Do you have a five-minute tennis play or have you been itching to write one? On this mini episode, we put out the call. Deadline is approaching quickly so act fast! Plays are due August 27, 2021 at 11:59 PM PT.

Tori and Mabelle talk with playwright Steven Oberman about playing multiple roles as playwright/actor/director and producer in his one-man show, Blurred at the Edges, about the life of Dr. John Langdon Down.

In this mini episode, traveling Tori and Mabelle talk with Stephanie Kauffman, owner of Mose Mary and Me, a boutique custom & pop culture prayer candle company in New Orleans, LA. We even offer up a prayer... candle writing prompt.

In the Season 2 finale, Tori and Mabelle talk with Idris Goodwin about his life as an art-maker. He shares his journey from Detroit to Chicago and beyond and how all of the places shaped his life’s work and play. Along the way, he drops knowledge around freestyle cyphers, finding your tribe, expanding narratives, the empowerment of educators and students, as well as how the teacher acts as DJ, fostering the energy of students.

Tori and Mabelle talk with Jacole about her roles as La Jolla Playhouse’s Director of Arts Engagement and In-House Casting, as well as her directorial hat for the POP (Performance Outreach Program) world-premiere of Idris Goodwin’s play, "Pick Me Last". Jacole shares her  “yes, and-edness” approach to life; her mission statement as a theatremaker; LJP’s artist-driven approach and their shift to online streaming; and the joyful collaboration with other theatremakers for "Pick Me Last".

Tori and Mabelle talk with Josh about his development of “Dear ONE: Love & Longing in Mid-Century Queer America.” He shares the sacred duty of oral history storytelling, including transparency and honor, focusing on a theme, and preserving the voice of the subject. Other subjects include: the importance of a playwright’s mission statement, artistic generosity, and Josh’s continued drive to uplift the stories of every day queer folk.

Tori and Mabelle talk with powerhouse playwright, teaching artist and Southern California Dramatists Guild Rep, Diana Burbano, about her punk rock musical play, Fabulous Monsters. Other topics include music as an entry point to character development, ageism and sexism in the music industry, Latinas in the punk movement, and joy and anarchy.

Tori and Mabelle talk with the fantastically prolific and lovely human, playwright Gina Femia. Gina discusses the evolution of her play, For the Love of (or, the Roller Derby Play). Gina reveals insights into her writing process, the importance of workshopping and rewriting, and starting from a place of love.

Tori and Mabelle talk with playwright, librettist, screenwriter and educator, Kristoffer Diaz. Kristoffer discusses various works including his Pulitzer-prize finalist play, The Elaborate Entrance of Chad Deity, Football Football Football and Going Left, as well as his adaption of RENT for Fox and writing for Netflix's GLOW. Other topics include the democratization of theatre, the importance of industry relationships and “chasing the churn.”

Tori and Mabelle talk with playwright and educator, Guillermo Reyes, about his play, “That Day in Tucson,” which centers on Daniel Hernandez Jr., the young man credited with saving congresswoman Gabby Giffords’s life when a man opened fire on a crowd hitting 19 people and killing six. Guillermo reveals the challenges and triumphs of dramatizing a real-life event and discusses his upcoming streaming performances of “Men on the Verge of a His-panic Breakdown” and his new musical, “Hit Music.”