey through Hawaiʻi as home, memory, place, identity, imagination — and occasionally something wonderfully unexpected.

Show 710 moves from some of today's most compelling Hawaiian recording artists into classic exotica and vintage Hollywood Hawaiʻi, with plenty of musical and cultural connections along the way.

🎶 PLAYLIST

1. Kimié Miner — "Kuʻu Hawaiʻi" — 3:55 Album: Kuʻu Hawaiʻi

We open with Kimié Miner and the title track from her five-song Kuʻu Hawaiʻi EP.

Kimié has built a career that moves naturally between contemporary Hawaiian music, acoustic singer-songwriter material, reggae, island pop and modern production. She is also the founder of Haku Collective and has become an important advocate for Hawaiʻi-based artists and music.

Her earlier work earned major Nā Hōkū Hanohano recognition, including Female Vocalist of the Year and Song of the Year for "Bamboo."

The title Kuʻu Hawaiʻi can be understood as "My Hawaiʻi" or, with the emotional weight carried by kuʻu, something closer to "My beloved Hawaiʻi."

That makes this a particularly appropriate way to open Show 710 because much of tonight's program explores how different musicians experience, remember and interpret Hawaiʻi.

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2. Kimié Miner feat. Kalaʻe — "Sippin' Somethin'" — 3:56 Album: Kuʻu Hawaiʻi

We stay with Kimié's EP but shift into a lighter collaboration featuring Kalaʻe Camarillo.

The track sits comfortably between island music, acoustic pop and country. That country influence is not as unusual in Hawaiian music as someone unfamiliar with the islands might think.

Hawaiʻi has a long musical relationship with American country traditions through paniolo culture, steel guitar, acoustic instrumentation and vocal harmony.

Kalaʻe himself comes from a musical family and is a third-generation music teacher. Earlier in his career, he performed with his brother Kamaka as the Camarillo Brothers before establishing his solo career.

This track also gives us the perfect bridge into more of Kalaʻe's music later in the show.

🌴

3. Baba Tavares — "Keʻei" — 1:40 Album: Hanohano Hōnaunau

Next we travel to Hawaiʻi Island with Baba Tavares.

Baba Tavares is Joshua Tavares, and Hanohano Hōnaunau is an unusually place-centered project.

The songs originated in connection with his play Glitter in the Paʻakai, produced through the Hawaiian Theatre program at the University of Hawaiʻi at Mānoa in February 2024.

Tavares describes the EP as a huakaʻi — a journey through Kona Hema and through the places that raised and nourished his family.

That context matters.

"Keʻei" is not simply a song borrowing the name of a picturesque Hawaiian location. The place itself is connected to genealogy, home, ʻohana and lived experience.

At only 1:40, the song almost functions like a musical vignette — one brief stop on that journey through Kona Hema.

Pronunciation note:

Keʻei — approximately keh-EH-ee, with the ʻokina creating a distinct break between the sounds.

🌊

4. Baba Tavares — "Hanohano Hōnaunau" — 2:04 Album: Hanohano Hōnaunau

The journey continues with the title track.

Hanohano carries meanings associated with honor, dignity, distinction and glory, making the title an expression of respect and admiration for Hōnaunau.

Hōnaunau is one of the most culturally significant areas on Hawaiʻi Island.

Nearby Puʻuhonua o Hōnaunau preserves an ancient Hawaiian royal center and place of refuge associated with the traditional kapu system.

Baba Tavares also had an exceptional year at the 2026 Nā Hōkū Hanohano Awards, receiving:

🏆 Most Promising Artist 🏆 Hawaiian EP of the Year — Hanohano Hōnaunau

So if Baba Tavares is a new name to you, Hawaiʻi's recording community has already provided two very good reasons to remember it.

One important way to hear these songs is not simply as descriptions of beautiful places.

Tavares describes them as songs tied to home and ʻohana.

In Hawaiian music, geography frequently functions as far more than scenery.

Place can carry family history, ancestry, memory and identity.

🌺

5. Kalaʻe Camarillo — "Born Again" — 3:44 Album: Drifting On Island Time

Kalaʻe Camarillo returns, this time with music from his own album Drifting On Island Time, released in August 2025.

Kalaʻe's career has steadily gained recognition.

His earlier album Feel at Home won Contemporary Acoustic Album of the Year, while later work including "Sands of Old Lahaina" brought additional recognition.

And at the 2026 Nā Hōkū Hanohano Awards:

🏆 Drifting On Island Time won Contemporary Album of the Year.

"Born Again" gives us a chance to hear something beyond simply the album's obvious headline tracks.

Kalaʻe's music often has a very conversational quality.

Rather than sounding overly produced or formal, his songs often feel like someone sitting nearby, instrument in hand, telling you a story.

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6. Kalaʻe Camarillo — "Down In Makena" — 3:31 Album: Drifting On Island Time

We stay with Kalaʻe and travel musically to Mākena on Maui's south shore.

"Down In Makena" gives us another example of something that appears repeatedly throughout Hawaiian music:

The location is not simply where the story happens.

Very often, the place is part of the story itself.

That idea connects the work of Kalaʻe Camarillo with Baba Tavares, Kimié Miner and generations of Hawaiian composers before them.

Place names in Hawaiian music can contain stories about family, love, historical events, landscapes, people and personal memories that are invisible to someone simply looking at a map.

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7. Ei Nei — "Hawaiʻi Forever" — 2:56 Album: Ei Nei, Look At Us Bonus Track

Next we hear the beautiful three-part harmony of Ei Nei.

Ei Nei consists of:

🎤 Dane Fujiwara 🎤 Grant Kono 🎤 ʻEkolu Chang

The trio formed in 2016 and has built its sound around close vocal harmony, mele Hawaiʻi, original music and contemporary interpretations of Hawaiian songs.

Their album Ei Nei, Look At Us mixes original compositions with reimagined classics.

"Hawaiʻi Forever" is particularly significant because Ei Nei submitted the song for Nā Hōkū consideration in both:

• Single of the Year • Song of the Year

The group also had a very strong showing at the 2026 Nā Hōkū Hanohano Awards:

🏆 Ei Nei, Look At Us won Island Music Album of the Year.

By this point in Show 710, we've already heard four distinctly different approaches to contemporary Hawaiian music:

Kimié Miner Baba Tavares Kalaʻe Camarillo Ei Nei

Together, they provide an interesting snapshot of what recorded Hawaiian music looks and sounds like in 2025–2026.

🇯🇵🌺

8. Ei Nei — "Yappa Sukiyanen" — 3:52 Album: Ei Nei, Look At Us Bonus Track

This may be the most unexpected song in Show 710.

"Yappa Sukiyanen" — やっぱ好きやねん — is closely associated with Osaka singer and television personality Takajin Yashiki.

The original single was released on:

📅 September 21, 1986

That means September 2026 marks the song's 40th anniversary.

The title uses Kansai/Osaka-style speech and roughly expresses:

❤️ "After all, I still love you."

or

❤️ "I really do love you after all."

Ei Nei performing the song creates a fascinating musical connection between Hawaiʻi and Japan.

That relationship has deep historical roots through immigration, family connections, tourism, food, language and generations of cultural exchange.

So although the track initially seems like an unexpected diversion, it actually fits the broader story of Hawaiʻi extraordinarily well.

And because the original was released almost exactly forty years before Show 710, the timing could hardly be better.

🎋🌴

9. Martin Denny — "Japanese Farewell Song" — 2:24 Album: Exotica II

Our Japanese connection provides the perfect transition into one of the most influential musicians associated with the mid-century exotica movement:

Martin Denny.

Exotica Volume II was released in 1958 following the extraordinary success of Denny's earlier Exotica album.

The musicians associated with the project included:

🎹 Martin Denny — piano, celeste and arrangements 🥁 Arthur Lyman — vibes, marimba, xylophone and percussion 🦜 Augie Colón — percussion and the famous bird-call effects 🎸 Bernard Miller — bass 🎷 Jack Shoop — flute and saxophone 🥁 Roy Harte — drums and percussion

"Japanese Farewell Song," also known as "Sayonara," appears as track three.

Martin Denny's music occupies an interesting place in Hawaiian musical history.

Exotica wasn't traditional Hawaiian music.

Instead, it represented a mid-century American fantasy of the Pacific — blending Hawaiian, Japanese, Asian, Latin and imagined tropical elements into a stylized lounge sound.

That distinction makes exotica particularly interesting today.

It tells us something not only about music, but about how mainland America imagined Hawaiʻi and the broader Pacific during the 1950s.

🌴🎶

10. Martin Denny — "Singing Bamboos" — 2:10 Album: Exotica II

We continue directly into track four of Exotica Volume II.

"Singing Bamboos" demonstrates one of the qualities that made Martin Denny's recordings so distinctive:

texture.

Instead of focusing entirely on melody, the arrangement creates atmosphere through:

• percussion • mallet instruments • unusual timbres • spatial effects • bird calls • carefully constructed tropical ambience

That sound became closely associated with the tiki and lounge culture boom of the 1950s and early 1960s.

You can almost imagine the record spinning inside a dark Polynesian-themed cocktail lounge with bamboo walls, carved tiki figures and glowing lamps.

And that brings us directly into another major American interpretation of Hawaiʻi from almost exactly the same period.

🎬🌺

11. Elvis Presley — "Ku-U-I-Po" — 2:22 Album: Blue Hawaii

Few Hollywood productions shaped mainland America's romantic image of Hawaiʻi more strongly than Blue Hawaii.

"Ku-U-I-Po" was recorded on:

📅 March 21, 1961

at Radio Recorders in Hollywood for the film.

The soundtrack was released later that year on:

📅 October 20, 1961

The song was written by:

Hugo Peretti Luigi Creatore George David Weiss

The recording session featured an extraordinary group of musicians including:

🎸 Hank Garland 🎸 Scotty Moore 🎹 Floyd Cramer 🎷 Boots Randolph 🎸 Alvino Rey — steel guitar 🪕 Fred Tavares — ʻukulele 🪕 Bernie Lewis — ʻukulele

Vocals were supported by The Jordanaires and The Surfers.

The title uses an older spelling of the Hawaiian phrase:

kuʻu ipo

meaning approximately:

❤️ "my sweetheart" ❤️ "my beloved"

One particularly interesting musician in those sessions is Fred Tavares.

Tavares came from the legendary Hawaiian Tavares musical family and later became closely associated with Fender, contributing significantly to the development of electric and steel guitars.

"Ku-U-I-Po" is one of the gentler and more affectionate pieces from the Blue Hawaii soundtrack.

And then Elvis takes us from sweetheart…

…to supper.

🍽️🌺

12. Elvis Presley — "Ito Eats" — 1:23 Album: Blue Hawaii

"Ito Eats" was recorded one day later:

📅 March 22, 1961

The song was written by the prolific songwriting partnership of:

Sid Tepper Roy C. Bennett

Much of the same remarkable session team appears on this recording.

But this track represents a very different side of Hollywood Hawaiʻi.

"Ito Eats" is unmistakably a 1961 novelty song.

Its humor revolves around a Hawaiian character who constantly eats, including fish and poi.

Some of its characterization reflects stereotypes that were common in mainland entertainment during that period.

That distinction is worth recognizing.

We opened Show 710 with Hawaiian artists describing and expressing Hawaiʻi from within their own communities.

We end with Hollywood presenting its version of Hawaiʻi more than sixty years ago.

Those are two very different perspectives.

And hearing them side-by-side gives us an interesting way to think about how the musical image of Hawaiʻi has evolved.

🌺🌺🌺

🎙️ SHOW 710 — "HORMONAL BANANAS"

The musical theme running beneath this somewhat suspicious title is:

HAWAIʻI — PLACE, MEMORY & IMAGINATION

Tonight we hear Hawaiʻi as:

🌴 Home 🌊 Geography 👨‍👩‍👧‍👦 ʻOhana 🧬 Genealogy ❤️ Love 🇯🇵 Cultural connection 🎶 Musical experimentation 🌺 Nostalgia 🎬 Hollywood fantasy

The contemporary portion of the show also includes an unusually strong concentration of artists recognized at the 2026 Nā Hōkū Hanohano Awards:

🏆 Baba Tavares — Most Promising Artist 🏆 Hanohano Hōnaunau — Hawaiian EP of the Year

🏆 Kalaʻe Camarillo — Drifting On Island Time — Contemporary Album of the Year

🏆 Ei Nei — Ei Nei, Look At Us — Island Music Album of the Year

And tucked right in the middle is another musical coincidence:

🇯🇵 "Yappa Sukiyanen" celebrated its 40th anniversary this month, having originally been released September 21, 1986.

So Show 710 travels from contemporary Hawaiʻi…

…through Kona Hema…

…to Mākena…

…through Hawaiian-Japanese musical connections…

…into the tiki lounges of the 1950s…

…and finally onto the Hollywood set of Blue Hawaii in 1961.

All in about 34 minutes of music.

Only on Hawaiian Concert Guide.

🌺🎙️🍌

Hawaiian Concert Guide — Show 710 "Hormonal Bananas" Place, Memory & Imagination

#HawaiianConcertGuide #Show710 #HormonalBananas #HawaiianMusic #HawaiiMusic #KimieMiner #KalaeCamarillo #BabaTavares #EiNei #MartinDenny #ElvisPresley #BlueHawaii #NaHokuHanohano #MeleHawaii #HawaiianCulture #Exotica #Ukulele #Aloha

This week's playlist continues the progression from modern Hawaiian music through cultural tradition, classic exotica, and Hollywood's enduring Hawaiian legacy. The selections also feature several of the biggest winners and nominees from the 2026 Nā Hōkū Hanohano Awards, making this an excellent showcase of today's Hawaiian music scene alongside historic recordings.

1. Oli Pule

Artist: Baba Tavares Album: Hanohano Hōnaunau (2025) Length: 1:07

About the Artist

Joshua "Baba" Tavares is one of Hawaiʻi's brightest emerging Hawaiian-language composers. His debut EP Hanohano Hōnaunau earned:

• 2026 Nā Hōkū Hanohano Hawaiian EP of the Year
• Baba Tavares named Most Promising Artist of the Year.

Song Background

"Oli Pule" is not intended as entertainment.

It is an oli—a traditional Hawaiian chant—and specifically a prayer chant that opens the entire EP.

According to Baba Tavares, the chant:

• is rooted in scripture
• encourages listeners to be wiwoʻole (courageous)
• reminds us to lead with aloha
• asks for naʻauao (wisdom)

The chant establishes the spiritual foundation before beginning the musical journey through South Kona.

Musical Notes

Unlike western songs:

• no verse/chorus format
• rhythmic spoken chant
• emphasizes pronunciation and mana (spiritual power)
• accompanied only lightly

It immediately transports listeners into Hawaiian cultural practice.

Suggested On-Air Introduction

"We're opening today's program in the traditional Hawaiian way—with prayer. Baba Tavares begins his award-winning EP not with a song, but with an oli, asking for courage, wisdom, and aloha before the musical journey begins."

2. Nāpoʻopoʻo

Artist: Baba Tavares Length: 2:02

Background

Nāpoʻopoʻo is a historic village on the western coast of Hawaiʻi Island in South Kona.

The area is famous for:

• Kealakekua Bay
• Captain James Cook Monument
• ancient Hawaiian settlements
• fishing traditions
• lava coastline

The EP travels geographically through Baba's homeland, and "Nāpoʻopoʻo" is the first destination after the opening prayer.

Musical Style

Traditional Hawaiian

Features:

• gentle acoustic accompaniment
• Hawaiian language lyrics
• relaxed storytelling
• strong sense of place

The song feels like walking quietly along Kona's shoreline in the early morning.

Interesting Fact

The ipu percussion on this track is performed by Baba's mother, Kuʻuipo Tavares, making the recording a true family collaboration.

3. Kula Country Morning

Artist: Kalaʻe Camarillo Album: Drifting On Island Time Length: 3:55

About the Artist

Kalaʻe Camarillo

• born and raised in Kīhei, Maui
• third-generation musician
• music educator
• multiple Nā Hōkū Hanohano Award winner
• Kanikapila Kumu at Kamehameha Schools

His newest album won:

2026 Contemporary Album of the Year.

About Kula

Kula sits high on the slopes of Haleakalā.

Known for:

• cool mornings
• farms
• ranches
• protea flowers
• coffee
• panoramic views

The song paints an audio picture of waking up in Upcountry Maui.

Musical Feel

Country influence mixed with:

• Hawaiian acoustic guitar
• contemporary island pop
• relaxed vocal harmonies

Rather than beach music, this celebrates Maui's agricultural heart.

4. When I Miss You

Artist: Kalaʻe Camarillo Length: 3:33

Theme

A heartfelt contemporary island love song.

Unlike many traditional Hawaiian standards, this reflects today's local songwriting:

• family
• distance
• relationships
• longing

The production blends Nashville-style country influences with Hawaiian warmth.

Musical Characteristics

• acoustic guitars
• polished harmonies
• modern country rhythm
• island production

It demonstrates how Hawaiian music continues to evolve while retaining its emotional sincerity.

5. Hawaiʻi Forever (Bonus Track)

Artist: Ei Nei Album: Ei Nei, Look At Us Length: 2:56

Awards

"Hawaiʻi Forever" received the 2026 Nā Hōkū Hanohano Single of the Year award, while the album Ei Nei, Look At Us won Album of the Year and Island Music Album of the Year. The group Ei Nei also earned Group of the Year and Favorite Entertainer of the Year honors.

Song Theme

This is an uplifting anthem celebrating:

• Hawaiian identity
• cultural pride
• unity
• love for the islands

Although labeled as a bonus track, it became one of the year's biggest Hawaiian songs.

Host Talking Point

This may become one of the defining Hawaiian songs of the decade.

6. Yappa Sukiyanen (Bonus Track) Background

The title is Japanese.

"Yappa Sukiyanen"

roughly means:

"I really do love you."

or

"After all...I love you."

The inclusion reflects Hawaiʻi's deep Japanese cultural heritage.

Many local families trace ancestry to Japanese immigrants who arrived during the plantation era.

The song serves as a musical bridge between Hawaiian and Japanese cultures.

7. Soshu Night Serenade

Artist: Martin Denny Album: Exotica II Length: 2:11

About Martin Denny

Martin Denny virtually created the Exotica genre.

His music mixed:

• jazz
• Asian influences
• Polynesian percussion
• bird calls
• vibraphone
• lounge music

He became synonymous with the romantic image of tropical paradise during the 1950s.

About the Song

"Soshu" references Japan's historic Sōshū Province.

The piece evokes:

• moonlit evenings
• Japanese gardens
• gentle romance

Its delicate orchestration contrasts nicely with the more tropical selections.

8. Island of Dreams

Artist: Martin Denny Length: 2:56

Theme

Classic Exotica.

Rather than depicting an actual Hawaiian place, the song creates an imagined tropical paradise.

Typical instrumentation includes:

• vibraphone
• bamboo percussion
• exotic bird sounds
• lush orchestration

The recording captures mid-century America's fascination with the Pacific.

9. Can't Help Falling in Love

Artist: Elvis Presley Album: Blue Hawaii (1961) Length: 3:01

Historical Importance

Perhaps Elvis' most beloved ballad.

Originally written for:

Blue Hawaii (1961)

The melody is adapted from the French love song:

"Plaisir d'Amour."

Today it remains:

• one of the most performed wedding songs
• one of Elvis' signature recordings
• among the most recognizable love songs ever recorded

Hawaiian Connection

Although not originally Hawaiian in composition, the song became permanently associated with Hawaiʻi through the movie.

Millions around the world first imagined Hawaiʻi through this soundtrack.

10. Rock-A-Hula Baby

Artist: Elvis Presley Length: 2:00

About the Song

One of the most energetic numbers from Blue Hawaii.

It combines:

• early rock-and-roll
• hula references
• Hollywood fun

The song reflects how the early 1960s merged American pop culture with idealized images of Hawaiʻi.

Fun Fact

The Blue Hawaii soundtrack spent 20 consecutive weeks at No. 1 on the Billboard album chart and became one of Elvis Presley's best-selling albums, helping shape global perceptions of Hawaiʻi for an entire generation.

Hawaiian Concert Guide – Show 708 Island Time: From Contemporary Hawaiʻi to Timeless Traditions and Classic Sounds

Featured Artists: Kalaʻe Camarillo • Ei Nei • Kaleo Phillips • Martin Denny • Elvis Presley

This week on the Hawaiian Concert Guide, we take a musical journey through five distinct eras of Hawaiʻi's musical landscape. From today's contemporary island songwriting to the rich traditions of Hawaiian language music, heartfelt songs of ʻohana, the golden age of Exotica, and the unforgettable Hollywood sound of Blue Hawaii, Show 708 celebrates the many voices that have shaped—and continue to shape—the soundtrack of the Islands.

Rather than simply presenting ten great songs, this episode tells a story. It begins with modern Hawaiʻi, explores the cultural foundations of the islands, pauses to celebrate family, then looks back at how Hawaiʻi and the Pacific were imagined through mid-century American popular culture before closing with two of the most iconic songs from Elvis Presley's legendary Blue Hawaii soundtrack.

Whether you're a lifelong fan of Hawaiian music or discovering these artists for the first time, we hope this episode reminds you why Hawaiʻi's music continues to inspire listeners around the world.

Playlist 1. Drifting On Island Time

Artist: Kalaʻe Camarillo (featuring Kalaʻe) Album: Drifting On Island Time (2025)

We open Show 708 with one of the newest songs in Hawaiian contemporary music. The title track from Kalaʻe Camarillo's latest album immediately sets the tone—not as a tourist slogan, but as a reminder to slow down, appreciate the present moment, and embrace the lifestyle that makes Hawaiʻi unique. The relaxed groove, modern production, and catchy melody perfectly introduce today's generation of Hawaiian musicians.

Kalaʻe Camarillo, a third-generation music educator and award-winning singer-songwriter from Maui, has become one of Hawaiʻi's leading contemporary artists. His latest album features ten original songs blending island pop, acoustic influences, and heartfelt storytelling. (Maui News)

Length: 3:28

2. Gonna Have A Good Time

Artist: Kalaʻe Camarillo Album: Drifting On Island Time (2025)

Our second selection keeps the energy flowing with an uplifting celebration of everyday life. Beneath its feel-good chorus lies a simple but meaningful message: after the work is done and the responsibilities are met, life's greatest joy comes from spending time with the people you love.

The song showcases Kalaʻe's gift for writing contemporary music that feels authentically local without relying on stereotypes. It captures the optimism and gratitude that define so much of today's island music.

Length: 2:58

3. Ka Wā Makahiki

Artist: Ei Nei Album: Ei Nei, Look At Us

Ei Nei brings us into the heart of traditional Hawaiian culture with "Ka Wā Makahiki."

The Makahiki season marked an annual period of peace, harvest, celebration, and renewal dedicated to the Hawaiian god Lono. More than simply a festival, Makahiki represented an entire way of understanding the rhythm of nature and the passing of time.

Beautiful vocal harmonies and traditional Hawaiian lyrics remind us that Hawaiian music is deeply connected to history, language, and the land itself.

Length: 3:50

4. Star Of Gladness

Artist: Ei Nei Album: Ei Nei, Look At Us

The title "Star of Gladness" refers to Hōkūleʻa—the "Star of Gladness"—whose name today is inseparably connected with the legendary Hawaiian voyaging canoe and the renaissance of traditional Polynesian navigation.

For ancient Polynesian navigators, stars were not simply beautiful lights in the night sky—they were maps, guides, and trusted companions across thousands of miles of open ocean.

Ei Nei's rich harmonies honor this remarkable heritage while celebrating Hawaiʻi's cultural renaissance.

Length: 4:28

5. My Island Life

Artist: Kaleo Phillips Album: E Mama

"My Island Life" shifts the focus from Hawaiian history to personal identity.

Rather than describing Hawaiʻi as a vacation destination, Kaleo Phillips sings about what it truly means to grow up and live in the islands. Family, community, friendships, and everyday experiences become part of the meaning of "island life."

It's an honest portrait of belonging that resonates with anyone who calls Hawaiʻi home.

Length: 4:15

6. God Bless My Daddy (Acoustic)

Artist: Kaleo Phillips Album: E Mama

The emotional centerpiece of Show 708.

This beautiful acoustic performance is a heartfelt tribute to fathers and the lasting influence parents have on our lives. Its stripped-down arrangement allows the lyrics to shine, making the song feel intimate and deeply personal.

Coming immediately after "My Island Life," the song reminds us that the people who shape us are every bit as important as the places where we live.

Sometimes the strongest songs aren't the loudest—they're the most sincere.

Length: 3:19

7. American in Bali

Artist: Martin Denny Album: Hypnotique (1959)

Martin Denny helped create the Exotica genre during the late 1950s.

Although not traditional Hawaiian music, his recordings became inseparable from the romantic image of Hawaiʻi and the South Pacific during the tiki era. "American in Bali" blends jazz, lounge music, tropical percussion, and Asian musical colors into a uniquely American musical fantasy of the Pacific.

Recorded during the height of the Exotica movement, this selection represents an important chapter in the history of island-inspired music.

Length: 2:29

8. Japanese Sandman

Artist: Martin Denny Album: Hypnotique (1959)

Continuing our journey through Exotica, Martin Denny reimagines the classic popular song "Japanese Sandman" with his signature atmospheric arrangements.

Bird calls, vibraphones, bamboo percussion, and Asian-inspired instrumentation create a mysterious soundscape that captivated audiences during the late 1950s.

While these recordings reflect American interpretations of Asian and Pacific cultures, they also became an influential part of Hawaiʻi's entertainment history and helped introduce many listeners to tropical-inspired music.

Length: 1:35

9. Aloha ʻOe

Artist: Elvis Presley Album: Blue Hawaii (1961)

One of the most beloved songs ever associated with Hawaiʻi.

Originally written by Queen Liliʻuokalani, Hawaiʻi's last reigning monarch, "Aloha ʻOe" has become one of the world's most recognized Hawaiian songs. Elvis' respectful performance introduced generations of moviegoers to this timeless Hawaiian farewell.

The song's title means much more than simply "goodbye." It expresses love, affection, compassion, and the hope of meeting again.

Its inclusion in Blue Hawaii helped make Hawaiian music part of American popular culture.

Length: 1:53

10. No More

Artist: Elvis Presley Album: Blue Hawaii (1961)

We conclude this episode with another memorable selection from Blue Hawaii.

Although many listeners assume it is a traditional Hawaiian song, "No More" is actually adapted from the famous Spanish melody "La Paloma." Its appearance in Blue Hawaii beautifully illustrates how Hawaiian popular culture has long embraced musical influences from around the world.

The warm orchestration, romantic vocals, and tropical atmosphere provide a fitting conclusion to our musical journey across five eras of island music.

Length: 2:23

Featured Albums

• Drifting On Island Time — Kalaʻe Camarillo (2025)

• Ei Nei, Look At Us — Ei Nei

• E Mama — Kaleo Phillips

• Hypnotique — Martin Denny (1959)

• Blue Hawaii (Expanded Edition) — Elvis Presley (1961) (Apple Music - Web Player)

This Week's Musical Journey

Show 708 follows a deliberate progression through Hawaiʻi's musical heritage:

• Contemporary Hawaiʻi — Modern island songwriting with Kalaʻe Camarillo

• Traditional Hawaiʻi — Hawaiian language, history, and cultural heritage with Ei Nei

• ʻOhana & Island Living — Personal stories from Kaleo Phillips

• The Exotica Era — Martin Denny's influential tropical soundscapes

• Hollywood Hawaiʻi — Elvis Presley and the enduring legacy of Blue Hawaii

Together, these ten songs span more than six decades of music while demonstrating the remarkable diversity of Hawaiʻi's musical traditions.

Mahalo for listening to the Hawaiian Concert Guide. If you enjoyed this episode, please subscribe, leave a review, and share the podcast with friends who love Hawaiian music. Until next time—Aloha a hui hou!

🎙️ Hawaiian Concert Guide – Show #707 From Hawaiian Cowboys to Hollywood: The Many Faces of Hawaiʻi

What makes Hawaiian music uniquely powerful? It's not just beautiful melodies—it's the story of a people, their land, their faith, and the way the world has imagined paradise. This week's playlist takes listeners on a musical journey spanning more than a century of Hawaiian history and culture.

🤠 The Real Hawaiʻi Begins with the Paniolo

We open with Ei Nei's Hanohano Wale Nō Nā Cowboy (Cowboy Hula), celebrating Hawaiʻi's proud paniolo (cowboy) heritage. Many people don't realize that Hawaiian cowboys have roots stretching back to the early 1800s, when Mexican vaqueros came to teach Hawaiians how to manage the wild cattle introduced by Captain George Vancouver. The paniolo culture of Waimea on Hawaiʻi Island became one of the oldest ranching traditions in the United States—long before the American West became famous.

Ei Nei reminds us that Hawaiʻi is more than palm trees and beaches. It is a land of hardworking ranchers, rich traditions, and generations of family heritage.

🚒 Celebrating Everyday Island Life

Ka'a Ahi Kahului brings a playful look at everyday life on Maui. Songs like this are uniquely Hawaiian because they celebrate ordinary local experiences rather than romanticized island imagery. They remind us that authentic Hawaiian music often finds joy in community, humor, and shared memories.

🌙 Modern Hawaiian Voices

Eric Lee continues the journey with Waimea Moonlight and E ʻOhana Hou. His music beautifully bridges traditional Hawaiian values with contemporary production, keeping the spirit of aloha alive for new generations. The transition from the ranch lands of Waimea to songs about ʻohana creates an emotional thread that ties place and people together.

🌺 A New Generation of Hawaiian Music

Kaleo Phillips represents today's Hawaiian musicians who honor the past while embracing the future. His music blends Hawaiian language, island harmonies, and spiritual influences that remain central to many local communities.

His pairing of Koto Iwi with Just a Closer Walk with Thee illustrates something distinctly Hawaiian—the way Christianity and Hawaiian musical traditions have become intertwined over nearly two centuries. Rather than replacing Hawaiian culture, many congregations embraced Hawaiian language, vocal harmony, and local musical styles, creating a worship tradition unlike anywhere else in the world.

🌴 When America Dreamed of Paradise

The playlist then takes an intentional turn into Martin Denny's world of Exotica.

This is an important distinction: Exotica is not Hawaiian music.

Instead, it was America's mid-century fantasy of the tropics. Martin Denny combined vibraphones, jungle sounds, Asian percussion, Polynesian influences, and lush orchestration to create an imagined paradise that captivated audiences in the 1950s and 60s. His music helped inspire the Tiki movement, themed restaurants, Disney attractions, and an entire generation's perception of the South Pacific.

Understanding Exotica helps us appreciate both its artistry and the difference between authentic Hawaiian culture and Hollywood's tropical imagination.

🎬 Then Came Elvis

No artist introduced more people to Hawaiʻi than Elvis Presley.

Blue Hawaii became one of the most influential films ever made about the islands. While it presented an idealized version of paradise rather than everyday Hawaiian life, it sparked worldwide interest in visiting Hawaiʻi and introduced millions to Hawaiian-inspired music.

The transition from Martin Denny to Elvis is deliberate: one created the soundtrack of America's tropical dream, while the other brought that dream to audiences around the globe.

🌈 The Bigger Story

This week's playlist isn't simply a collection of songs—it's a musical timeline.

It moves from authentic Hawaiian traditions... to modern island voices... to spiritual expression... to America's fascination with paradise... and finally to Hollywood's enduring influence.

Every song helps tell part of Hawaiʻi's story.

🎧 Featured Artists • Ei Nei • Eric Lee • Kaleo Phillips • Martin Denny • Elvis Presley

Whether you're a lifelong fan of Hawaiian music or just beginning to explore its rich heritage, Show #707 offers a deeper appreciation for the people, history, and culture behind the music we love.

🌺 E mālama i ka mele. E mālama i ka moʻomeheu. "Preserve the music. Preserve the culture."

#HawaiianConcertGuide #HawaiianMusic #Paniolo #Waimea #SlackKey #HawaiianCulture #Mele #Aloha #MartinDenny #Exotica #BlueHawaii #ElvisPresley #IslandMusic #HawaiiHistory #Podcast #HawaiianLanguage

🌺🎙️ NOW STREAMING — Hawaiian Concert Guide Show #706 🎙️🌺

Every song has a story, and every melody carries a piece of Hawaiʻi's rich history and aloha spirit. Join Piko and Terry as they explore ten wonderful recordings that span more than a century of Hawaiian music—from classic mele and beautiful love songs to contemporary island favorites, family tributes, and even the fascinating world of Exotica.

🎧 Featured Music & Stories

🌺 Ei Nei – Ei Nei, Look At Us

❤️ Pāpālina Lahilahi "Soft Delicate Cheeks" A timeless Hawaiian love song dating back to the Hawaiian Kingdom era. Discover how Hawaiian composers used poetic imagery and hidden meanings (kaona) instead of saying "I love you" directly. Learn why this classic has become a favorite for hula dancers and has been recorded by generations of Hawaiian artists.

💧 E Kuʻu Morning Dew "My Beloved Morning Dew" Morning dew symbolizes beauty that is precious yet fleeting. We'll explore how Hawaiian composers use nature—mist, rain, flowers, and dew—to express romance, longing, and cherished memories.

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🌺 Eric Lee – The Islands Are Calling

🌸 Nā Pua Lei Aloha "The Beloved Lei Flowers" One of Hawaiʻi's most treasured farewell songs, often heard at graduations, celebrations, and moments of parting. Discover how the fading flowers of a lei became a lasting symbol that aloha continues long after saying "A Hui Hou."

🏝️ Halekulani Okinawa A beautiful tribute connecting Hawaiʻi and Okinawa through the spirit of aloha. Learn why Hawaiian music and hula have become so deeply loved throughout Japan, and how the famous Halekulani name represents hospitality "befitting heaven."

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🌺 Kaleo Phillips – E Mama

🌼 Pakalana The beloved Pakalana flower is famous for its incredible fragrance that actually becomes stronger after sunset. Discover why this treasured lei flower has become a symbol of enduring love, cherished memories, and Hawaiian romance.

👨‍👧 God Bless My Daddy A heartfelt modern song celebrating fathers, family, faith, and ʻohana. We'll discuss how contemporary Hawaiian songwriting continues to honor parents and family traditions while carrying forward timeless Hawaiian values.

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🌺 Martin Denny – Hypnotique

🎷 St. Louis Blues Originally written by W.C. Handy in 1914, this American blues classic receives Martin Denny's signature Exotica treatment. Vibraphones, tropical percussion, bird calls, and lush arrangements helped launch America's tiki and island lounge movement of the 1950s.

🌙 We Kiss in a Shadow Originally from Rodgers & Hammerstein's The King and I, this beautiful Broadway love song is transformed into a dreamy tropical soundscape. We'll explore how Exotica introduced millions of listeners to romanticized Pacific-inspired music.

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🌺 Hoʻokena – Nā Kai ʻEwalu

🤝 Mi Nei Meaning "Come Here," this gentle invitation celebrates friendship, fellowship, music, and aloha. Experience the rich vocal harmonies that made Hoʻokena one of Hawaiʻi's most respected contemporary Hawaiian groups.

🌈 Kauaʻi Beauty Our grand finale—a breathtaking musical tribute to Hawaiʻi's Garden Isle. From the majestic Nā Pali Coast and Hanalei Bay to Waimea Canyon, waterfalls, rainbows, and lush green valleys, this song captures why Kauaʻi remains one of the most beloved islands in the world.

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🎙️ On this episode, we'll also discuss:

🌺 The hidden meanings (kaona) woven throughout traditional Hawaiian songs. 🌺 Why flowers, rain, mist, and mountains are central symbols in Hawaiian poetry. 🌺 The worldwide influence of Hawaiian music—from Hawaiʻi to Okinawa and beyond. 🌺 How modern artists continue to preserve Hawaiian language and culture while writing new music for today's generation. 🌺 The surprising history of Martin Denny and the Exotica movement that introduced island-inspired sounds to audiences around the globe.

Whether you're a lifelong fan of Hawaiian music or just beginning your island journey, Show #706 offers an unforgettable blend of beautiful melodies, fascinating history, cultural insights, and the true spirit of aloha.

🎧 Tune in, relax, and let Hawaiʻi come alive through its music and stories.

🌴 Hawaiian Concert Guide – Show #706 "Sharing the Music • The Stories • The Aloha Spirit"

#HawaiianConcertGuide #HawaiianMusic #Aloha #Hoʻokena #EricLee #EiNei #KaleoPhillips #MartinDenny #Exotica #NaPuaLeiAloha #Pakalana #Kauai #IslandMusic #Hula #Ukulele #SlackKey #Podcast #MusicHistory #MadeInHawaii #AlohaSpirit

Hawaiian Concert Guide – Show 705 Theme: "Fickle Mistress"

This episode flows naturally through four movements:

1. Identity & Heritage – Traditional Hawaiian values and community.
2. Voyaging & Legacy – Remembering those who carried Hawaiian culture forward.
3. Family & Renewal – Songs of love, hope, and future generations.
4. Exotica Escape – Mid-century tropical lounge before returning home with classic Hawaiian harmony.

Opening

Welcome everyone to another edition of the Hawaiian Concert Guide.

This week we begin in the heart of Hawaiian tradition, celebrating family, community, and the enduring spirit of aloha. Along the way we'll hear legendary voices, modern artists carrying forward the tradition, and finish with another visit to the fascinating world of Martin Denny before closing with the unmistakable harmonies of Hoʻokena.

Whether you're listening from Hawaiʻi or somewhere far away where the islands are simply calling your heart home, mahalo for joining us.

Song 1 Model T Artist: Ei Nei Album: Ei Nei, Look At Us Background

Ei Nei is one of Hawaiʻi's respected contemporary Hawaiian vocal groups. Their recordings emphasize traditional language, acoustic instrumentation, and close vocal harmony rather than commercial production.

"Model T" is an unusual title for a Hawaiian recording and immediately catches attention.

Analysis

The song uses the Ford Model T as metaphor rather than merely nostalgia.

Like the famous automobile that continued working long after newer cars replaced it, the song celebrates endurance, reliability, and the value of things built to last.

Within Hawaiian culture this becomes symbolic of:

• kūpuna wisdom
• family traditions
• older ways that remain useful today
• respect for craftsmanship

Rather than chasing every modern trend, the song quietly reminds listeners that proven traditions often carry us farther than fashionable innovations.

Musically:

• relaxed swing feel
• acoustic guitar
• upright bass
• warm harmony vocals
• understated humor

The storytelling style feels very local—more "talk story" than performance.

Interesting discussion point

Many Hawaiian songs preserve everyday island life that might otherwise disappear. Cars, fishing boats, ranch work, neighborhood traditions—all become cultural history through music.

Song 2 Pua Līlia / Pulupē Nei ʻIli I Ke Anu Artist: Ei Nei Background

This medley combines two traditional Hawaiian compositions.

"Pua Līlia" references the lily flower, often symbolizing beauty, affection, and cherished memories.

"Pulupē Nei ʻIli I Ke Anu" literally evokes skin chilled by the cold—a poetic Hawaiian expression describing emotional longing as much as physical sensation.

Analysis

Together the songs explore one of Hawaiian poetry's favorite themes:

Nature reflects emotion.

Flowers become people.

Wind becomes memory.

Cold becomes loneliness.

Rain becomes tears.

This style reflects the Hawaiian poetic tradition known as kaona, where deeper meanings hide beneath seemingly simple descriptions of nature.

Listeners familiar with Hawaiian language often hear multiple layers simultaneously.

Musically the arrangement allows:

• graceful vocal blending
• flowing slack-key influenced accompaniment
• gentle tempo that lets the language breathe

Song 3 Na Mamo O Hōkūleʻa Artist: Eric Lee Album: The Islands Are Calling Background

One of the emotional highlights of today's show.

The title means:

"The Children (Descendants) of Hōkūleʻa."

Hōkūleʻa, launched in 1975, transformed Hawaiian cultural identity by proving that Polynesians intentionally navigated the Pacific using traditional celestial navigation.

Analysis

The song honors:

• navigators
• teachers
• cultural practitioners
• future generations

Rather than focusing only on the canoe itself, Eric Lee celebrates the people inspired by its voyages.

The lyrics remind listeners that everyone who learns Hawaiian language, practices hula, paddles canoe, or studies navigation becomes part of that continuing legacy.

Musically:

• contemporary Hawaiian arrangement
• uplifting chorus
• layered harmony
• strong melodic hook

This is heritage music without sounding historical.

It looks toward the future.

Discussion point

Very few cultural revival movements have succeeded as dramatically as the Hawaiian Renaissance.

Hōkūleʻa became much more than a canoe.

It became proof that cultural knowledge could be recovered.

Song 4 He Aloha No Kaʻililauokekoa Artist: Eric Lee Background

This composition is a tribute song.

The title translates approximately as:

"Love for Kaʻililauokekoa."

Many Hawaiian songs preserve individuals through musical remembrance.

Analysis

Traditional Hawaiian memorial songs are rarely mournful.

Instead they celebrate:

• character
• generosity
• family
• contribution
• continuing spiritual presence

Love never truly disappears.

It simply changes form.

Eric Lee's vocal delivery is especially sincere here, avoiding theatrical emotion in favor of heartfelt storytelling.

The arrangement leaves space for the lyrics to remain central.

Song 5 Brighter Life Artist: Kaleo Phillips Album: E Mama Background

Kaleo Phillips represents a younger generation of Hawaiian musicians who comfortably blend island contemporary music with traditional values.

Analysis

This optimistic composition centers on hope rather than nostalgia.

Themes include:

• gratitude
• resilience
• moving forward
• family support
• personal growth

Rather than ignoring life's hardships, the song suggests that aloha provides strength to overcome them.

The production feels modern without abandoning Hawaiian identity.

Expect:

• polished vocals
• contemporary rhythm
• accessible melody

This is exactly the type of music helping Hawaiian artists reach younger audiences.

Song 6 Noe Ke Alaula Artist: Kaleo Phillips Background

The title references the red glow of dawn.

Morning imagery appears frequently throughout Hawaiian mele.

Analysis

Sunrise represents:

• renewal
• forgiveness
• beginning again
• spiritual awakening

The composition encourages listeners to embrace each new day with gratitude.

The melodic phrasing mirrors the slow appearance of first light over the islands.

Instrumentally:

• relaxed guitar
• tasteful percussion
• spacious arrangement

It provides a peaceful transition before today's Exotica segment.

Exotica Segment Introduction

Now we step into another musical universe.

During the late 1950s and early 1960s America became fascinated with an imagined South Pacific.

The result became known as Exotica.

Although not authentically Hawaiian, this music introduced millions to tropical sounds and inspired later interest in genuine Hawaiian music.

No artist defined the genre more than Martin Denny.

Song 7 Chinese Lullaby Artist: Martin Denny Album: Hypnotique Background

Martin Denny frequently blended Asian influences with Polynesian instrumentation.

Analysis

This recording creates atmosphere more than narrative.

Features include:

• vibraphone
• marimba
• bamboo percussion
• bird calls
• spacious orchestration

Rather than attempting authenticity, Denny paints an idealized dreamscape.

Today listeners appreciate Exotica both as historical pop culture and as remarkable studio craftsmanship.

Song 8 Hypnotique Artist: Martin Denny Background

The title track perfectly demonstrates why Martin Denny became synonymous with Exotica.

Analysis

Everything is carefully layered.

• shimmering vibraphone
• Latin percussion
• jazz harmony
• tropical ambience

The music intentionally slows the listener's pulse.

It isn't dance music.

It isn't jazz.

It isn't Hawaiian.

It's its own unique genre.

Many modern lounge and ambient artists continue drawing inspiration from recordings like this.

Return to Hawaiian Music

After our excursion into imagined tropical paradise, we return to the authentic voices of Hawaiʻi.

Few groups have influenced modern Hawaiian harmony as profoundly as Hoʻokena.

Song 9 ʻUlili E Artist: Hoʻokena Album: Na Kai ʻEwalu Background

Hoʻokena helped define contemporary Hawaiian vocal harmony during the late twentieth century.

Their singing balances technical excellence with deep cultural respect.

Analysis

The title references the ʻulili, the wandering tattler shorebird found throughout Hawaiʻi.

Birds often symbolize:

• travelers
• messengers
• freedom
• migration

Like many traditional mele, the bird becomes a poetic stand-in for human experience.

Hoʻokena's trademark harmony creates extraordinary warmth throughout the performance.

Song 10 Roselani Blossoms Artist: Hoʻokena Background

One of Hawaiʻi's beloved standards.

The roselani rose has long symbolized affection and cherished memories.

Analysis

Although the melody feels simple, the emotional depth comes through nuanced harmony and expressive phrasing.

The song celebrates:

• enduring love
• island beauty
• treasured relationships

Hoʻokena's arrangement demonstrates why they remain among the finest Hawaiian vocal ensembles.

Every harmony line serves the melody rather than overpowering it.

It makes for a graceful conclusion to today's musical journey.

Closing Remarks

What a wonderful musical voyage today—from the enduring wisdom symbolized by an old Model T, through the cultural legacy of Hōkūleʻa, into songs of family, remembrance, and hope, then across the dreamy soundscapes of Martin Denny's Exotica before returning home with the timeless harmonies of Hoʻokena.

These recordings remind us that Hawaiian music is far more than a style. It is a living tradition that preserves language, history, genealogy, and aloha for future generations.

Mahalo for joining me for another edition of the Hawaiian Concert Guide. Until next time, mālama pono, cherish the music, support the artists, and keep Hawaiian music playing wherever you are in the world. A hui hou!

Hawaiian Concert Guide – Show 704 Molokaʻi Sweet Home Music of Home, Heritage, Harmony... and a Journey into Exotica

This episode of the Hawaiian Concert Guide celebrates one of the most enduring themes in Hawaiian music: love of home ('āina). From the quiet beauty of Molokaʻi to timeless Hawaiian standards, from contemporary voices carrying on the tradition to the fascinating world of mid-century Exotica, Show 704 takes listeners on a musical journey that explores how Hawaiʻi has inspired both those who call it home and those who dreamed of its distant shores.

Our featured artists include Ei Nei, Eric Lee, Kaleo Phillips, Martin Denny, and Hoʻokena, creating a program that blends authentic Hawaiian music with historical musical perspectives.

Opening

Welcome everyone to another edition of the Hawaiian Concert Guide! I'm Piko, and this episode is titled "Molokaʻi Sweet Home."

Tonight we're celebrating music rooted deeply in the Hawaiian Islands—songs about home, family, culture, and identity. Along the way we'll step briefly into the fascinating world of Exotica with Martin Denny before returning home again through the beautiful harmonies of Hoʻokena.

So let's begin our journey...

Ei Nei Molokaʻi Sweet Home

Album: Ei Nei, Look At Us

The show opens with a heartfelt tribute to one of Hawaiʻi's most beloved islands.

Molokaʻi has long been known as the "Friendly Isle," famous for preserving traditional Hawaiian lifestyles and remaining largely untouched by mass tourism. Unlike Waikīkī or Maui's resort communities, Molokaʻi represents old Hawaiʻi—a place where family, fishing, ranching, and community remain central to everyday life.

Musically, Ei Nei creates an intimate atmosphere using:

• rich vocal harmonies
• acoustic guitars
• gentle island rhythm
• restrained production

Rather than emphasizing technical virtuosity, the performance allows the lyrics and harmonies to communicate warmth and belonging.

The song immediately establishes the central theme of tonight's program:

Home isn't simply where you live—it becomes part of who you are.

Hiʻilawe (feat. Mālie Lyman)

Next comes one of Hawaiian music's enduring classics.

"Hiʻilawe" was written by the legendary Samuel Kalāinaina and celebrates the famous Hiʻilawe Falls in Waipiʻo Valley on Hawaiʻi Island.

Over the decades it has become one of the most frequently recorded songs in Hawaiian music, interpreted by everyone from Gabby Pahinui to contemporary artists.

Ei Nei's version is notable because it avoids trying to reinvent the classic.

Instead they focus on:

• clean vocal blend
• tasteful acoustic accompaniment
• respect for traditional melody

The addition of Mālie Lyman adds another vocal texture while maintaining the song's traditional character.

This performance serves as a reminder that Hawaiian standards continue living through each new generation of musicians.

Eric Lee E Ola No Kākou

Album: The Islands Are Calling

Eric Lee has become one of Hawaiian music's most respected singer-songwriters.

"E Ola No Kākou" translates roughly as:

"May We All Live"

or

"Life for All of Us."

Rather than focusing on one island or one family, this song expands the show's perspective toward the entire Hawaiian community.

Musically we hear:

• polished contemporary production
• strong lead vocals
• layered harmony
• modern acoustic instrumentation

The arrangement remains distinctly Hawaiian while incorporating production values that make it accessible to worldwide audiences.

Its message is optimistic, inclusive, and deeply rooted in aloha.

Ke ʻAno O Ka Hawaiʻi

The title translates as:

"The Nature of Hawaiʻi"

or

"The Character of Hawaiʻi."

Although shorter than many songs in today's playlist, it delivers an important cultural statement.

Rather than describing scenic beauty alone, the lyrics explore the qualities that define Hawaiian identity:

• aloha
• respect
• tradition
• community
• connection to the land

Musically it's concise and melodic, functioning almost like a musical reflection between larger works.

Kaleo Phillips Ka Lamakū

Album: E Mama

"Lamakū" literally means torch or beacon.

Within Hawaiian symbolism it often represents:

• guidance
• knowledge
• leadership
• passing wisdom from one generation to another

Kaleo Phillips delivers the song with emotional restraint rather than theatrical intensity.

His warm vocal style blends naturally with contemporary Hawaiian acoustic arrangements while remaining firmly grounded in traditional musical values.

It's another reminder that Hawaiian music often teaches as much as it entertains.

Kuʻulei Awapuhi / Magic Island

This medley beautifully combines two very different images.

The first half celebrates ʻawapuhi, the fragrant wild ginger flower often associated with affection and beauty.

The second half shifts geographically to Magic Island, the man-made peninsula adjoining Ala Moana Beach Park on Oʻahu.

The transition works surprisingly well because both songs celebrate cherished places through personal memories.

Arrangement highlights include:

• smooth transitions
• tasteful steel guitar textures
• flowing rhythmic accompaniment
• strong ensemble vocals

The medley creates a feeling of taking a leisurely drive through the islands, connecting people with places they love.

Exotica Segment

Tonight's Exotica segment offers an interesting contrast.

Where Hawaiian musicians perform music from within the culture, Exotica was largely created by American composers imagining distant tropical paradise.

Although not authentically Hawaiian, Exotica became enormously influential during the 1950s and helped introduce millions of listeners to sounds inspired by Polynesia and the South Pacific.

Martin Denny On a Little Street in Singapore

Album: Hypnotique

Martin Denny became known as the father of Exotica.

This piece isn't Hawaiian at all—instead it evokes Southeast Asia through a mixture of:

• vibraphone
• unusual percussion
• lounge rhythms
• atmospheric orchestration

Denny's genius wasn't documentary realism.

Instead he created musical travel postcards, inviting listeners to imagine distant exotic locations.

The recording captures the optimism and fascination with world travel that characterized post-war America.

Voodoo Dreams

One of the darker tracks in Denny's catalog.

Rather than emphasizing melody, this piece builds atmosphere through:

• tribal percussion
• dramatic orchestration
• mysterious harmonies
• rhythmic tension

It's cinematic rather than traditional.

Within today's episode, it serves as a fascinating historical contrast before we return to authentic Hawaiian voices.

Hoʻokena He Hawaiʻi Au

Album: Nā Kai ʻEwalu

Few vocal groups have represented modern traditional Hawaiian music more beautifully than Hoʻokena.

"He Hawaiʻi Au" simply means:

"I Am Hawaiian."

This is perhaps the strongest statement of identity in today's playlist.

Immediately listeners notice:

• rich four-part harmonies
• effortless vocal blend
• beautiful dynamic control
• traditional Hawaiian phrasing

After the Exotica segment, this recording feels like returning home.

The contrast is intentional.

Instead of someone imagining Hawaiʻi, we hear Hawaiians singing about themselves.

Ka Puʻulena

We conclude tonight with another treasured Hawaiian classic.

"Ka Puʻulena" has been performed by generations of Hawaiian musicians and remains one of the repertoire's most beloved mele.

Hoʻokena's arrangement showcases everything that makes the group exceptional:

• impeccable harmony
• emotional sincerity
• traditional interpretation
• outstanding ensemble balance

Rather than adding unnecessary embellishment, they allow the song's natural beauty to shine.

It is a fitting conclusion to an episode centered on home, identity, and cultural continuity.

Closing Thoughts

Tonight's playlist followed a musical arc that began on Molokaʻi, traveled through contemporary Hawaiian songwriting, paused briefly in the imagined tropical landscapes of Martin Denny's Exotica, and ultimately returned home through the timeless harmonies of Hoʻokena.

The contrast reminds us that Hawaiʻi has inspired musicians around the world for generations—but there remains something uniquely powerful about hearing these stories told by those whose roots run deep in the islands.

Whether you're listening from Hawaiʻi or halfway around the globe, we hope tonight's music has brought a little aloha into your home.

Mahalo for joining us on Hawaiian Concert Guide Show 704. Until next time, mālama pono, and aloha!

Hawaiian Concert Guide Show 703 The Bermuda Triangle

Hawaiian Concert Guide Show 703, titled "The Bermuda Triangle", is structured as a three-point journey through contemporary Hawaiian music, traditional mele, and the stylized mid-century exotica genre. The title reflects this triangular movement—authentic Hawaiian expression, modern interpretation, and the globalized "tiki-era" imagination of island sound. Rather than presenting these as competing styles, this episode places them in dialogue, allowing listeners to hear both contrast and continuity across eras and intentions.

The first portion of the show is anchored in contemporary Hawaiian music that remains deeply connected to language, land, and cultural identity. Artists like Ei Nei, Eric Lee, and Kaleo Phillips demonstrate how Hawaiian music continues to evolve while maintaining strong ties to mele traditions, storytelling, and regional pride. The midpoint exotica segment introduces a historical divergence, highlighting how Hawaiian and Pacific imagery was interpreted for global audiences in the mid-20th century. The show ultimately resolves this contrast by returning to the foundational sound of Ho'okena, whose vocal harmonies and closing oli reconnect the listener with Hawaiian cultural roots.

A notable production detail in this episode is the inclusion of material from Eric Lee's album The Islands Are Calling, which features collaborative songwriting contributions, including respected Hawaiian musician and producer Moon Kauakahi. Known for his work with Nā Leo Pilimehana and his influence as a songwriter, arranger, and producer, Moon Kauakahi's involvement adds an additional layer of musical credibility and craftsmanship to the album's compositions.

Track-by-Track Reference

"Kauikeōlani," performed by Ei Nei from the album Ei Nei, Look At Us (track 1 of 14, duration 2:18, categorized under Worldwide/Hawaiian contemporary), opens the episode with a composed and reverent tone. Ei Nei is a trio known for its refined vocal harmonies and contemporary production style, often blending Hawaiian language with modern melodic sensibilities. This track functions as a ceremonial introduction, with phrasing and pacing that evoke the structure of a mele inoa, honoring historical and cultural legacy.

"Aia I Ka Maui (Ka Maui)," also by Ei Nei from Ei Nei, Look At Us (track 2 of 14, duration 3:15, Worldwide/Hawaiian contemporary), continues with a place-based composition centered on Maui. The song reflects the Hawaiian tradition of mele ʻāina, where land is not simply described but honored as a living entity tied to identity and ancestry. Ei Nei's arrangement balances accessibility with cultural authenticity, making the piece both engaging and meaningful.

"The Islands Are Calling," performed by Eric Lee from the album The Islands Are Calling (track 1 of 10, duration 4:17, Hawaiian genre), introduces a broader melodic structure that leans into contemporary island music while maintaining Hawaiian thematic elements. The song reflects a sense of invitation and connection, often interpreted as a call back to Hawai'i for those who have left or feel spiritually tied to the islands. The album itself includes collaborative songwriting contributions, with Moon Kauakahi credited as a co-writer on select tracks, reinforcing the project's strong ties to established Hawaiian music traditions.

"Hanohano Kilauea Ku I Ka La'i," also by Eric Lee from The Islands Are Calling (track 2 of 10, duration 4:02, Hawaiian genre), is a tribute to Kīlauea. The use of the word "hanohano" places the song within the category of praise compositions, aligning with traditional mele that honor significant natural and cultural landmarks. The piece reflects both the physical presence of the volcano and its deeper cultural associations, including its connection to Pele, the Hawaiian deity of fire and volcanoes.

"Ka Nani a'o Ka'u," performed by Kaleo Phillips from the album E Mama (track 2 of 13, duration 3:55, Hawaiian genre), highlights the Ka'ū district of Hawai'i Island. Kaleo Phillips is recognized for his smooth vocal delivery and emotionally grounded songwriting. This track emphasizes regional pride and the beauty of place, continuing the episode's strong thematic focus on land and identity.

"Hilina'i Mau," also by Kaleo Phillips from E Mama (track 3 of 13, duration 3:49, Hawaiian genre), provides a reflective and emotionally centered moment in the program. The phrase suggests ongoing trust or reliance, and the song's tone supports this interpretation through its gentle pacing and expressive phrasing. It serves as a transition point before the stylistic shift into exotica.

The "Exotica Segment Intro," credited to pik00 (duration 4:10, categorized as Promo), marks a deliberate transition in the episode. This segment acknowledges a different chapter in the global perception of Hawaiian and Pacific music, one shaped more by imagination and stylization than by cultural authenticity. The intro prepares listeners for this contrast.

"Jungle Madness," performed by :contentReference[oaicite:0]{index=0} from the album Hypnotique (track 1 of 11, duration 3:35, Exotica genre), is a defining example of the exotica style. Martin Denny is widely regarded as a pioneer of the genre, which emerged in the 1950s and featured layered percussion, environmental sound effects, and an atmospheric approach to composition. While inspired by Pacific imagery, exotica music represents a Western interpretation rather than an authentic Hawaiian tradition.

"Wipe Out," performed by :contentReference[oaicite:1]{index=1} from the album Hapa Haole with a Twist (track 9, duration 1:04, Exotica genre), offers a brief and energetic surf-style interlude. Les Waikikings, a Belgian group, became known for instrumental surf interpretations with a tropical aesthetic. This track connects the exotica segment with surf rock influences, further illustrating how Hawaiian imagery spread globally in musical form.

"Mahukona," performed by Ho'okena from the album Ho'okena 5 (track 14 of 14, duration 4:39, Hawaiian genre), re-centers the episode in authentic Hawaiian music. Ho'okena is known for its mastery of vocal harmony, including the use of traditional falsetto techniques. The song references Mahukona, a historic harbor area on Hawai'i Island, continuing the theme of place-based storytelling.

"Mele O Nā Kai 'Ewalu (Oli)," also by Ho'okena from the album Nā Kai 'Ewalu (track 1 of 13, duration 1:00, Hawaiian genre), concludes the episode with a chant. As an oli, the performance is unaccompanied and rooted in Hawaiian oral tradition. The title references the "eight seas," evoking themes of navigation, connection, and heritage. Ending the show with an oli provides a strong cultural resolution, bringing the listener back to the foundational elements of Hawaiian identity.

Mahalo for joining us for Hawaiian Concert Guide Show 703, "The Bermuda Triangle." This episode demonstrates how Hawaiian music exists across multiple dimensions—traditional, contemporary, and interpreted—while always maintaining a core connection to land, language, and culture.

Hawaiian Concert Guide Podcast Show 702 - Royal Flush

Welcome to another inspiring edition of the Hawaiian Concert Guide. Episode 702, titled Royal Flush, is a heartfelt musical journey through aloha for family, love of place, worship, memory, and the unmistakable beauty of Hawaiian harmony. This episode moves gracefully from contemporary Hawaiian recordings into faith-filled expressions, pauses for a fun and nostalgic exotica interlude, and then returns home with classic Hawaiian vocal richness.

At the top of the show, we feature a special live interview with Nick and Sam, who are visiting Hilo, Hawaiʻi for the world-renowned Merrie Monarch Festival, the premier celebration of hula and Hawaiian cultural arts.

From the vibrant energy of Hilo during festival week to the deep traditions of hula, chant, and storytelling, Nick and Sam share their firsthand experiences attending one of the most significant cultural events in Hawaiʻi. Their perspective offers listeners a glimpse into the atmosphere, excitement, and reverence that define Merrie Monarch.

The selections in this episode reflect some of the deepest values found in Hawaiian music: reverence for loved ones, profound attachment to the land, gratitude to God, and the enduring power of mele to preserve both emotion and identity. The result is an episode that feels warm, reflective, and deeply rooted.

Featured Tracks 1. E Māma - Kaleo Phillips

Album: E Mama Duration: 4:01

Opening the episode is E Māma, a song that immediately establishes an intimate and reverent emotional tone. The title suggests a tribute to mother, and in Hawaiian musical tradition, songs honoring mothers often carry meanings that go beyond a single individual. They can also reflect family lineage, sacrifice, tenderness, and the continuity of aloha across generations.

Kaleo Phillips delivers the mele with restraint and sincerity, allowing the song's emotional core to remain front and center. Rather than overwhelming the listener with a dense arrangement, the song appears to rely on warmth, vocal phrasing, and a steady melodic line. That simplicity is part of its strength. Hawaiian music often does its best work when it trusts the story.

As an opening track, this selection acts as a gateway into the entire episode. It introduces a theme that echoes through several of the songs that follow: love expressed not through spectacle, but through remembrance, gentleness, and deep personal connection.

• Theme: Family love, reverence, remembrance
• Musical character: Gentle, reflective, intimate
• Why it matters: Sets the emotional and spiritual tone for the full episode

2. Puna Kuʻu Aloha - Christy Leinaʻala Lassiter

Album: Ho'i Ke Aloha - EP Duration: 3:57

Puna Kuʻu Aloha is a beautiful example of Hawaiian songwriting rooted in place. In Hawaiian mele, land is never just scenery. It is memory, identity, relationship, and presence. To sing of Puna is to sing of a living place with emotional and cultural meaning.

Christy Leinaʻala Lassiter brings grace and emotional clarity to this performance. The phrase kuʻu aloha conveys a deeply personal affection, making the title feel like a love letter to Puna itself. This is one of the distinctive strengths of Hawaiian music: the ability to treat land as beloved, not merely observed.

Puna, on Hawaiʻi Island, carries layers of meaning through its lush beauty, dynamic volcanic history, and deep cultural associations. Songs about Puna often hold a sense of longing, beauty, and transformation. This recording fits naturally within that lineage, inviting the listener to hear place as something cherished and alive.

• Theme: Love of place, emotional geography, identity
• Musical character: Flowing, melodic, affectionate
• Why it matters: Reinforces the Hawaiian tradition of connecting aloha with the land

3. Haleakalā - Christy Leinaʻala Lassiter

Album: Ho'i Ke Aloha - EP Duration: 3:37

Staying with Christy Leinaʻala Lassiter, Haleakalā shifts the focus from one beloved region to one of Hawaiʻi's most revered natural and spiritual landmarks. Haleakalā is not only a mountain; it is a place layered with story, reverence, and mythic resonance.

In Hawaiian tradition, places are often inseparable from the narratives attached to them. Haleakalā is famously associated with Māui, who was said to have lassoed the sun there. Because of that, references to Haleakalā can carry themes of time, light, wonder, and power. A song named for it naturally invites awe.

Musically, this piece feels expansive, fitting the majesty of the subject. It broadens the emotional landscape of the episode and deepens the sense that Hawaiian music can hold both personal tenderness and geographic grandeur in the same artistic frame.

• Theme: Sacred place, wonder, mythic landscape
• Musical character: Spacious, reverent, elevated
• Why it matters: Expands the episode from intimate affection into spiritual geography

4. Goodness of God - Gregory Juan

Album: Kauluwehi Duration: 3:41

With Goodness of God, the episode moves more directly into the language of testimony and praise. Though widely known in contemporary Christian music, a Hawaiian-oriented rendition invites the listener to hear the song through a different cultural lens. In this context, gratitude becomes more than a lyric theme; it connects naturally with the Hawaiian value of mahalo.

Gregory Juan's performance likely resonates because of that fusion. Contemporary worship songs can sometimes feel structurally familiar, but when interpreted with island phrasing, local vocal sensibility, and an ear for relational warmth, they can take on a more grounded and communal feeling.

This track serves as an important bridge in the episode. The earlier songs honor people and places. Here, the orientation shifts upward in gratitude toward God. That movement from family and land into faith gives the episode a natural spiritual progression.

• Theme: Gratitude, testimony, faith
• Musical character: Worshipful, warm, heartfelt
• Why it matters: Bridges Hawaiian sensibility with contemporary Christian expression

5. Hawaiʻi Aloha - Kamalei Kawaʻa

Album: Mānaiakalani Duration: 4:56

Few songs carry the emotional and cultural significance of Hawaiʻi Aloha. This is one of the most beloved anthems in Hawaiian music, often sung at the close of gatherings as a gesture of unity, affection, and enduring connection to the islands and their people.

Kamalei Kawaʻa's inclusion of this song is powerful within the context of Episode 702. After moving through songs of personal love, cherished places, and gratitude to God, this anthem broadens the circle to embrace the whole of Hawaiʻi. It becomes communal rather than only personal.

The strength of this song lies not only in melody but in function. It has become a song that people live with, sing together, and use to mark belonging. That sense of shared identity is one of the central treasures of Hawaiian music.

• Theme: Unity, homeland, shared aloha
• Musical character: Anthemic, communal, dignified
• Why it matters: One of the emotional anchors of the entire episode

6. Hoʻomana Ia Iesu (feat. Ka ʻOhana Kawaʻa) - Kamalei Kawaʻa

Album: Mānaiakalani Duration: 4:04

Hoʻomana Ia Iesu brings the episode to an explicitly devotional place. The title itself centers worship of Jesus, and the featured participation of Ka ʻOhana Kawaʻa adds a family and community dimension that is especially meaningful in Hawaiian music.

Hawaiian Christian music has long occupied an important place in the islands' musical life. What makes songs like this especially compelling is the way they join worship with family, language, and local style. Faith is not presented as abstract doctrine, but as something lived together and sung together.

The communal nature of the performance likely enhances its emotional impact. Family voices singing in harmony naturally reinforce the message. In a broader sense, this track reflects one of the recurring motifs of the episode: love becomes fullest when shared.

• Theme: Worship, family faith, shared devotion
• Musical character: Reverent, communal, spiritually centered
• Why it matters: Deepens the episode's faith dimension while preserving a strong Hawaiian identity

Exotica Segment 7. Exotica Segment Intro - pik00

Duration: 4:10

This segment intro marks a stylistic transition in the episode. Up to this point, the program has focused on music deeply rooted in Hawaiian identity, language, faith, and place. The Exotica segment steps sideways into a related but distinctly different musical world: one shaped by fantasy, lounge aesthetics, and mid-century tropical imagination.

That contrast is part of what makes the segment valuable. It offers not only variety, but also perspective. It reminds listeners that "island music" has often been interpreted and reimagined far beyond Hawaiʻi itself.

8. On the Beach at Waikīkī (mix final) - Les Waikikings

Album: Hapa haole with a twist Duration: 2:17

On the Beach at Waikīkī leans into the playful charm of tropical nostalgia. The title alone evokes postcard Hawaiʻi: surf, sand, leisure, and romance. In exotica and hapa-haole-adjacent material, the islands often become a stage for fantasy rather than an expression of local lived culture.

That does not make the piece without merit. On the contrary, tracks like this can be delightful, catchy, and historically revealing. They show how Hawaiʻi was imagined internationally and how tropical motifs were translated into entertainment music for broad audiences.

Within this episode, the song acts as a light palate cleanser. It introduces a wink of vintage fun before the program returns to more deeply rooted Hawaiian harmony.

• Theme: Tropical nostalgia, leisure, fantasy
• Musical character: Breezy, lounge-like, playful
• Why it matters: Adds historical contrast and tonal variety

9. How dya do - Les Waikikings

Album: Hapa haole with a twist Duration: 3:03

How dya do continues the exotica mood with a likely emphasis on upbeat rhythm, polished arrangement, and the stylized "tropical" sound associated with mid-century popular music. These sorts of recordings often present a cheerful, cinematic island atmosphere rather than a culturally grounded one.

For listeners of the Hawaiian Concert Guide, that difference is worth noticing. Authentic Hawaiian music often carries place, genealogy, language, and community. Exotica tends to carry mood, escapism, and fantasy. Hearing both in one episode can be educational as well as entertaining.

In programming terms, this track keeps the episode lively and prevents the emotional arc from becoming too uniform. It is a well-timed detour before the music returns to classic Hawaiian vocal artistry.

• Theme: Escapism, retro charm, tropical stylization
• Musical character: Light, rhythmic, lounge-oriented
• Why it matters: Helps frame the distinction between Hawaiian music and music inspired by Hawaiʻi

Closing Selections: Return to Hawaiian Vocal Depth 10. Ka Loke - Ho'okena

Album: Ho'okena 5 Duration: 4:16

The return from exotica to Ho'okena is a return to center. Ka Loke carries the unmistakable richness of Hawaiian group harmony and poetic sensibility. Ho'okena is known for vocal blend, emotional precision, and the ability to let the song breathe.

The title, meaning "the rose," suggests metaphor, beauty, and affection. Hawaiian songwriting frequently uses natural imagery not simply as decoration, but as a means of expressing human feeling. Flowers, winds, rains, mountains, and seas all become emotional language.

This track is especially effective late in the episode because it restores a sense of depth and rootedness after the lighter detour of the exotica set. The listener is brought back into the fuller emotional and cultural world of Hawaiian mele.

• Theme: Beauty, poetic love, emotional symbolism
• Musical character: Harmonically rich, graceful, classic
• Why it matters: Re-centers the episode in traditional Hawaiian vocal beauty

11. I Love You - Ho'okena

Album: Ho'okena 5 Duration: 4:11

I Love You closes the episode with warmth and universality. While the title is in English, the emotional spirit aligns perfectly with the rest of the program. The entire episode has, in one form or another, been about love: love for mother, love for place, love for God, love expressed in community, and love carried in harmony.

Ho'okena's treatment of a song like this likely gives it both accessibility and depth. Their vocal approach can make even a simple phrase feel timeless. That is one of the gifts of strong Hawaiian harmony: it elevates feeling without forcing it.

As a final track, this song functions almost like a benediction. It leaves the listener with a sense of peace and completion, gathering together the many emotional strands of the episode into one simple message.

• Theme: Love, closure, emotional unity
• Musical character: Gentle, harmonious, reassuring
• Why it matters: A fitting final statement for an episode built around aloha in many forms

Episode Reflection

Episode 702, E Māma, is structured with unusual emotional coherence. Even though the tracks come from different artists and include a temporary move into exotica, the overall episode still feels unified. That unity comes from its central themes: affection, reverence, gratitude, and connection.

The first portion of the program focuses on intimacy and place. E Māma, Puna Kuʻu Aloha, and Haleakalā all carry a sense of deep regard, whether for family or landscape. From there, the episode opens into spiritual testimony with Goodness of God, then broadens into collective and devotional identity through Hawaiʻi Aloha and Hoʻomana Ia Iesu.

The exotica segment introduces contrast and historical perspective, reminding listeners that Hawaiʻi has often been interpreted from afar in ways that are entertaining but not always rooted. That makes the return to Ho'okena especially satisfying. Their closing selections restore the sound of home, depth, and harmony.

If there is a single word that best describes this episode, it is aloha. Not merely as a greeting, but as a way of relating: to mother, to beloved places, to God, to family, and to one another.

Track List

1. E Māma - Kaleo Phillips - 4:01
2. Puna Kuʻu Aloha - Christy Leinaʻala Lassiter - 3:57
3. Haleakalā - Christy Leinaʻala Lassiter - 3:37
4. Goodness of God - Gregory Juan - 3:41
5. Hawaiʻi Aloha - Kamalei Kawaʻa - 4:56
6. Hoʻomana Ia Iesu (feat. Ka ʻOhana Kawaʻa) - Kamalei Kawaʻa - 4:04
7. Exotica Segment Intro - pik00 - 4:10
8. On the Beach at Waikīkī (mix final) - Les Waikikings - 2:17
9. How dya do - Les Waikikings - 3:03
10. Ka Loke - Ho'okena - 4:16
11. I Love You - Ho'okena - 4:11

Closing

Mahalo for joining us for Hawaiian Concert Guide Podcast Show 702. May these songs encourage you to remember those you love, appreciate the beauty of Hawaiʻi, and carry aloha into the week ahead.

A hui hou and malama pono.

Hawaiian Concert Guide – Show 701 Hoʻi Ke Aloha – A Return to Love

Aloha mai kākou, and welcome to another beautiful journey through the sounds of Hawaiʻi. In this episode of the Hawaiian Concert Guide, we share a thoughtfully curated set of mele that flows from intimate contemporary recordings to treasured traditional expressions, with a playful stop in our Exotica segment along the way.

Featured in this show are performances by Christy Leinaʻala Lassiter, Gregory Juan, Kamalei Kawaa, Les Waikikings, and Hoʻokena. Together, these artists bring forward themes of aloha, hula, cherished places, treasured lei, beloved flowers, and the enduring beauty of Hawaiian poetry and song.

Episode Overview

We begin with two selections from Christy Leinaʻala Lassiter's Hoʻi Ke Aloha - EP, setting a warm and inviting tone for the episode. Her recordings offer a graceful balance of modern polish and deep Hawaiian feeling, drawing the listener into songs that feel both personal and rooted in place.

From there, Gregory Juan's album Kauluwehi carries us further into the heart of Hawaiian composition, with mele that suggest affection, honor, and poetic imagery. Kamalei Kawaa follows with songs from Mānaiakalani, including material inspired by native flora and enduring love.

Our Exotica segment offers a change in color and texture with Les Waikikings and their lighthearted, lounge-inflected hapa haole stylings. To close the show, Hoʻokena reminds us why their harmonies and emotional depth remain so beloved in Hawaiian music.

Playlist

• Pālolo – Christy Leinaʻala Lassiter Album: Hoʻi Ke Aloha - EP Duration: 3:17
• Ipo Hula – Christy Leinaʻala Lassiter Album: Hoʻi Ke Aloha - EP Duration: 3:09
• He Mele no Ka Pāoʻo – Gregory Juan Album: Kauluwehi Duration: 2:42
• He Lei no Hiʻilei – Gregory Juan Album: Kauluwehi Duration: 3:21
• Pua ʻĀhihi – Kamalei Kawaa Album: Mānaiakalani Duration: 4:06
• Forevermore – Kamalei Kawaa Album: Mānaiakalani Duration: 3:13
• Exotica Segment Intro – pik00 Category: Promo Duration: 4:10
• Pagan love song – Les Waikikings Album: Hapa haole with a twist Duration: 2:46
• Aloha means I love you – Les Waikikings Album: Hapa haole with a twist Duration: 2:08
• Nou e Keali`i – Ho'okena Album: Ho'okena 5 Duration: 3:30
• Pua 'A'ali'i – Ho'okena Album: Ho'okena 5 Duration: 3:38

Track Notes Pālolo – Christy Leinaʻala Lassiter

This opening selection gently establishes the mood for the program. With a title that invokes Pālolo, the song feels grounded in a sense of place and memory. The performance carries a warm, personal quality, inviting the listener into the episode with tenderness and quiet strength.

Ipo Hula – Christy Leinaʻala Lassiter

A title like "Ipo Hula" evokes affection, beauty, and movement. This track continues the soft, graceful opening set and feels naturally connected to the language of dance and love. It is a fitting companion piece to "Pālolo," extending the emotional intimacy of the first portion of the show.

He Mele no Ka Pāoʻo – Gregory Juan

Gregory Juan brings a more traditional compositional sensibility, and this mele carries the weight of tribute and poetic intention. Songs beginning with "He Mele no…" often feel dedicated, purposeful, and rooted in the Hawaiian practice of honoring people, places, or cherished subjects through song.

He Lei no Hiʻilei – Gregory Juan

The imagery of the lei is central in Hawaiian poetic expression, symbolizing love, honor, remembrance, and adornment. This song suggests something lovingly woven together and offered with care, continuing the episode's recurring themes of affection and connection.

Pua ʻĀhihi – Kamalei Kawaa

With "pua" in the title, this mele turns our attention toward the floral world so often celebrated in Hawaiian song. Native plants and blossoms carry rich symbolic meaning, and this track adds a sense of natural beauty and delicacy to the program. Kamalei Kawaa's performance helps bridge traditional themes with a contemporary recording sensibility.

Forevermore – Kamalei Kawaa

This selection broadens the emotional palette of the episode with a title that speaks directly to lasting love and devotion. Following "Pua ʻĀhihi," it serves as a modern reflection on enduring affection while remaining at home in the overall flow of the show.

Exotica Segment Intro – pik00

Our Exotica segment intro signals a shift in atmosphere, opening the door to a more playful and stylized musical space. It gives the show a fun mid-episode change of pace while still keeping the island mood alive.

Pagan love song – Les Waikikings

Les Waikikings bring a retro lounge flavor to the episode with this exotica-inflected hapa haole performance. The sound recalls an earlier era of island-themed popular music, where romance and escapist imagery were part of the appeal. It offers a contrasting texture to the more deeply rooted Hawaiian selections elsewhere in the show.

Aloha means I love you – Les Waikikings

This charming and direct title captures the accessible, sentimental appeal of the hapa haole tradition. Placed after "Pagan love song," it keeps the Exotica segment light and nostalgic before the program returns to more emotionally grounded Hawaiian harmonies.

Nou e Keali`i – Ho'okena

Hoʻokena's unmistakable vocal blend brings immediate depth and resonance. This track feels reverent and heartfelt, and the group's delivery reminds listeners why they remain one of the most respected names in contemporary Hawaiian music. Their harmonies add emotional gravity as the episode moves toward its conclusion.

Pua 'A'ali'i – Ho'okena

Closing with a flower song is especially fitting for this episode. The ʻaʻaliʻi is often associated with resilience and steadfastness, making this an especially meaningful ending. Hoʻokena sends us out with beauty, strength, and a deep sense of Hawaiian identity.

Featured Artists

• Christy Leinaʻala Lassiter
• Gregory Juan
• Kamalei Kawaa
• Les Waikikings
• Hoʻokena

Closing

Mahalo for joining us for Hawaiian Concert Guide Show 701. This episode is a musical lei woven from songs of love, flowers, hula, memory, and enduring aloha. From the contemporary voices of Christy Leinaʻala Lassiter, Gregory Juan, and Kamalei Kawaa, to the nostalgic charm of Les Waikikings, and the rich harmonies of Hoʻokena, this show celebrates the many colors of Hawaiian music.

E mālama pono, a hui hou, and thank you for supporting the music and artists of Hawaiʻi.