Here Be Monsters

There is an unusual piece of carved grey stone in the hills of upstate New York.  It depicts the boot of a notorious American villain who was shot in the leg during the Battle of Saratoga.  Major General Benedict Arnold’s name is nowhere to be found on the inscription.  Instead, it refers only to the "most brilliant soldier of the Continental Army”.  The rest is implied.

Steve Sheinkin thinks that we can’t—and don’t—talk about Benedict Arnold’s actual history because it serves Americans an unpalatable contradiction.  Benedict Arnold won crucial battles for American independence, but he was also a turncoat.  

Steve was often asked to sterilize history during his career as a textbook writer.   Certain characters of the American Revolution enjoyed near godlike status.  Giving counterevidence to their omniciencense or foresight was practically blasphemy.  But that counterevidence exists, found in letters and personal journals of George Washington, Paul Revere and others.  And these records paint much more conflicted, funny, perverse and sometimes bumbling portraits of the country’s forefathers.  

But Steve’s bosses found it an issue of money.  His editors were especially risk-averse for fear of offending a seemingly all-powerful Texas State Board of Education, who, according to Steve, had no patience for course material that questioned manifest destiny, Protestant Christianity, or the free market. 

And that, Steve says, is why textbooks are boring.

Steve Sheinkin is now the author of many children’s history books that tell the stories left on the cutting room floor of his former employer.   Recent releases are about the history of the atomic bomb, the permanently undefeated Carlisle Indian School football team, and, of course, Benedict Arnold.

We adapted this episode of Here Be Monsters from a brilliant piece by Erica Heilman that she made for her own podcast, Rumble Strip.  Rumble Strip is great, listen to it.  It’s part of The Heard.  Jeff Emtman re-edited this piece with help from Bethany Denton and Nick White.

Music: Swamp Dog, The Black Spot

Ken Arnold and his wife Donna have opposite work schedules, but they are lucky to share a hobby. For the last nine years they have operated an all-volunteer group called the Puget Sound Ghost Hunters. They spend nearly every weekend together, along with a handful of other volunteers investigating paranormal activity in residential homes and notoriously haunted buildings all across western Washington. They don’t get paid for the work they do and over the years they have invested their own money into building a robust toolbox of paranormal detectors.

Puget Sound Ghost Hunters have seen some turnover recently, and Ken and Donna are in need of new team members. They put an ad up on their website and on their Facebook group inviting would-be ghost hunters to join their team of volunteers.

After a series of interviews, they narrowed it down to two candidates: Scott Harris and Tanya Routt, two people who seem to have what it takes to investigate reported paranormal activity with rigor and compassion.

But before Ken and Donna offer membership to Scott and Tanya, they arranged a trial ghost hunt to see how they behave in the field. The four of them meet at the Walker Ames House in Port Gamble, Washington. HBM producer Bethany Denton was invited to come along and record the night’s activity.

Producer: Bethany Denton
Editor: Jeff Emtman
Music: Phantom Fauna, The Black Spot

As far as gods go, Jacob Lemanski is more tepid than most.  Despite his omniscience, he feels unequipped to deal with the ethical decisions required of him.

Content Note: this episode contains a description of a domestic assault.

Jacob is the owner of AntLife, a company that makes large ant farms.  In one of his prototype farms, he was experimenting with different soil types.  One of his formulations caused a problem: tunnel collapse.  And during a cave-in, one of his ants became trapped in a small underground cavern, just inches from the surface.

In this episode, Jacob recalls his personal history with both passivity and intervention, and tries to figure out what’s best for his ants.  

Producer: Jeff Emtman
Editor: Bethany Denton
Music: The Black Spot

Growing up Mormon in Montana, Bethany Denton had a phrase drilled into her mind from an early age: “modest is hottest.”  To her, it became a mantra even while many of her friends, especially other girls, struggled with Mormonism’s strict modesty standards. But never Bethany–she was fat enough to know that no one wanted to see that anyway.

By the time Bethany moved to Washington State for college, she had rejected the church and was looking for new, broader experiences.  She got a job as a campus security officer, started drinking, and began wading into feminism.  She looked for new, non-Mormon role models to help her find adventure. That’s when she met Helen, a punk rock pirate who invited Bethany to join her for an all-expenses paid nude vacation, courtesy of an eccentric tech millionaire who evangelized the merits of nudism.

Bethany said yes, and went with Helen to California to bake in the sun for a week, and to learn about the body she’d been hiding for the past 20 years, learn to decouple nakedness from sexuality.

And when she returned, she felt utterly changed.  But she’d soon tearfully discover she was not entirely untangled from childhood guilt.

Names in this story have been changed.

This episode was written and produced by Bethany Denton, and was edited by Jeff Emtman. Nick White is HBM’s editor at KCRW.

Music:  Nym, Half Ghost, Lucky Dragons 

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There are about 10,000 files in the Here Be Monsters sound library.   HBM producer Jeff Emtman has been recording, synthesizing and downloading them since way back before this show started.  And of these thousands of sounds, there’s a tiny subset of them that just keep winding up on podcast episodes.

On this interstitial episode, Jeff plays back some of these heavily-used sounds and asks whether they occur because of an inherent goodness, a force of habit, or some kind of weird nostalgia he feels for the early days of the podcast. 

The site Jeff often downloads sound from is FreeSound.org (see Jeff’s download history).  A big thank you to the many recordists there who volunteer their work to the public domain, especially Felix Blume, a sound artist and sound engineer who is responsible for many of the site’s best recordings.

“I used to think you were brilliant” Evan Williamson’s dad wrote to him in a letter.  Evan was in treatment for chemical dependency at the time.  His father asked if they could meet in Alaska to continue a family tradition of fathers and sons who fished together.  

The Alaskan waters were teeming, and two spent entire days ending lives together.  Evan’s dad, amid all the death, explained that he too was dying.  

The Way The Blood Flows a short story written and read by Evan Williamson, who currently makes videos and music with his wife Sidra as they travel the world.  Their series is called Sid and Evan Leave America.  You can follow them on YouTube and Facebook.

Music: The Black Spot

Jeff Emtman produced this episode with help from Bethany Denton and Nick White. 

Ariadne, Jacqueline, North, and others unnamed are all part of the same system.  They share a single body.  They take turns “fronting” the body, controlling it.  And when they’re not fronting, the system members are free to roam an infinite landscape, a pocket reality that they call the “in-world”. 

Together, they go to work every day, spend time with friends and lovers, go to shows, play video games, and live many aspects of a typical life. But when multiple people with varying interests, social skills, and gender identities share a single body, some things are tough.  It’s tough to live in a world that doesn’t understand you, doesn’t know your secrets, or just wants to diagnose you.

The system members refer to their living situation as being “plural” or “multiple”.  Psychiatry calls similar situations Dissociative Identity Disorder.  The system members don’t identify with this diagnosis, as it requires the multiplicity to be hinderance.  They say it’s the opposite of a hinderance--it’s what lets them survive. 

Another perspective on multiplicity can be found in the work of philosopher John Perry.  1978, he published a paper called A Dialogue on Personal Identity and Immortality which critiques popular assumptions of personal identity.  This writing was brought to our attention by Barry Lam, the producer of a soon-to-be released philosophy podcast called Hi-Phi Nation.  

We mailed our spare recorder to the system’s home in the spring of 2016.  Over the course of several months, system members created diary entries and field recordings to share the world that Ari calls too “bright and loud”.

Producer Jeff Emtman did an interview with Jacqueline, where she also described the building process of the in-world, including the creation a spot of reverence within it--a grove of redwood trees modelled on a forest near Oakland. 

One day, Jacqueline hopes to move from the city to the wilderness and have dogs.  Jacqueline said that there are no current plans to integrate the system. 

We found out about Ari, North, Jacqueline et al because we asked for listeners to tell us their secrets.   If you have a secret you’d like to share, please get in touch. 

Content Advisory:  This episode contains a brief description of sexual violence (and casual swearing too, but we don’t usually warn you about that).  The description of sexual violence is short and mostly non-graphic.  If you don’t want to hear it,  you just need to skip ahead about two minutes when you hear us talking about the state of Georgia. 

This episode was produced by Jeff Emtman and Bethany Denton.  Nick White is HBM’s editor at KCRW.  

Music: The Black Spot

When Dylan Wright placed his first Craigslist ad back in 2006, he called himself a “nice and genuine person with waking up problems.”  He was looking for someone to help him in the mornings.  First it was phone calls, but those didn’t work, so he moved on to something more personal.

Content Note: Language

Dylan’s problem is that, left to his own devices, he sleeps and doesn’t stop sleeping: “Seventeen hours was the longest I ever slept...that’s like four times as much as some people get daily.” And he’s tried to fix it in a lot of ways—bright lights suspended over his bed hooked to a timer, multiple alarms—nothing worked.  He lost jobs, missed flights, messed up personal relationships, all because he couldn’t wake up.

So for most of the last decade, Dylan’s hired someone to come to his house, and physically wake him up.  “Nothing weird or inappropriate about this, it’s just a job.” he says.  Dylan estimates he’s had ten people fill this job.  Most of them quit abruptly, or just stopped showing up.  But he likes his current guy, who doesn’t even come into the house.   Instead, he’s taken to knocking on Dylan’s bedroom window with a long stick (that way he doesn’t have to stand in the flowerbeds).  He knocks until Dylan gets out of bed puts on clothes and makes himself some coffee.

It’s $10 per day, five days per week, sometimes six.

Lisa Cantrell produced this piece.  She’s the host of An Inexact Science, which is a podcast about human psychology.  

Music: The Black Spot