In February of 1794, the Austrian composer Franz Joseph Haydn arrived in England for his second visit, and the premiere performances of some of his newest symphonies, beginning with one in E-flat Major that we know as his Symphony No. 99.

Haydn would write 104 symphonies in all—an astonishing accomplishment, considering both their quantity and quality. In typically modest fashion, Haydn once commented:

“I compose music so that the weary and worn, or the man burdened with affairs, may enjoy a few moments of solace and refreshment. I know that God has bestowed a talent upon me, and I thank Him for it. I think I have done my duty and been of use in my generation by my works. Let others do the same.”

Well, these days, as in Haydn’s, to write a symphony one needs talent and an orchestra willing to perform it. The American composer Daniel Asia has a way to go before matching Haydn’s output, but has composed at least five symphonies to date. The first was commissioned by the American Composers Orchestra and the Seattle Symphony, and received its premiere performance in Seattle, Asia’s hometown, on today’s date in 1990.

This music is from the finale of Asia’s Fourth Symphony, a commission from the Phoenix Symphony. And, perhaps thinking of Haydn’s creations of some two centuries earlier, Asia writes: “This Fourth Symphony is my most 'classical’ in structure and sound... in this piece I was rediscovering old formal ideas.”